Have a personal or library account? Click to login

Disruption and transformation in media events theory: The case of the Euromaidan Revolution in Ukraine

Open Access
|May 2022

References

  1. Afineevsky, E. (Director). (2015, October 9). Winter on fire: Ukraine’s fight for freedom [Film]. Afineevsky – Tolmor Production; Campbell Grobman Films; Makemake; Netflix; Passion Pictures; Pray for Ukraine Production; Rock Paper Scissors Entertainment; Rock Paper Scissors; SPN Production; UkrStream TV.
  2. Barthes, R. (1973). Mythologies (A. Lavers, Trans.). Paladin. (Original work published 1957)
  3. Bolin, G. (2009). Television textuality: Textual forms in live television programming. Nordicom Review, 30(1), 37–53. https://doi.org/10.1515/nor-2017-0137
  4. Bolin, G. (2010). Media events, Eurovision and societal centers. In N. Couldry, A. Hepp, & F. Krotz (Eds.), Media events in a global age (pp. 124–138). Routledge. https://doi.org/10.4324/9780203872604
  5. Bolin, G., Jordan, P., & Ståhlberg, P. (2016). From nation branding to information warfare: Management of information in the Ukraine–Russia conflict. In M. Pantti (Ed.), Media and the Ukraine crisis: Hybrid media practices and narratives of conflict (pp. 3–18). Peter Lang.
  6. Bolin, G., & Ståhlberg, P. (forthcoming 2023). Managing meaning in Ukraine: Information policy, agency, media and reputation in turbulent times. MIT Press.
  7. Couldry, N. (2005). Media rituals: Beyond functionalism. In E. W. Rothenbuhler, & M. Coman (Eds.), Media anthropology (pp. 59–69). Sage. https://dx.doi.org/10.4135/9781452233819.n6
  8. Couldry, N., & Hepp, A. (2018). The continuing lure of the mediated centre in times of deep mediatization: Media Events and its enduring legacy. Media, Culture & Society, 40(1), 114–117. https://doi.org/10.1177/0163443717726009
  9. Dayan, D. (2008). Beyond Media Events: Disenchantment, derailment, disruption. In M. Price, & D. Dayan (Eds.), Owning the Olympics: Narratives of new China (pp. 391–401). University of Michigan Press.
  10. Dayan, D., & Katz, E. (1992). Media events: The live broadcasting of history. Harvard University Press.
  11. Dyczok, M. (2014). Information wars: Hegemony, counter-hegemony, propaganda, the use of force, and resistance. Russian Journal of Communication, 6(2), 173–176. https://doi.org/10.1080/19409419.2014.908694
  12. Dyczok, M. (2016). Ukraine’s Euromaidan: Broadcasting through information wars with Hromadske Radio. E–International Relations Publishing. https://www.e-ir.info/publications/download/file/62474/62477
  13. Eco, U. (1981). Narrative structures in Fleming. In U. Eco, The role of the reader: Explorations in the semiotics of texts (pp. 144–172). Hutchinson.
  14. Eisenstein, S. (Director). (1925). Battleship Potemkin [Film]. Mosfilm.
  15. Eisenstein, S. (1977). Film form: Essays in film theory. Harcourt, Brace & World. (Original work published 1949)
  16. Ericson, S. (Ed.). (2002). Hello Europe! Tallinn calling! Eurovision song contest 2002 som mediehändelse [Eurovision song contest 2002 as a media event]. Södertörn University.
  17. Genette, G. (1997). Paratexts: Thresholds of interpretation. Cambridge University Press.
  18. Grytsenko, O. (2013, November 24). Ukranian protesters flood Kiev after president pulls out of sEU deal. The Guardian. https://www.theguardian.com/world/2013/nov/24/ukraine-protesters-yanukovych-aborts-eu-deal-russia
  19. Heat, S., & Skirrow, G. (1977). Television: A world in action. Screen, 18(2), 7–59.
  20. Horbyk, R. (2017). Mediated Europes: Discourse and power in Ukraine, Russia and Poland during Euromaidan [Doctoral dissertation, Södertörn University]. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33726
  21. Horbyk, R. (2019). In pursuit of kairos: Ukrainian journalists between agency and structure during Euromaidan. Baltic Worlds, 12(1), 4–19.
  22. Jiménez-Martínez, C. (2016). Disruptive integration: The rescue of the 33 Chilean miners as a live media event. In A. Fox (Ed.), Global perspectives on media events in contemporary society (pp. 60–77). IGI Publishers.
  23. Junes, T. (2016). Euromaidan and the revolution of dignity: A case study of student protest as a catalyst for political upheaval. Critique & Humanism, 46(2), 73–96.
  24. Katz, E., & Dayan, D. (2018). L’Esprit de l’escalier: 25 years of hindsight. Media, Culture & Society, 40(1), 143–152. https://doi.org/10.1177%2F0163443717726015
  25. Katz, E., & Liebes, T. (2007). ‘No more peace!’ How disaster, terror and war have up-staged media events. International Journal of Communication, 1, 157–166. https://ijoc.org/index.php/ijoc/article/view/44
  26. le Carré, J. (1963). The spy who came in from the cold. Gollancz.
