Abstract
This essay investigates forensic fiction as a trend in televised crime fiction and argues that this trend or subgenre is particularly interesting if we are to understand how surveillance is portrayed in contemporary society. The essay looks particularly into an extremely popular example of forensic fiction, namely CSI and its two spin-offs CSI: NY and CSI: Miami. Through a discussion of the conceptions of knowledge, crime and power, which seem to come forth in the three CSI series, the present article argues that the particular blend of technological optimism, positivism and moralism that can be witnessed in forensic fiction in general, and in CSI in particular, is important to understanding how popular culture lends a certain normalization of surveillance to everyday life