Skip to main content
Have a personal or library account? Click to login
The Cultural Context of Reception: Cover
Open Access
|Mar 2021

References

  1. Au, Susan. [1988] 2002. Ballet and Modern Dance. London: Thames & Hudson.
  2. Arvelo, Ritva and Räsänen, Auli. 1987. Suomen Tanssitaiteilijoiden Liitto 50 vuotta: Tanssitaiteen vuosikymmenet, Ritva Arvelo, 5–35, Auli Räsänen, 36–103. Helsinki: Suomen Tanssitaiteilijain Liitto.
  3. Af Forselles, C-J. 2001. “Ruutsalo.” In Näyttelykirja, Eino Ruutsalo, Muusan Kutsu, 13–25. Helsinki: Helsingin Taidehalli.
  4. Anderson, Jack. [1976] 1992. “Dances about Everything and Dances about Some Things.” In Merce Cunningham: Dancing in Space and Time, edited by Richard Kostelanetz, 95–100. London: Dance Books.
  5. Banes, Sally. [1977] 1987. Terpsichore in Sneakers: Post-Modern Dance with a New Introduction. Middletown: Wesleyan University Press.
  6. Banes, Sally. 1994. “Merce Cunningham’s Story.” In Writing Dancing in the Age of Postmodernism, edited by Sally Banes, 103–9. Hanover: Wesleyan University Press.
  7. Burt, Ramsay. 1998. Alien Bodies, Representations of Modernity, ‘Race’ and Nation in Early Modern Dance. London: Routledge.
  8. Burt, Ramsay. 2006. Judson Dance Theatre: Performative Traces. London: Routledge.10.4324/9780203969663
  9. Brown, Carolyn. 2007. Chance and Circumstance: Twenty Years with Cage and Cunningham. New York: A. Knopf.
  10. Calinescu, Matei. [1987] 2003. Five Faces of Modernity: Modernism, Avant­Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press. (First published by Indiana University Press: Faces of Modernity 1977.)
  11. Carter, Alexandra. 2004. “Destabilising the Discipline: Critical Debates about History and Their Impact on the Study of Dance.” In Rethinking Dance History: A reader, edited by Alexandra Carter, 10–19. London and New York: Routledge, Taylor & Francis Group.
  12. Cohen, Selma Jeanne. [1983] 1991. “From Next Week, Swan Lake: Reflections on Dance and Dances, Problems and Definitions.” In What is Dance? Readings in Theory and Criticism, edited by Roger Copeland, and Marshall Cohen, 339–54. New York: Oxford University Press.
  13. Copeland, Roger. [1983] 1991. “Genre and Style.” In What is Dance? Readings in Theory and Criticism, edited by Roger Copeland, and Marshall Cohen, 225-37. New York: Oxford University Press.
  14. Copeland, Roger. 2004. Merce Cunningham: The Modernizing of Modern Dance. New York: Routledge.10.4324/9780203641989
  15. Elovirta, Arja. 1995. “Happening: Fragmentteja eräistä tapauksista.” In Performance, aktio, happening: Jälkiä katoavasta taiteesta, edited by Erkki Anttonen, 11–90. Helsinki: Helsingin Yliopisto.
  16. Erkkilä, Helena. 2008. Ruumiinkuvia! Suomalainen performanssi­ ja kehotaide 1980­ ja 1990­luvuilla psykoanalyysin valossa. Helsinki: Kuvataiteen keskusarkisto.
  17. Foster, Susan Leigh. 1986. Reading Dancing, Bodies and Subjects in Contemporary American Dance. Berkeley: University of California Press.10.1525/9780520908802
  18. Hammergren, Lena. 1992. “THE IMPORT(ance) OF FRAGMENTATION: A Moment in Swedish Dance History Seen as Both a Tragedy and a Romance.” In Proceedings of the Society of Dance History Scholars: American Dance Abroad: Influence of the United States Experience. Fifteenth Annual Conference, University of California, 175–185. California: SDHS.
