Have a personal or library account? Click to login
Open Access
|Sep 2020

References

  1. Agger, G. (2011). Adaptioner, spinoffs og selvstændige produktioner: Strategier i svensk og dansk tv-krimi [Adaptations, spinoffs, and independent productions: Strategies in Swedish and Danish television crime]. Kosmorama, 248, 161–179. https://www.kosmorama.org/kosmorama/arkiv/248/adaptioner-spinoffs-og-selvstaendige-produktioner
  2. Arrow Films. (n.d.). Nordic Noir & Beyond. http://nordicnoir.tv
  3. Bergman, K. (2014). Swedish crime fiction: The making of Nordic Noir. Milano: Mimesis.
  4. Biesen, S. C. (2016). Binge-watching “noir” at home: Reimagining cinematicreception and distribution via Netflix. In K. McDonald, & D. Smith-Rowsey (Eds)., The Netflix effect: Technology and entertainment in the 21st century (pp. 129–142). New York: Bloomsbury.
  5. Billig, M. (1995). Banal nationalism. London: Sage Publications.
  6. Briel, R. (2018, February 22). MTG's Viaplay unveils streaming figures. Broadband TV News. https://www.broadbandtvnews.com/2018/02/22/mtgs-viaplay-unveils-streaming-figures/
  7. Bruun, H. (2018). Licence fees, platform neutrality, and public service obligation. In D. Johnson (Ed.), From networks to Netflix: A guide to changing channels (pp. 77–84). New York: Routledge. https://doi.org/10.4324/9781315658643
  8. Burch, S. (2013). Banal nordism: Recomposing an old song of peace. In P. Aronsson, & L. Fradén (Eds.), Performing Nordic heritage: Everyday practices and institutional culture (pp. 129–162). Surrey: Ashgate. https://doi.org/10.4324/9781315599991
  9. Creeber, G. (2013). Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television. The Journal of Popular Television, 3(1), 21–35. https://doi.org/10.1386/jptv.3.1.21_1.
  10. Danish Film Institute (DFI). (2019). Vilkår for støtte til Public Service Puljen [Terms of support for the public service fund]. https://www.dfi.dk/files/docs/2018-04/Vilk%C3%A5r_PSP_1_maj_2016.pdf
  11. Dunleavy, T. (2018). Complex serial drama and multiplatform television. New York: Routledge. https://doi.org/10.4324/9781315682310
  12. European Commission. (2018). Audiovisual media services directive. https://ec.europa.eu/digital-single-market/en/audiovisual-media-services-directive-avmsd
  13. Gomez-Uribe, C. A., & Hunt, N. (2015). The Netflix recommender system: Algorithms, business value, and innovation. ACM Transactions on Management Information Systems, 6(4), 13:1–19. http://dx.doi.org/10.1145/2843948
  14. Hansen, K. T. (2020a). From Nordic Noir to Euro noir: Nordic Noir influencing European SVoD serial drama. In A. Nestingen, J. Seeppälä, & L. Badley (Eds.), Nordic Noir adaptation and appropriation: Film, television, and beyond. Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-38658-0
  15. Hansen, K. T. (2020b). Glocal perspectives on Danish television drama: Co-producing commercial public service crime dramas. In P. M. Jensen, E. N. Redvall, & A. M. Waade (Eds.), Danish television drama: Global lessons from a small nation (in press). Basingstoke: Palgrave Macmillan.
  16. Hansen, K. T., & Waade, A. M. (2017). Locating Nordic Noir: From Beck to The Bridge. Basingstoke: Palgrave Macmillan. https://www.doi.org/10.1007/978-3-319-59815-4
  17. Hjort, M. (2009). On the plurality of cinematic transnationalism. In N. Ďurovičová, & K. Newman (Eds.), World cinemas, transnational perspectives (pp. 12–33). New York: Routledge. https://doi.org/10.4324/9780203882795
  18. Hughes, S. (2018, September 20). The BBC's Bodyguard is becoming a ‘Netflix Original’. So who gets the credit? The Guardian. https://www.theguardian.com/commentisfree/2018/sep/20/bbc-bodyguard-netflix-original-streaming
  19. Imre, A. (2018). HBO's e-EUtopia. Media Industries, 5(2), 49–68. http://dx.doi.org/10.3998/mij.15031809.0005.204
  20. Jensen, P. M. (2016). Global impact of Danish drama series: A peripheral, non-commercial creative counterflow. Kosmorama, 263. https://www.kosmorama.org/en/kosmorama/artikler/global-impact-danish-drama-series-peripheral-non-commercial-creative-counter
  21. Johnson, C. (2019). Online TV. New York: Routledge. https://doi.org/10.4324/9781315396828
  22. Johnson, D. (2018). Pop: Television guides and recommendations in a changing channel landscape. In D. Johnson (Ed.), From networks to Netflix: A guide to changing channels (pp. 3–22). New York: Routledge. https://doi.org/10.4324/9781315658643
