Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel
References
- Agnew, J. A. (1998). Geopolitics: Re-visioning world politics. New York: Routledge.
https://doi.org/10.4324/9780203413739 - Appadurai, A. (1996). Modernity at large: Cultural dimensions of globalization. Minneapolis: University of Minnesota Press.
- Booth, M. (2015). The almost nearly perfect people: Behind the myth of the Scandinavian utopia. New York: Picador.
- Bos, D. (2018). Answering the Call of Duty: Everyday encounters with the popular geopolitics of military-themed videogames. Political Geography, 63, 54–64.
https://doi.org/10.1016/j.polgeo.2018.01.001 - Cohen, S. B. (2003). Geopolitics of the world system. Lanham, Maryland: Rowman & Littlefield.
- Cosgrove, D. E. (1984). Social formation and symbolic landscape. Madison: University of Wisconsin Press.
- Davidson, P. (2005). The idea of the north. London: Reaktion Books.
- De Carvalho, B., & Sande Lie, J. H. (2014). A great power performance: Norway, status and the policy of involvement. In B. De Carvalho, & I. B. Neumann (Eds.), Small state status seeking: Norway's quest for international standing (pp. 56–72). London: Routledge.
https://doi.org/10.4324/9781315758817 - DeLue, R. Z., & Elkins, J. (Eds.). (2008). Landscape theory. New York: Routledge.
https://doi.org/10.4324/9780203929834 - Dodds, K. (2008). Hollywood and the popular geopolitics of the war on terror. Third World Quarterly, 29(8), 1621–1637.
https://doi.org/10.1080/01436590802528762 - Dodds, K. (2011). Gender, geopolitics, and surveillance in The Bourne Ultimatum. Geographical Review, 101(1), 88–105.
https://doi.org/10.1080/01956050903450895 - Dodds, K. (2018). Ice: Nature and culture. London: Reaktion Books.
- Doyle, J. (2016). If you like Nordic Noir, watch Nobel – Peace at Any Price. The Globe and Mail.
https://www.theglobeandmail.com/arts/television/john-doyle-if-you-like-nordic-noir-watch-nobel-peace-atany-price/article33322344/ - Drezner, D. W. (2016). You should watch the best show about international relations on television right now. Washington Post.
https://www.washingtonpost.com/posteverything/wp/2016/2002/2019/you-should-watch-the-best-show-about-international-relations-on-television-right-now/?utm_term=.cf2018e0109b2057c - Dyer-Witherford, N., & De Peuter, G. (2008). Armed vision and the banalization of war: Full Spectrum Warrior. In J. Marchessault, & S. Lord (Eds.), Fluid screens, expanded cinema (pp. 316–327). Toronto: University of Toronto Press.
- Dyson, S. B. (2015). Otherworldly politics: The international relations of Star Trek, Game of Thrones, and Battlestar Galactica. Baltimore: Johns Hopkins University Press.
- Dyson, S. B. (2018). In the tv thriller ‘Occupied,’ Russia has western democracy on the run. Washington Post.
https://www.washingtonpost.com/news/monkey-cage/wp/2018/2003/2019/in-the-tv-thriller-occupied-russia-has-western-democracy-on-the-run/?utm_term=.5871cec28507 - Eichner, S., & Waade, A. M. (2015). Local colour in German and Danish television drama: Tatort and Bron/Broen. Global Media Journal (German Edition), 5(1), 1–20.
- Ellis, J. (2018, June 6). Trends: Producing drama – for international or domestic markets? [Conference presentation]. Transnational Television Drama: Tastes, Travels, and Trends, University of Aarhus, Denmark.
- Elviken, A. (1931). The genesis of Norwegian nationalism. The Journal of Modern History, 3(3), 365–391.
- Forshaw, B. (2012). Death in a cold climate – A guide to Scandinavian crime fiction. Basingstoke, UK: Palgrave MacMillan.
