Agger, G. (2011). Adaptioner, spinoffs og selvstændige produktioner: Strategier i svensk og dansk tv-krimi [Adaptations, spinoffs, and independent productions: Strategies in Swedish and Danish television crime]. Kosmorama, 248, 161–179. https://www.kosmorama.org/kosmorama/arkiv/248/adaptioner-spinoffs-og-selvstaendige-produktioner
Biesen, S. C. (2016). Binge-watching “noir” at home: Reimagining cinematicreception and distribution via Netflix. In K. McDonald, & D. Smith-Rowsey (Eds)., The Netflix effect: Technology and entertainment in the 21st century (pp. 129–142). New York: Bloomsbury.
Briel, R. (2018, February 22). MTG's Viaplay unveils streaming figures. Broadband TV News. https://www.broadbandtvnews.com/2018/02/22/mtgs-viaplay-unveils-streaming-figures/
Bruun, H. (2018). Licence fees, platform neutrality, and public service obligation. In D. Johnson (Ed.), From networks to Netflix: A guide to changing channels (pp. 77–84). New York: Routledge. https://doi.org/10.4324/9781315658643
Burch, S. (2013). Banal nordism: Recomposing an old song of peace. In P. Aronsson, & L. Fradén (Eds.), Performing Nordic heritage: Everyday practices and institutional culture (pp. 129–162). Surrey: Ashgate. https://doi.org/10.4324/9781315599991
Creeber, G. (2013). Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television. The Journal of Popular Television, 3(1), 21–35. https://doi.org/10.1386/jptv.3.1.21_1.
Danish Film Institute (DFI). (2019). Vilkår for støtte til Public Service Puljen [Terms of support for the public service fund]. https://www.dfi.dk/files/docs/2018-04/Vilk%C3%A5r_PSP_1_maj_2016.pdf
European Commission. (2018). Audiovisual media services directive. https://ec.europa.eu/digital-single-market/en/audiovisual-media-services-directive-avmsd
Gomez-Uribe, C. A., & Hunt, N. (2015). The Netflix recommender system: Algorithms, business value, and innovation. ACM Transactions on Management Information Systems, 6(4), 13:1–19. http://dx.doi.org/10.1145/2843948
Hansen, K. T. (2020a). From Nordic Noir to Euro noir: Nordic Noir influencing European SVoD serial drama. In A. Nestingen, J. Seeppälä, & L. Badley (Eds.), Nordic Noir adaptation and appropriation: Film, television, and beyond. Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-38658-0
Hansen, K. T. (2020b). Glocal perspectives on Danish television drama: Co-producing commercial public service crime dramas. In P. M. Jensen, E. N. Redvall, & A. M. Waade (Eds.), Danish television drama: Global lessons from a small nation (in press). Basingstoke: Palgrave Macmillan.
Hansen, K. T., & Waade, A. M. (2017). Locating Nordic Noir: From Beck to The Bridge. Basingstoke: Palgrave Macmillan. https://www.doi.org/10.1007/978-3-319-59815-4
Hjort, M. (2009). On the plurality of cinematic transnationalism. In N. Ďurovičová, & K. Newman (Eds.), World cinemas, transnational perspectives (pp. 12–33). New York: Routledge. https://doi.org/10.4324/9780203882795
Hughes, S. (2018, September 20). The BBC's Bodyguard is becoming a ‘Netflix Original’. So who gets the credit? The Guardian. https://www.theguardian.com/commentisfree/2018/sep/20/bbc-bodyguard-netflix-original-streaming
Jensen, P. M. (2016). Global impact of Danish drama series: A peripheral, non-commercial creative counterflow. Kosmorama, 263. https://www.kosmorama.org/en/kosmorama/artikler/global-impact-danish-drama-series-peripheral-non-commercial-creative-counter
Johnson, D. (2018). Pop: Television guides and recommendations in a changing channel landscape. In D. Johnson (Ed.), From networks to Netflix: A guide to changing channels (pp. 3–22). New York: Routledge. https://doi.org/10.4324/9781315658643
Navne, H. (2015, May 21). Er det store stygge Netflix-dyr farligt for film og tv? [Is the big ugly Netflix beast dangerous to movies and TV?] Politiken. https://politiken.dk/magasinet/feature/art5621838/Er-det-store-stygge-Netflix-dyr-farligt-for-film-og-tv
Nielsen, J. I. (2016). The Danish way to do it the American way. Kosmorama, 263. https://www.kosmorama.org/en/kosmorama/artikler/danish-way-do-it-american-way
Norwegian Film Institute (NFI). (2019). Utvikling og produksjon av dramaserie etter konsulentvurdering [Development and production of drama series after consultancy assessment]. https://www.nfi.no/soktilskudd/dramaserier/konsulentvurdering
Pham, A. (2018, April 19). Nordic public broadcasters launch ‘Nordic 12’. Nordisk Film & TV Fund. http://www.nordiskfilmogtvfond.com/news/stories/nordic-public-broadcasters-launch-nordic-12
Ramsey, P. (2017). Commercial public service broadcasting in the United Kingdom: Public service, television, regulation, and the market. Television & New Media, 18(7), 639–654. https://doi.org/10.1177%2F1527476416677113
Roxborough, S. (2018, October 10). Netflix content quota in Europe may lead to TV buying spree. The Hollywood Reporter. https://www.hollywoodreporter.com/news/netflix-content-quota-europe-may-lead-tv-buying-spree-1150805
Saunders, R. A. (2019a). Geopolitical television at the (b)order: liminality, global politics, and world-building in The Bridge. Social & Cultural Geography, 20(7), 981–1003. https://doi.org/10.1080/14649365.2017.1404122
Swahnberg, O. (2018, October 4). NENT takes on Netflix in battle for Nordic streaming market as it readies for listing. Reuters. https://www.reuters.com/article/us-mtg-nordic-entertainment-group/nent-takes-onnetflix-in-battle-for-nordic-streaming-market-as-it-readies-for-listing-idUSKCN1ME1SJ
Syvertsen, T., Enli, G., Mjøs, O. J. & Moe, H. (2014). The Nordic media welfare state: Nordic media in the digital age. Ann Arbor, Michigan: University of Michigan Press. https://www.doi.org/10.1353/book.36850
The Nordic Council of Ministers. (2014). Agreement 2015–2019: Nordic Film & TV Fund.http://cdn.nordiskfilmogtvfond.com/assets/download/Agreement-of-the-fund-English-translation.docx