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How streaming services make cinema more important Cover

How streaming services make cinema more important

Nordic Journal of Media Studies
Volume 1 (2019): Issue 1 (June 2019)
By: Terje Gaustad  
Open Access
|Jun 2019

Figures & Tables

Figure 1

Product and money flows in the Norwegian film industryComment: Revenues flow from consumer payment at one end to filmmaker fees and salaries at the other, while products and services follow the same arrows in the opposite direction. Public support, private investments and payments to and from copyright collectives are omitted.
Product and money flows in the Norwegian film industryComment: Revenues flow from consumer payment at one end to filmmaker fees and salaries at the other, while products and services follow the same arrows in the opposite direction. Public support, private investments and payments to and from copyright collectives are omitted.

Figure 2

Market shares of consumer spending on films and drama series in Norway over time (per cent)Source: Gaustad and colleagues (2018).
Market shares of consumer spending on films and drama series in Norway over time (per cent)Source: Gaustad and colleagues (2018).

Figure 3

Windowing and valueComment: Windowing model for the sequential release cycle of films, with an overlying graph illustrating a film’s diminishing market value over time.
Windowing and valueComment: Windowing model for the sequential release cycle of films, with an overlying graph illustrating a film’s diminishing market value over time.

Figure 4

Share of the total market revenues per channel for the case distributor’s Norwegian films over time (per cent)Source: Gaustad and colleagues (2018).
Share of the total market revenues per channel for the case distributor’s Norwegian films over time (per cent)Source: Gaustad and colleagues (2018).

Figure 5

Home video revenues generated by the case distributor’s films compared with their theatrical revenues (per cent)Source: Gaustad and colleagues (2018).
Home video revenues generated by the case distributor’s films compared with their theatrical revenues (per cent)Source: Gaustad and colleagues (2018).
DOI: https://doi.org/10.2478/njms-2019-0005 | Journal eISSN: 2003-184X
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Language: English
Page range: 67 - 84
Published on: Jun 26, 2019
Published by: University of Gothenburg Nordicom
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Keywords:
film,
windowing,
streaming,
cinema,
disruption
Related subjects:
Social sciences,
Communication science,
Mass communication,
Public and political communication,
Visual communication

© 2019 Terje Gaustad, published by University of Gothenburg Nordicom
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

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