Have a personal or library account? Click to login
When Art is Religion and Vice Versa. Six Perspectives on the Relationship between Art and Religion Cover

When Art is Religion and Vice Versa. Six Perspectives on the Relationship between Art and Religion

By: Frank G. Bosman  
Open Access
|Aug 2020

References

  1. Adams D and Apostolos-Cappadona D (1987) Art as religious studies. Insights in the Judeo-Christian traditions. In idem (eds) Art as religious studies. Eugene: Wipf and Stock Publishers, pp. 3-11.
  2. Alexander E and Alexander M (2008) Museum in motion. An introduction to the history and functions of museum. Second edition. Lanham: Rowman & Little-field.
  3. Arp H (1957) Dadaland. In Arp H, Huelsenbeck R, and Tzara T (eds) Die Geschichte des Dadaismus. Dichtung und Chronik der Gründer, Zürich: Die Arche.
  4. Bennett R, Kerrigan F, and O’Reilly D (2012) Introduction. In idem (eds) New horizons in art, heritage, nonprofit and social marketing. London: Routledge.10.4324/9780203722398
  5. Ball H (1996) Flight out of time, edited by Elderfield J. London: University of California Press.10.1525/9780520354388
  6. Bohlman Ph and Engelhardt J (2016) Resounding transcendence. An introduction. In idem (eds), Resounding transcendence. Transitions in music, religion, and ritual. New York: Oxford University Press.10.1093/acprof:oso/9780199737642.001.0001
  7. Bosman F (2019) Gaming and the divine. A new systematic theology of video games. London: Routledge.10.4324/9780429507892
  8. Bosman F (2018) The bell tolled six on Easter Sunday. The motif of the harrowing of hell in the video game Child of Light. In Sarot M and Wieringen A van (eds) The Apostles’ Creed. ‘He Descended into hell’. Leiden: Brill, pp. 160-184.10.1163/9789004366633_010
  9. Bosman F (2015) Die Laute von Byzanz. Byzantinisches Christentum: zur fehlenden Verbindung zwischen Dada und Catholica im Leben Balls. Hugo Ball Almanach 6: 71-91.
  10. Bosman F (2014) ‘Gottes Ursprache’. Hugo Ball’s Theology of Sound. In Lintner M (ed) God in Question. Religious language and secular languages, Brixen: A. Weger, pp. 397-412.
  11. Braun M and Teubner T, eds (2011) Hugo Ball. Der magische Bischof der Avantgarde. Heidelberg: Das Wunderhorn.
  12. Brown F (2014) Introduction. Mapping the terrain of religion and the arts. In idem (ed) Religion and the arts. Oxford: Oxford University press, pp. 1-24.10.1093/oxfordhb/9780195176674.013.037
  13. Brown F (2000) Good taste, bad taste, & Christian taste. Aesthetics in religious life. New York: Oxford University Press.
  14. Buggeln G (2015) Museum space and the experience of the sacred. The journal of objects, art and belief 8(1): 30-50.10.2752/175183412X13286288797854
  15. Campbell J (2008) The Hero with the Thousand Faces, Novato: New World Library.
  16. Casanova J (2009) The religious situation in Europa. In Wiegandt K and Joas H (eds) Secularization and the world religions. Liverpool: Liverpool University Press.10.2307/j.ctt5vj9xt.14
  17. Chyssavgis J (2012) Orthodox spirituality. In Tyler P and Woods R (eds.), The Bloombury Guide to Christian spirituality. London: Bloomsbury, pp. 82-93.
  18. Cobb K (2005) The Blackwell guide to theology and popular culture. Oxford: Blackwell publishing.10.1002/9780470774731
  19. Conforti P (1997) Spirituality. In Winiarski M (ed.), HIV Mental health for the 21st Century. London: New York University Press.
  20. Dalgleish G (2000) Myths and realities of Jacobite relics. In Fladmark J (ed) Heritage and museums. Shaping national identity. London: Routledge, pp. 91-102.
  21. Davies S (1991) Definitions of art. London: Cornell University Press.10.7591/9781501721182
  22. Dillenberger J (1998) The religious art of Andy Warhol. New York: Continuum.
  23. Duncan C (1994) Art museums and the ritual of citizenship. In Pearce S (ed) Interpreting objects and collections. London: Routledge, pp. 279-186.
  24. Flanagan K (2001) Religion and modern personal identity. In Harskamp A van and Musschenga A (eds) The many faces of individualism. Leuven: Peeters.
  25. Frayling C (2011) On craftmanship. Towards a new Bauhaus. London: Oberon Books.
  26. Groot K de (2018) The liquidation of the church. London: Routledge.
  27. Harman S (2015) Child of Light is a dark fairy tale RPG brimming with potential. VG247.com, www.vg247.com/2014/04/03/child-of-light-is-a-dark-fairy-tale-rpg-brimming-with-potential [accessed 11-05-19].
  28. Harrisville R (2004) Encounter with Grunewald. Currents in theology and mission 31(1): 5-14.
  29. Hauser A (1965) Mannerism. The crisis of the renaissance and the origin of modern art. Cambridge: Belknap Press.
  30. Hayum A (1989) The Isenheim alterpiece. God’s medicine and the painter’s vision. New York: Princeton University Press.
  31. Hefner P (1989) The evolution of the created co-creator. In Peters T (ed) Cosmos as creation. Science and theology in consonance. Nashville: Abingdon.
  32. Hefner P (1993) The human factor. Evolution, culture, and religion. Minneapolis: Fortress Press.
  33. Hefner P (1996) Theological perspectives on morality and human evolution. In Richardson W and Wildman W (eds) An evolving dialogue. Theological and scientific perspectives on evolution. Harrisburg: Trinity Press International.