  27. Lévi-Strauss, C. (1977). Structural anthropology (New ed.). Penguin. (Original work published 1958)
  28. Liebes, T. (1998). Television’s disaster marathons: A danger for democratic processes? In T. Liebes, & J. Curran (Eds.), Media, ritual and identity (pp. 71–84). Routledge. https://doi.org/10.4324/9780203019122
  29. Marples, D. R., & Mills, F. V. (Eds.). (2015). Ukraine’s Euromaidan: Analysis of a civil revolution. Columbia University Press.
  30. Metzger, M. M., & Tucker, J. A. (2017). Social media and EuroMaidan: A review essay. Slavic Review, 76(1), 169–191. https://doi.org/10.1017/slr.2017.16
  31. Miskimmon, A., O’Loughlin, B., & Roselle, L. (2013). Strategic narratives: Communication Power and the new world order. Routledge. https://doi.org/10.4324/9781315871264
  32. Morley, D. (1986). Family television: Cultural power and domestic leisure. Routledge. https://doi.org/10.4324/9780203989043
  33. Nayem, M. (2014, April 4). Uprising in Ukraine: How it all began. Open Society Foundations. https://www.opensocietyfoundations.org/voices/uprising-ukraine-how-it-all-began
  34. Onuch, O. (2015). ‘Facebook helped me do it’: Understanding the EuroMaidan protestor ‘tool-kit’. Studies in Ethnicity and Nationalism, 15(1), 170–84. https://doi.org/10.1111/sena.12129
  35. Orlova, D. (2016). EuroMaidan: Mediated protests, rituals and nation-in-the-making. In B. Mitu, & S. Poulakidakos (Eds.), Media events: A critical contemporary approach (pp. 207–229). Palgrave Macmillan. https://doi.org/10.1057/9781137574282
  36. Propp, V. (1968). Morphology of the folktale (2nd rev. ed.). Indiana University Press. (Original work published 1928)
  37. Roselle, L., Miskimmon, A., & O’Loughlin, B. (2013). Strategic narrative: A new means to understanding soft power. Media, War & Conflict, 7(1), 70–84. https://doi.org/10.1177%2F1750635213516696
  38. Rothenbuhler, E. (1988). The living room celebration of the Olympic games. Journal of Communication, 38(3), 61–81. https://doi.org/10.1111/j.1460-2466.1988.tb02070.x
  39. Rudenko, Y., & Sarakhman, E. (2020, February 21). Kulturnyi kod Maidanu: Khto prydumav ‘Nebesnu sotniu’, ‘Revoliutsiyu Hidnosti’, i yak ‘Plyne kacha’ stala druhym himnom_[Maidan cultural code: Who invented the ‘Heavenly Hundred’, ‘Revolution of Dignity’, and how ‘The Duck Flows’ became the second anthem]. Ukrayinska Pravda. www.pravda.com.ua/articles/2020/02/21/7241172/
  40. Sonnevend, J. (2018a). Media events today. Media, Culture & Society, 40(1), 110–113. https://doi.org/10.1177%2F0163443717726014
  41. Sonnevend, J. (2018b). The lasting charm of Media Events. Media, Culture & Society, 40(1), 122–126. https://doi.org/10.1177%2F0163443717726013
  42. Ståhlberg, P., & Bolin, G. (2016). Having a soul or choosing a face? Nation branding, identity and cosmopolitan imagination. Social Identities, 22(3), 274–290. https://doi.org/10.1080/13504630.2015.1128812
  43. SVT. (2013, December 1). “Det liknar en revolution” [“It looks like a revolution”]. https://www.svt.se/nyheter/utrikes/hundratusentals-protesterar-i-kiev
  44. Swidler, A. (2000). What anchors cultural practices. In K. Knorr Cetina, T. R. Schatzki, & E. von Savigny (Eds.), The practice turn in contemporary theory (pp. 83–101). Routledge. https://doi.org/10.4324/9780203977453
  45. Todorov, T. (1969). Structural analysis of narrative. Novel: A Forum of Fiction, 3(1), 70–76. https://doi.org/10.2307/1345003
  46. Turner, V. (1969). The ritual process: Structure and anti-structure. Cornell University Press.
  47. Turner, V., & Turner, E. (1978). Image and pilgrimage in Christian culture: Anthropological perspectives. Colombia University Press.
  48. van Gennep, A. (1909). The rites of passage. Routledge and Kegan Paul.
  49. Voronova, L. (2020). Between dialogue and confrontation: Two countries – one profession project and the split in Ukrainian journalism culture. Central European Journal of Communication, 13(1), 24–30.
  50. Wallace, A. (1966). Religion: An anthropological view. Random House.
  51. Yekechyk, S. (2015). The conflict in Ukraine: What everyone needs to know. Oxford University Press.
  52. Yurchuk, Y. (2021). Historians as activists: History writing in times of war: The case of Ukraine in 2014–2018. Nationalities Papers, 49(4), 691–709. https://doi.org/10.1017/nps.2020.38
  53. Zelizer, B. (1993). Covering the body: Kennedy assassination, the media and the shaping of collective memory. Chicago University Press.
Language: English
Page range: 99 - 117
Published on: May 7, 2022
Published by: University of Gothenburg Nordicom
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year

© 2022 Göran Bolin, Per Ståhlberg, published by University of Gothenburg Nordicom
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.