References
- Abdel-Fattah, R. (2005). Does my head look big in this? Sydney: Macmillan Publishers.
- Adams, P. (2007). Atlantic reverberations: French representations of an American presidential election. Aldershot: Ashgate.
https://doi.org/10.4324/9781351162883 - Annett, S. (2014). Anime fan communities: Transcultural flows and frictions. London: Palgrave Macmillan.
https://doi.org/10.1057/9781137476104 - Baker, C. (2015). Gender and geopolitics in the Eurovision song contest. Contemporary Southeastern Europe, 2(1), 74–93.
- Bengtsson, E., Källquist, R., & Sveningsson, M. (2018). Combining new and old viewing practices: Uses and experiences of the transmedia series “Skam”. Nordicom Review, 39(2), 63–77.
https://doi.org/10.2478/nor-2018-0012 - Christian, A. J. (2018). Open TV: Innovation beyond Hollywood and the rise of web television. New York: New York University Press.
- Dannreuther, R., & March, L. (2010). Introduction. In R. Dannreuther, & L. March (Eds.), Russia and Islam: State, society, and radicalism (pp. 1–8). Abingdon, UK: Routledge.
https://doi.org/10.4324/9780203854211 - Dittmer, J., & Dodds, K. (2008). Popular geopolitics past and future: Fandom, identities and audiences. Geopolitics, 13(3), 437–457.
https://doi.org/10.1080/14650040802203687 - Dittmer, J., & Gray, N. (2010). Popular geopolitics 2.0: Towards new methodologies of the everyday. Geography Compass, 4(11), 1664–1677.
https://doi.org/10.1111/j.1749-8198.2010.00399.x - Dodds, K. (2008). ‘Have you seen any good films lately?’ Geopolitics, international relations and film. Geography compass, 2(2), 476–494.
https://www.doi.org/10.1111/j.1749-8198.2008.00092.x - Fuller, D. (2019). The multimodal reader: Or, how my obsession with NRK's Skam made me think again about readers, reading and digital media. Participations: Journal of Audience and Reception Studies, 16(1), 496–509.
- Glathe, J. (2016). Football fan subculture in Russia: Aggressive support, readiness to fight, and far right links. Europe-Asia Studies, 68(9), 1506–1525.
https://doi.org/10.1080/09668136.2016.1244260 - Glynn, K., & Cupples, J. (2015). Negotiating and queering US hegemony in TV drama: Popular geopolitics and cultural studies. Gender, Place & Culture: A Journal of Feminist Geography, 22(2), 271–287.
https://doi.org/10.1080/0966369X.2013.855711 - Hellekson, K., & Busse, K. (2014). Introduction: Why a fan fiction studies reader now? In. K. Hellekdon, & K. Busse (Eds.), The fan fiction studies reader (pp. 1–17). Iowa City: The University of Iowa Press.
- Hunter, S., Melikishvili, A., & Thomas, J. L. (2004). Islam in Russia: The politics of identity and security. Armonk, New York: ME Sharpe.
https://doi.org/10.4324/9781315290133 - Hutchings, S., & Tolz, V. (2015). Nation, ethnicity, and race on Russian television: Mediating post-Soviet difference. Abingdon, UK: Routledge.
https://doi.org/10.4324/9781315722863 - Krüger, S., & Rustad, G. C. (2019). Coping with shame in a media-saturated society: Norwegian web-series Skam as transitional object. Television & New Media, 20(1), 72–95.
https://doi.org/10.1177/1527476417741379 - Levada Centre. (2019, August 1). Rossiiski medialandshaft 2019 [Russian Media Landscape 2019].
https://www.levada.ru/2019/08/01/rossijskij-media-landshaft-2019/ - Macgregor Wise, J. (2017). Assemblage. In L. Ouellette, & J. Grey (Eds.), Keywords for media studies (pp. 16–17). New York: New York University Press.
- Manovich, L. (2002). The language of new media. Cambridge, Massachusetts: MIT Press.
- Naghibi, N., & O’Malley, A. (2005). Estranging the familiar: “East” and “West” in Satrapi's Persepolis. English Studies in Canada, 31(2), 223–247.
https://doi.org/10.1353/esc.2007.0026 - O’Halloran, K. L. (2004). Introduction. In K. L. O’Halloran (Ed.), Multi-modal discourse analysis: Systemic functional perspectives (pp. 1–7). New York: Continuum.
- Persson, E. (2015). Banning “homosexual propaganda”: Belonging and visibility in contemporary Russian media. Sexuality & Culture, 19(2), 256–274.
https://doi.org/10.1007/s12119-014-9254-1 - Ratilainen, S. (2019a). Independent and popular? Russian youth videos in the age of globalization. In V. Strukov, & S. Hudspith (Eds.), Russian culture in the age of globalization (pp. 240–263). Abingdon, UK: Routledge.
https://doi.org/10.4324/9781315626628 - Ratilainen, S. (2019b, February 28). Russian fans of Norwegian TV series Skam. Nordics.info.
http://nordics.info/show/artikel/russian-fans-of-norwegian-tv-series-shame/ - Samutina, N. (2013). The care of the self in the 21st century: Sex, love and family in Russian Harry Potter fan fiction. Digital Icons: Studies in Russian, Eurasian, and Central-European New Media, 10, 17–46.
https://www.digitalicons.org/wp-content/uploads/issue10/files/2014/01/DI-10-2-Samutina.pdf - Samutina, N. (2016). Fan fiction as world-building: Transformative reception in crossover writing. Continuum, 30(4), 433–450.
https://doi.org/10.1080/10304312.2016.1141863 - Samutina, N. (2017). Emotional landscapes of reading: Fan fiction in the context of contemporary reading practices. International Journal of Cultural Studies, 20(3), 253–269.
https://doi.org/10.1177/1367877916628238 - Satrapi, M. (2000). Persepolis. Paris: L’Association.
- Saunders, R. A., & Vessels, J. (2019). Televisual diplomacy: I am the ambassador and Danish nation branding at home and abroad. Politics, 39(4), 430–447.
https://doi.org/10.1177/0263395718805403 - Schoonover, K., & Galt, R. (2016). Queer cinema in the world. Durham, North Carolina: Duke University Press.
- Uffelmann, D. (2014). Is there a Russian cyber empire? In M. Gorham, I. Lunde, & M. Paulsen (Eds.), Digital Russia: The language, culture and politics of new media communication (pp. 266–284). London: Routledge.
https://doi.org/10.4324/9781315816470 - Varis, P., & Wang, X. (2011). Superdiversity on the Internet: A case from China. Diversities, 13(2), 71–83.
http://www.unesco.org/shs/diversities/vol13/issue2/art5 - Verkhovsky, A. (2010). Russian approaches to radicalism and ‘extremism’ as applied to nationalism and religion. In. R. Dannreuther, & L. March (Eds.), Russia and Islam: State, society, and radicalism (pp. 26–43). Abingdon, UK: Routledge.
https://doi.org/10.4324/9780203854211 - Vertovec, S. (2006). The emergence of super-diversity in Britain [Centre on Migration, Policy and Society Working Paper No. 25, University of Oxford, UK].
https://www.compas.ox.ac.uk/wp-content/uploads/WP-2006-025-Vertovec_Super-Diversity_Britain.pdf