References
- Gunnarsdóttir, Katrín (choreographer/author). Saving History. Dance performance, National Theatre of Iceland & Reykjavík Dance Festival, August 29, 2014.
- Gunnarsdóttir, Katrín (choreographer/author). Shades of History. Dance performance, Tjarnarbíó Theatre Reykjavík, November 18–December 6, 2016.
- Gunnarsdóttir, Katrín (choreographer/author). Dancing (to). Dance performance, Dance Atelier Reykjavík, September 2–3, 2020.
- Kunst, Bojana. 2011. «Dance and Work: The Aesthetic and Political Potential of Dance.» In Emerging Bodies: The Performance of Worldmaking in Dance and Choreography, edited by Gabriele Klein and Sandra Noeth, 47–60. Bielefeld: Transcript Verlag.10.14361/transcript.9783839415962.47
- Kunst, Bojana. 2015. Artist at Work: Proximity of Art and Capitalism. Winchester, UK, Washington, USA: Zero Books, John Hunt Publishing.
- Kunst, Bojana. 2017. «Some Thoughts on the Labour of the Dancer.» In Post-dance, edited by Danjel Andersson, Mette Edvardsen and Mårten Spångberg, 116–134. Stockholm: MDT.
- Lepecki, Andre. 2010. «The Body as Archive: Will to Re-Enact and the Afterlives of Dances.» Dance Research Journal 42 (2): 28–48.10.1017/S0149767700001029
- MDT. 2019. Post-dance-ing Conference. Accessed October 26, 2020. https://mdtsthlm.se/archive/6671/.
- Spångberg, Mårten. 2017. «Post-dance, An Advocacy.» In Post-dance, edited by Danjel Andersson, Mette Edvardsen and Mårten Spångberg, 349–93. Stockholm: MDT.
- Stamsundsamtalen. 2016. Critics in Conversation #4 at Stamsund TeaterFestival. Accessed September 10, 2020. https://stamsundsamtalen.tumblr.com/.
- Virno, Paolo. 2004. A Grammar of the Multitude. Los Angeles, New York: Semiotext[e].