  23. Lotz, A. (2007). The television will be revolutionized. New York: New York University Press.
  24. McDonald, K., & Smith-Rowsey, D. (2016). The Netflix effect: Technology and entertainment in the 21st century. New York: Bloomsbury.
  25. Navne, H. (2015, May 21). Er det store stygge Netflix-dyr farligt for film og tv? [Is the big ugly Netflix beast dangerous to movies and TV?] Politiken. https://politiken.dk/magasinet/feature/art5621838/Er-det-store-stygge-Netflix-dyr-farligt-for-film-og-tv
  26. Nielsen, J. I. (2016). The Danish way to do it the American way. Kosmorama, 263. https://www.kosmorama.org/en/kosmorama/artikler/danish-way-do-it-american-way
  27. Nordisk Film & TV Fund. (2019). Retningslinjer [DK] 2019 [Guidelines (DK) 2019]. http://cdn.nordiskfilmogtvfond.com/assets/download/Guidelines_DK_2019.pdf
  28. Nordvision. (2018). Retningslinjer for Nordvision [Nordvision guidelines]. https://www.nordvision.org/fileadmin/webmasterfiles/Retningslinjer/Retningslinjer_feb_2018.pdf
  29. Norwegian Film Institute (NFI). (2019). Utvikling og produksjon av dramaserie etter konsulentvurdering [Development and production of drama series after consultancy assessment]. https://www.nfi.no/soktilskudd/dramaserier/konsulentvurdering
  30. Peacock, S. (2014). Swedish crime fiction: Novel, film, television. Manchester: Manchester University Press.
  31. Pham, A. (2018, April 19). Nordic public broadcasters launch ‘Nordic 12’. Nordisk Film & TV Fund. http://www.nordiskfilmogtvfond.com/news/stories/nordic-public-broadcasters-launch-nordic-12
  32. Ramsey, P. (2017). Commercial public service broadcasting in the United Kingdom: Public service, television, regulation, and the market. Television & New Media, 18(7), 639–654. https://doi.org/10.1177%2F1527476416677113
  33. Roxborough, S. (2018, October 10). Netflix content quota in Europe may lead to TV buying spree. The Hollywood Reporter. https://www.hollywoodreporter.com/news/netflix-content-quota-europe-may-lead-tv-buying-spree-1150805
  34. Saunders, R. A. (2019a). Geopolitical television at the (b)order: liminality, global politics, and world-building in The Bridge. Social & Cultural Geography, 20(7), 981–1003. https://doi.org/10.1080/14649365.2017.1404122
  35. Saunders, R. A. (2019b). Small screen IR: A tentative typology of geopolitical television. Geopolitics, 24(3), 691–727. https://doi.org/10.1080/14650045.2017.1389719
  36. Stougaard-Nielsen, J. (2017). Scandinavian crime fiction. New York: Bloomsbury.
  37. Swahnberg, O. (2018, October 4). NENT takes on Netflix in battle for Nordic streaming market as it readies for listing. Reuters. https://www.reuters.com/article/us-mtg-nordic-entertainment-group/nent-takes-onnetflix-in-battle-for-nordic-streaming-market-as-it-readies-for-listing-idUSKCN1ME1SJ
  38. Syvertsen, T., Enli, G., Mjøs, O. J. & Moe, H. (2014). The Nordic media welfare state: Nordic media in the digital age. Ann Arbor, Michigan: University of Michigan Press. https://www.doi.org/10.1353/book.36850
  39. The Nordic Council of Ministers. (2014). Agreement 2015–2019: Nordic Film & TV Fund. http://cdn.nordiskfilmogtvfond.com/assets/download/Agreement-of-the-fund-English-translation.docx
DOI: https://doi.org/10.2478/nor-2020-0012 | Journal eISSN: 2001-5119 | Journal ISSN: 1403-1108
Language: English
Page range: 123 - 137
Published on: Sep 10, 2020
Published by: University of Gothenburg Nordicom
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2020 Kim Toft Hansen, published by University of Gothenburg Nordicom
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.