- Fuglestad, E. M. (2018). The nation as propertied community: The emergence of nationalism in the United States and Norway. Studies in Ethnicity and Nationalism, 18(3), 237–261.
https://doi.org/10.1111/sena.12281 - Fyhri, A., Steen Jacobsen, J. K., & Tømmervik, H. (2009). Tourists’ landscape perceptions and preferences in a Scandinavian coastal region. Landscape and Urban Planning, 91(4), 202–211.
https://doi.org/10.1016/j.landurbplan.2009.01.002 - Glynn, K., & Cupples, J. (2015). Negotiating and queering US hegemony in TV drama: Popular geopolitics and cultural studies. Gender, Place & Culture: A Journal of Feminist Geography, 22(2), 271–287.
https://doi.org/10.1080/0966369X.2013.855711 - Godal, B. T. (2016). En god alliert – Norge i Afghanistan 2001–2014 [A good ally – Norway in Afghanistan]. Oslo: Departementenes sikkerhets- og serviceorganisasjon Informasjonsforvaltning.
- Güney, A., & Gökcan, F. (2010). The “greater Middle East” as a “modern” geopolitical imagination in American foreign policy. Geopolitics, 15(1), 22–38.
https://doi.org/10.1080/14650040903420370 - Gunnarsson, T. (1998). Nordic landscape painting in the nineteenth century. New Haven: Yale University Press.
- Hains, T. (2016). Trump: NATO is obsolete and expensive, “doesn’t have the right countries in it for terrorism”. Real Clear Politics.
https://www.realclearpolitics.com/video/2016/03/27/trump_europe_is_not_safe_lots_of_the_free_world_has_become_weak.html - Hale, M. (2017). On Netflix, the borders remain open. New York Times.
https://www.nytimes.com/2017/03/13/arts/television/netflix-fauda-nobel-review.html - Hansen, K. T., & Waade, A. M. (2017). Locating Nordic Noir: From Beck to The Bridge. Cham: Palgrave Macmillan.
https://www.doi.org/10.1007/978-3-319-59815-4 - Harper, G., & Rayner, J. (2010). Cinema and landscape: Film, nation and cultural geography. Chicago: Intellect.
- Herwig, H. H. (2016). The demon of geopolitics: How Karl Haushofer “educated” Hitler and Hess. Lanham, Maryland: Rowman & Littlefield.
- Høyem, S. (2015). Black & gold [Song]. On Black & gold. Hektor Grammofon.
- Jay, M. (1988). Scopic regimes of modernity. In H. Foster (Ed.), Vision and visuality (pp. 3–23). Seattle: Bay Press.
- Kellner, D. M. (2011). Cinema wars: Hollywood film and politics in the Bush-Cheney Era. New York: John Wiley & Sons.
https://www.doi.org/10.1002/9781444314809 - Kiersey, N. J., & Neumann, I. B. (Eds.). (2013). Battlestar Galactica and international relations. London: Routledge.
https://doi.org/10.4324/9780203070055 - Kirchik, J. (2016a). Cold War nostalgia: What German television tells us about today's Europe. Weekly Standard.
http://www.weeklystandard.com/cold-war-nostalgia/article/2002366# - Kirchik, J. (2016b). The Norwegian TV series that's enraged the Kremlin. Politico.
http://www.politico.eu/article/occupied-norwegian-tv-series-thats-enraged-the-kremlin-norway-russia-occupation/ - Lefebvre, H. (1991). The production of space. Cambridge: Blackwell.
- Lefebvre, M. (2007a). Between landscape and setting in the cinema. In M. Lefebvre (Ed.), Landscape and film (pp. 19–60). London: Routledge.
- Lefebvre, M. (Ed.) (2007b). Landscape and film. London: Routledge.
https://doi.org/10.4324/9780203959404 - Leyda, J. (2018). Petropolitics, cli-fi and Occupied. Journal of Scandinavian Cinema, 8(2), 83–101.
https://doi.org/10.1386/jsca.8.2.83_1 - Lowenthal, D. (1982). Revisiting valued landscapes. In J. R. Gold, & D. Burgess (Eds.), Valued environments (pp. 74–99). London: Allen & Unwin.