  34. Howell B (2013) In the eyes of God. A metaphorical approach to biblical anthropomorphic language. Cambridge: Pickwick Publications.10.2307/j.ctt1cgf0wh
  35. Howes G (2007) The art of the sacred. An introduction to the aesthetics of art and belief. London: I.B. Tauris.10.5040/9780755604388
  36. Janco M (1969) Dada créateur. In Verkauf W (ed) Dada, monographie d’un mouvement, Teufen: A. Niggli.
  37. Joas H (2009) The religious situation in the USA. In Wiegandt K and Joas H (eds) Secularization and the world religions. Liverpool: Liverpool University Press.10.2307/j.ctt5vj9xt
  38. Koestlé-Cate J (2016) Art and the church. A fractious embrace. Ecclesiastical encounters with contemporary art. London: Routledge.10.4324/9781315567952
  39. Korte A-M (2014) Blasphemous feminist art. Incarnate politics of identity in postsecular perspective. In Braidotti R, Blaagaard B, Graauw T, Midden E, and Graauw T de (eds) Transformations of religion in the public sphere. New York: Palgrave/MacMillen, pp. 228-248.10.1057/9781137401144_13
  40. Kuspit D (2005) The end of art. New York: Cambridge University Press.
  41. Kuenzli R (1979) The Semiotics of Dada Poetry. In Foster S and Kuenzli R (eds) Dada Spectrum: The Dialectics of Revolt, Iowa City: The University of Iowa, pp. 52-70.
  42. Lewis A (2015) Child of Light. Stories Behind the Stories. Ubi.com, http://blog.ubi.com/child-light-stories-behind-stories [accessed 11-05-19].
  43. Mann Ph (1987) Hugo Ball. An Intellectual Biography. London: Institute of Germanic Studies.
  44. Martland T (1981) Religion as art. An interpretation. Albany: State University of New York Press.
  45. Mellinkoff R (1988) The devil at Isenheim. Reflections of popular belief in Grünewald’s alterpiece. Berkeley: University of California Press.10.2307/431020
  46. Middleton J (2005) The liberating image. The Imago Dei in Genesis 1. Grand Rapids: Brazos Press.
  47. Molendijk A (1999) In defence of pragmatism. In Platvoet J and Molendijk A (eds) The pragmatics of defining religion. Contexts, concepts, and contests. Leiden: Brill, pp. 3-22.10.1163/9789004379091_005
  48. Morris P (2014) The end of multiculturalism? Religion, sovereignty and the nation state. In Mansouri F and B’béri B de (eds) Global perspectives on the politics of multiculturalism in the 21st century. London: Routledge.10.4324/9781315769332-13
  49. Nicholis B (1979) Contextualization a theology of gospel and culture. Vancouver: Regent College Publishing.
  50. Noguez D (2015) Lenin dada. Essay, translated and edited by Straumann P and Morgenthaler J. Zürich: Limmat Verlag.
  51. Otto R (1917) Das Heilige. München: C. H. Beck.
  52. Paine C (2013) Religious objects in museums. Private lives and public duties. London: Bloomsbury.
  53. Prodan S (2014) Michelangelo’s Christian mysticism. Spirituality, poetry, and art in 16th century Italy. New York: Cambridge University Press.10.1017/CBO9781107338944
  54. Robinson D (2016) Understanding the ‘Imago Dei’. The thought of Barth, von Balthasar and Moltmann. London: Routledge.10.4324/9781315549095
  55. Rubin W (1969) Dada and surrealist art, London: Abrams.
  56. Sassower R and Cicotello L (2000) The golden Avant-garde. Idolatry, commercialism, and art. London: University Press of Virginia.
  57. Sauerländer W (2011) Der Katholische Rubens. Heilige und Märtyrer. Münich: C.H. Beck.
  58. Sedlmayr H (2017) Art in crisis. The lost center. Milton: Taylor and Francis.10.4324/9781315082103
  59. Siedell D (2015) Who’s afraid of modern art? Essays on modern art and theology in conversation. Eugene: Cascade Books, pp. 44-65.
  60. Simmons J (2016) Museums. A history. Lanham: Rownman & Littlefield.
  61. Stakemeier K and Vishmidt M (2016) Reproducing autonomy. Work, money, crisis, and contemporary art. Berlin: Mute Books.
  62. Steinman G (2015) Child of Light. Poetry in Motion. Ubi.com, http://blog.ubi.com/child-light-poetry-motion [accessed 11-05-19].
  63. Stock W-M (2012) Denkumsturz. Hugo Ball. Eine intellektuelle Biographie, Göttingen: Wallstein Verlag.
  64. Streib H (2007) Religious Praxis—de-institutionalized. Theoretical and empirical considerations. In idem (ed) Religion inside and outside traditional institutions. Leiden: Brill.10.1163/ej.9789004157927.i-322.43
  65. Usselmann N (2018) A sacred look. Becoming cultural mystics. Theology of popular culture. Eugene: Wipf and Stock Publishers.
  66. Wacker B, ed (1996) Dionysius DADA Areopagita. Hugo Ball und die Kritik der Moderne. Paderborn: Schöningh.
  67. White E (1998) The Magic Bishop. Hugo Ball, Dada Poet. Columbia: Camden House.
  68. Zehetner C (2000) Hugo Ball. Portrait einer Philosophie. Vienna: Turia und Kant (2000).
DOI: https://doi.org/10.2478/perc-2020-0013 | Journal eISSN: 2284-7308 | Journal ISSN: 1224-984X
Language: English
Page range: 3 - 20
Published on: Aug 10, 2020
Published by: Emanuel University Press
In partnership with: Paradigm Publishing Services
Publication frequency: 3 issues per year

© 2020 Frank G. Bosman, published by Emanuel University Press
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.