Abstract
When reading the masterpiece about “The Agon Motif” by John W. Loy and W. Robert Morford (2019), I was struck by their recurrent reference to the pursuit of honor in agonal sport contests, as it has become common sense to replace honor with dignity in modernity. I take the German social-philosopher Axel Honneth (1995) as a prime example of spelling out the replacement of honor with dignity in what he names “the struggle for recognition”. In a historical perspective, however, it looks like, that dignity can be understood as a distribution of honor rather than as an oppositional concept of honor. Recognition should not only be conceptualized at the categorical level, but also understood in terms of ‘comparative recognition’, which sorts members of a group into an intra-group hierarchy based on their relative merits and, thereby, pave the way for self-esteem (Mark, 2014). Furthermore, Honneth (2008) develops his concept of recognition to a two-level one by including a primordial recognition in terms of mimesis based upon his former concept of basic self-confidence. It is a kind of elementary responsiveness, which always and necessarily contains an element of involuntary openness or devotedness in the bodily-affective sphere. Therefore, I suggest taking mimesis as the precondition of honor into account and understanding dignity as a distribution of honor in the institution of modern sport.