- Lukinbeal, C. (2005). Cinematic landscapes. Journal of Cultural Geography, 23(1), 3–22.
https://doi.org/10.1080/08873630509478229 - MacKenzie, S., & Westerstahl Stenport, A. (2015). Films on ice: Cinemas of the Arctic. Edinburgh: Edinburgh University Press.
- McAlister, M. (2005). Epic encounters: Culture, media, and U.S. interest in the Middle East since 1945. Berkeley: University of California Press.
- McElroy, R., & Noonan, C. (2019). Producing British television drama: Local production in a global era. London: Palgrave Macmillan.
- Melton, M. (2016). Bear lurking in the fjords: Review of TV2's Occupied. Providence.
https://providencemag.com/2016/03/bear-lurking-fjords-review-tv2-occupied-okkupert/ - Metz, C. (1982). The imaginary signifier: Psychoanalysis and the cinema. Bloomington: Indiana University Press.
- Mitchell, W. J. T. (2002). Landscape and power. Chicago: University of Chicago Press.
- Moïsi, D. (2016). La géopolitique des séries ou le triomphe de la peur [The geopolitics of series or the triumph of fear]. Paris: Stock.
- Morlin-Yron, S. (2017). Why Morocco is Africa's little Hollywood. CNN.
https://edition.cnn.com/2016/11/07/africa/morocco-hollywood-films/index.html - Mrozewicz, A. E. (2018). Beyond Eastern noir: Reimaging Russia and Eastern Europe in Nordic cinemas. Edinburgh: Edinburgh University Press.
- Nestingen, A., & Arvas, P. (Eds.). (2011). Scandinavian crime fiction. Cardiff: University of Wales Press.
- Norberg-Schulz, C. (1996). Nightlands: Nordic building. Cambridge, Massachusetts: MIT Press.
- Olwig, K. R. (2004) “This is not a landscape”: Circulating reference and land shaping. In H. Palang, H. Sooväli, M. Antrop, & G. Setten (Eds.) European rural landscapes: Persistence and change in a globalising environment (pp. 41–66). Dordrecht: Kluwer.
- Ó Tuathail, G. (1996). Critical geopolitics. Abingdon, UK: Taylor & Francis.
https://doi.org/10.4324/9780203973059 - Pham, A. (2015a). Aksel Hennie stars in high end Nobel TV drama. Nordisk Film & TV Fond.
http://www.nordiskfilmogtvfond.com/news/stories/aksel-hennie-stars-high-end-nobel-tv-drama/ - Pham, A. (2015b). Erik Skjoldbjærg: “Occupied questions how people would react to radical change.” Nordisk Film & TV Fond.
http://www.nordiskfilmogtvfond.com/news/stories/erik-skjoldbjaerg-occupied-questions-how-people-would-react-radical-change - Pham, A. (2016). Nobel director: I love getting into people's head and creating drama that is both personal and entertaining. Nordisk Film & TV Fond.
http://www.nordiskfilmogtvfond.com/news/interview/nobel-director-i-love-getting-into-peoples-head-and-creating-drama-that-is-both-personal-and-entertaining - Pottie-Sherman, Y., & Wilkes, R. (2016). Visual media and the construction of the benign Canadian border on National Geographic's Border Security. Social & Cultural Geography, 17(1), 81–100.
https://doi.org/10.1080/14649365.2015.1042400 - Rapoza, K. (2017). Norwegian TV series ‘Occupied’ hints At U.S. leaving NATO, and Russia invading. Forbes.
https://www.forbes.com/sites/kenrapoza/2017/10/01/norwegian-tv-series-occupied-hints-at-u-s-leaving-nato-and-russia-invading/#79b03bbf771e - Redvall, E. (2016). The concept of “double storytelling” in Danish public TV drama. In S. Maras (Ed.), Ethics in screenwriting: New perspectives (pp. 33–54). London: Palgrave Macmillan.
