References
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- Flexer, Yael, and Nic Sandiland. 2020. “Disappearing Acts.” Liminalities: A Journal of Performance Studies 16 (2): 1–12.
- Giannachi, Gabriella, Nick Kaye, and Michael Shanks, eds. 2012. Archeologies of Presence – Art, Performance and the Persistence of Being. New York: Routledge.
- Guest, Greg, Emily E. Namey, and Marilyn L. Mitchel. 2013. Collecting Qualitative Data: A Field Manual for Applied Research. SAGE Publications.
- Lambert-Beatty, Carrie. 2011. Being Watched. Yvonne Rainer and the 1960s. Cambridge: MIT Press.
- Lepecki, André. 1999. “Manically Charged Presence.” Ballet International: Body-Context The Yearbook.
- Lepecki, André, ed. 2004. Of the Presence of the Body: Essays on Dance and Performance Theory. Middletown: Wesleyan University Press.
- Lepecki, André. 2006. Exhausting Dance: Performance and the Politics of Movement. Routledge.
- Longley, Alys. 2011. “Moving Words: Five Instances of Dance Writing.” PhD diss., School of Communication and the Arts, Victoria University.
- O’Sullivan, Paul T. 2007. Lost in Translation: Making Sense of Dance Through Words. PhD diss., Edith Cowan University.
- Phelan, Peggy. 1993. Unmarked: The Politics of Performance. New York: Routledge.
- Sweeney, Rachel. 2004. “Staging the Logocentric Body: Transcribing Dance as Utterance.” In Contemporising the Past: Envisaging the Future: Refereed proceedings of the 2014 World Dance Alliance Global Summit, Angers, edited by Cheryl Stock and Patrick Germain-Thomas. Ausdance.