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Musical Heritage, Alterity, and Transnational Migration: Wanda Landowska’s Musical Lives Cover

Musical Heritage, Alterity, and Transnational Migration: Wanda Landowska’s Musical Lives

By: Annegret Fauser  
Open Access
|Mar 2023

References

  1. Natalie Clifford Barney, Aventures de l’esprit. Paris: Émile-Paul Frères, 1929.
  2. Alice Hudnell Cash, “Wanda Landowska and the Revival of the Harpsichord: A Reassessment,” Ph.D. dissertation, University of Kentucky, 1990.
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  4. Die Dame mit dem Cembalo: Wanda Landowska und die Alte Musik, ed. by Martin Elste. Mainz: Schott, 2010.
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  31. Carla J. Shapreau, “The Nazi Confiscation of Wanda Landowska’s Musical Collection and its Aftermath.” Polin: A Journal of Polish-Jewish Studies 32 (2020), 429–49.
  32. Astrid Swenson, The Rise of Heritage: Preserving the Past in France, Germany, and England, 1789–1914. Cambridge and New York: Cambridge University Press, 2013.
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  34. Willem de Vries, Sonderstab Musik: Music Confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi Occupation of Western Europe. Amsterdam: Amsterdam University Press, 1996.
Language: Polish
Page range: 13 - 37
Published on: Mar 10, 2023
Published by: Polish Composers\' Union
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2023 Annegret Fauser, published by Polish Composers\' Union
This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License.