- Rees, E. (2016). Privilege, innocence, and “petro-guilt” in Maria Sødahl's Limbo. Scandinavian Studies, 88(1), 42–59.
https://10.5406/scanstud.88.1.42 - Roberts, L. (2012a). Cinematic cartography: Projecting place through film. In L. Roberts (Ed.), Mapping cultures: Place, practice, performance (pp. 68–84). Houndsmills, UK: Palgrave Macmillan.
- Roberts, L. (2012b). Film, mobility and urban space – a cinematic geography of Liverpool. Liverpool: Liverpool University Press.
- Roberts, L. (2016). Landscapes in the frame: Exploring the hinterlands of the British procedural drama. New Review of Film and Television Studies, 14(3), 364–385.
https://doi.org/10.1080/17400309.2016.1189712 - Said, E. (1978). Orientalism. New York: Vintage Books.
- Saunders, R. A. (2017). Popular geopolitics and nation branding in the post-Soviet realm. New York: Routledge.
https://doi.org/10.4324/9781315737386 - Saunders, R. A. (2019a). Geopolitical television at the (b)order: Liminality, global politics, and world-building in The Bridge. Social & Cultural Geography, 20(7), 981–1003.
https://doi.org/10.1080/14649365.2017.1404122 - Saunders, R. A. (2019b). Small screen IR: A tentative typology of geopolitical television. Geopolitics, 24(3), 691–727.
https://doi.org/10.1080/14650045.2017.1389719 - Shaheen, J. (2001). Reel bad Arabs: How Hollywood vilifies a people. New York: Olive Branch Press.
- Shaw, T. (2007). Hollywood's cold war. Amherst, Massachusetts: University of Massachusetts Press.
- Stougaard-Nielsen, J. (2017). Scandinavian crime fiction. New York: Bloomsbury.
- Telegraph, T. (2017). From Wallander to A Very Secret Service: The 10 best foreign TV shows on Netflix. The Telegraph.
http://www.telegraph.co.uk/on-demand/0/the-best-foreign-drama-shows-on-netflix/occupied--okkupert-norway/ - Turner, G., van Zoonen, L, & Harvey, J. (2014). Confusion, control and comfort: Premediating identity management in film and television. Information, Communication & Society, 17(8), 986–1000.
https://doi.org/10.1080/1369118X.2013.870592 - Van Jelgerhuis, D. (2015). Resurgence of cold war imagery in western popular culture. Tallahassee, Florida: Florida State University.
- Wolcott, J. (2016). The Norwegian thriller that predicts the disaster of Trump's geopolitical outlook. Vanity Fair.
https://www.vanityfair.com/hollywood/2016/07/occupied-norwegian-thriller-netflix-donald-trump - Woodward, R. (2014). Military landscapes: Agendas and approaches for future research. Progress in Human Geography, 38(1), 40–61.
https://doi.org/10.1177/0309132513493219 - Woolridge, A. (2013a). Northern lights (Special report: The Nordic countries). The Economist.
https://www.economist.com/news/special-report/21570840-nordic-countries-are-reinventing-their-model-capitalism-says-adrian - Woolridge, A. (2013b). Norway: The rich cousin. (Special report: The Nordic countries). The Economist.
https://www.economist.com/special-report/2013/01/31/the-rich-cousin - World Nuclear Association. (2019). Thorium. Retrieved August 20, 2019, from
http://www.world-nuclear.org/information-library/current-and-future-generation/thorium.aspx - Zimmer, C. (2015). Surveillance cinema. New York: New York University Press.
Language: English
Page range: 63 - 83
Published on: Sep 10, 2020
Published by: University of Gothenburg Nordicom
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year
Keywords:
Related subjects:
© 2020 Robert A. Saunders, published by University of Gothenburg Nordicom
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.