References
- Aarhus University. (2019). What makes Danish TV drama series travel?
https://danishtvdrama.au.dk - Agger, G. (2011). Emotion, gender and genre: Investigating The Killing. Northern Lights: Film & Media Studies Yearbook, 9(1), 111–125.
https://doi.org/10.1386/nl.9.111_1 - Bergman, K. (2014). Swedish crime fiction: The making of Nordic Noir. Milan: Mimesis.
- Brodén, D. (2011). The dark ambivalences of the welfare state: Investigating the transformations of the Swedish crime film. Northern Lights: Film & Media Studies Yearbook, 9(1), 95–109.
https://doi.org/10.1386/nl.9.95_1 - Glynn, K., & Cupples, J. (2015). Negotiating and queering US hegemony in TV drama: Popular geopolitics and cultural studies. Gender, Place & Culture: A Journal of Feminist Geography, 22(2), 271–287.
https://doi.org/10.1080/0966369X.2013.855711 - Jensen, P. M. (2016). Global impact of Danish drama series: A peripheral, non-commercial creative counterflow. Kosmorama, 263.
https://www.kosmorama.org/en/kosmorama/artikler/global-impact-danish-drama-series-peripheral-non-commercial-creative-counter - Jensen, P. M., & Jacobsen, U. C. (Eds.) (2020). The global audiences of Danish television drama. Gothenburg: Nordicom, University of Gothenburg.
- Nestingen, A. (2008). Crime and fantasy in Scandinavia: Fiction, film, and social change. Seattle: University of Washington Press and Copenhagen: Museum Tusculanum Press.
- Nestingen, A. (2011). Unnecessary officers: Realism, melodrama and Scandinavian crime fiction in transition. In A. Nestingen, & P. Arvas (Eds.), Scandinavian crime fiction (pp. 34–45). Cardiff: University of Wales Press.
- ReNEW. (2018, October). Research Clusters.
https://www.helsinki.fi/en/researchgroups/reimagining-nordenin-an-evolving-world/about/research-clusters - Robertson R. (1992). Globalization: Social theory and global culture. London: Sage.
http://dx.doi.org/10.4135/9781446280447 - Saunders R. A., & Strukov, V. (2017). The popular geopolitics feedback loop: Thinking beyond the ‘Russia versus the West’ paradigm. Europe-Asia Studies, 69(2), 303–324.
https://doi.org/10.1080/09668136.2017.1299114 - Saunders, R. A. (2019a). Small screen IR: A tentative typology of geopolitical television. Geopolitics, 24(3), 691–727.
https://doi.org/10.1080/14650045.2017.1389719 - Saunders R.A. (2019b) Geopolitical television at the (b)order: Liminality, global politics, and world-building in The Bridge. Social & Cultural Geography, 20(7), 981–1003.
https://doi.org/10.1080/14649365.2017.1404122 - Stougaard-Nielsen, J. (2017). Scandinavian crime fiction. New York: Bloomsbury.
- Syvertsen, T., Enli, G., Mjøs, O., & Moe, H. (2014). The media welfare state: Nordic media in the digital era. Ann Arbor, Michigan: The University of Michigan Press.
https://doi.org/10.3998/nmw.12367206.0001.001 - Waade, A. M. (2013). Wallanderland: Medieturisme og skandinavisk tv-krimi [Wallanderland: Media tourism and Scandinavian TV-crime]. Aalborg, Denmark: Aalborg Universitetsforlag.