Have a personal or library account? Click to login
The ‘Worlds of Cinema’ and the ‘Cinema of Worlds’: A Heideggerian Phenomenology Cover

The ‘Worlds of Cinema’ and the ‘Cinema of Worlds’: A Heideggerian Phenomenology

By:
Open Access
|Jan 2025

References

  1. Ayfre, A. (1964). Conversion aux Images? Les Images et Dieu, les Images et l’Homme. Paris: Cerf & Fils.
  2. Baker, A. (2015). A Companion to Martin Scorsese. Wiley Blackwell.
  3. Barton-Palmer, R. (2006). «2001: The Critical Reception and Generation Gap». In: R. Kolker (ed.). Stanley Kubrick’s 2001: A Space Odyssey: New Essays. Oxford: Oxford University Press, 13-28.
  4. Butler, A. (2008). «Feminist Perspectives in Film Studies». In: J. McDonald & M. Renov (eds.). The Sage Handbook of Film Studies. Thousand Oaks: Sage, 391-407.
  5. Critchley, S. (2009). Being and Time, Part 5: Anxiety. The Guardian, 6th July 2009. <https://www.theguardian.com/commentisfree/belief/2009/jul/06/heidegger-philosophy-being>
  6. De Roo, L. (2024). «An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger». Film-Philosophy, 28(1), 11-30.
  7. Elsaesser, T. (2005). European Cinema: Face to Face with Hollywood. Amsterdam: Amsterdam University Press.
  8. Gunning, T. (2009). «Invisible Cities, Visible Cinema: Illuminating Shadows in Late Film Noir». Comparative Critical Studies, 6(3), 319-332.
  9. Hanich, J. (2010). Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. Routledge.
  10. Heidegger M. (1962). Being and Time. J. Macquarrie J. & E. Robinson (trans.). London: Blackwell.
  11. Heidegger, M. (1971). «A Dialogue on Language». In On the Way to Language. New York: Harper & Row, 1–21.
  12. Heidegger, M. (1977). Question Concerning Technology and Other Essays. W. Lovitt (trans.). New York: Harper & Row.
  13. Heidegger, M. (1985). History of the Concept of Time. T. Kisiel (trans.). Bloomington and Indianapolis: Indiana University Press.
  14. Heidegger, M. (2011). «The Origin of the Work of Art». In: D. Krell (ed.). Basic Writings. London: Routledge, 83-132.
  15. hooks, b. (2012). «The Oppositional Gaze: Black Female Spectators». In: M. Diawara (ed.). Black American Cinema. New York: Routledge, 288-302.
  16. Kracauer, S. (1960). Theory of Film: The Redemption of Physical Reality. Oxford: Oxford University Press.
  17. Large, W. (2008). Heidegger’s Being and Time. Edinburgh: Edinburgh University Press.
  18. Loht, S. (2017). Phenomenology of Film: A Heideggerian Account of the Film Experience. London: Lexington Books.
  19. Loht, S. (2024) «Response to Critical Views of Phenomenology of Film». Film-Philosophy, 28(1), 113-130.
  20. Miller, P. (2021). «“System Conditions”, System Failure, Structural Racism and Anti-Racism in the United Kingdom: Evidence from Education and Beyond». Societies, 11(2), Article 42.
  21. Paalman, F. (2021). «Film and History: Towards a General Ontology». Research in Film and History, 3, 1–41.
  22. Quaranta, C. (2020). «A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship». Film-Philosophy, 24(1), 1-21.
  23. Recuber, T. (2007). «Immersion Cinema: The Rationalization and Reenchantment of Cinematic Space». Space and Culture, 10(3), 315-330.
  24. Rocamora, I. (2023). «Metaphysics of the Sequence Shot: The Gathering and Nihilating of Being in Béla Tarr’s The Turin Horse». Journal of Aesthetics & Culture, 15(1), Article 2271097.
  25. Rushton, R. (2009). «Deleuzian Spectatorship». Screen, 50(1), 45–53.
  26. Sinnerbrink, R. (2024). «Introduction: Heidegger and the Phenomenology of Film». Film-Philosophy, 28(1), 1-10.
  27. Sobchack, V. (1992). The Address of the Eye: A Phenomenology of Film Experience. Princeton: Princeton University Press.
  28. Thonhauser, G. (2021). «Beyond Mood and Atmosphere: A Conceptual History of the Term Stimmung». Philosophia, 49, 1247–1265.
  29. van Krieken, R. (2019). «Georg Franck’s ‘The Economy of Attention’: Mental Capitalism and the Struggle for Attention». Journal of Sociology, 55(1), 3–7.
  30. Williams, J. (2018). Stand Out of Our Light: Freedom and Resistance in the Attention Economy. Cambridge: Cambridge University Press.
  31. Yacavone, D. (2014). Film worlds: A Philosophical Aesthetics of Cinema. New York: Columbia University Press.
DOI: https://doi.org/10.2478/phainomenon-2024-0003 | Journal eISSN: 2183-0142 | Journal ISSN: 0874-9493
Language: English
Page range: 43 - 59
Submitted on: Mar 28, 2024
Accepted on: Dec 26, 2024
Published on: Jan 2, 2025
Published by: Faculdade de Letras da Universidade de Lisboa
In partnership with: Paradigm Publishing Services
Publication frequency: 2 times per year

© 2025 Ben Trubody, published by Faculdade de Letras da Universidade de Lisboa
This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 License.