  19. Heiniö, Mikko. 1984. Innovaation ja tradition idea. Näkökulma aikamme suomalaisten säveltäjien musiikkifilosofiaan. Helsinki: Suomen Musiikkitieteellinen Seura.
  20. Heiniö, Mikko. 1995. Suomen musiikin historia, 4. Aikamme musiikki 1945–1993, edited by Liisa Aroheimo-Marvia et al., Mikko Heiniö. Porvoo: WSOY.
  21. Korppi-Tommola, Riikka. 2010. “Politics Promote Dance: Martha Graham in Finland 1962.” Journal Special Issue of Dance Chronicle, Dance Chronicle, 33:82–112.10.1080/01472520903574766
  22. Koski, Pirkko. 2005. “Teatterihistorioitsija, aika ja konteksti: menneen esityksen analyysi.” In Teatterin ja historian tutkiminen, edited by Pirkko Koski, 126–149. Helsinki: Like.
  23. Laakkonen, Johanna. 2009. Canon and Beyond, Edvard Fazer and the Imperial Russian Ballet 1908–1910. Helsinki: Suomalainen tiedeakatemia.
  24. Levin, David Michael. 1990. “Postmodernism in Dance: Dance, Discourse, Democracy.” In Postmodernism – Philosophy and the Arts, edited by Hugh J. Silverman, 207–33. New York: Routledge.10.4324/9781315112299-13
  25. Makkonen, Anne. 2010. “Ihan sieluun asti koski. Naiset nuoruuden, kauneuden sekä henkisen ja ruumiillisen voiman vieraina Berliinissä 1936.” Kasvatus ja aika 2/2010. Accessed February 2, 2011. http://www.kasvatus-ja-aika.fi/site/?page_id=271.
  26. McDonagh, Don. [1973] 1992. “Merce Cunningham.” In Merce Cunningham. Dancing in Space and Time edited by Richard Kostelanetz 1992, 1–14. London: Dance Books.
  27. Morris, Gay. 2006. A Game for Dancers, Performing Modernism in the Postwar Years, 1945–1960. Middletown: Wesleyan University Press.
  28. Postlewait, Thomas. 2005. “Teatterihistorian periodisaation kriteerit.” In Teatterin ja historian tutkiminen, edited by Pirkko Koski, 53–89. Helsinki: Like. (Originally published in Theatre Journal 40:3, 299–318, trans. “The Criteria for Periodization in Theatre History.” (October 1988).10.2307/3208321
  29. Postlewait, Thomas. 2009. The Cambridge Introduction to Theatre Historiography. Cambridge, New York: Cambridge University Press.
  30. Reynolds, Nancy, and McCormick, Malcolm. 2003. Dance in the Twentieth Century: No Fixed Points. New Haven and London: Yale University Press.
  31. Ross, Janice. 2007. Anna Halprin: Experience as Dance. Berkeley: University of California Press.10.1525/9780520932821
  32. Suhonen, Tiina. 1997. “Kaunoliiketaiteesta tanssirealismiin: Suomalaisen tanssin historiaa.” In Valokuvan tanssi. Suomalaisen tanssin kuvat 1890–1997, Dance in Finnish Photography, edited by Hanna-Leena Helavuori, Jukka Kekkonen, Riitta Raatikainen and Tuomo-Juhani Vuorenmaa, 11–34, English summary, 248–49. Oulu: Pohjoinen.
  33. Vaughan, David. 1992. “The Real Shock: The Merce Cunningham Dance Company’s World Tour, 1964.” In Proceedings Society of Dance History Scholars: American Dance Abroad: Influence of the United States Experience. Fifteenth Annual Conference, University of California, 21–27. California: SDHS.
  34. Vienola-Lindfors, Irma, and af Hällström, Raoul. 1981. Suomen kansallisbaletti 1922–1972. Helsinki: Musiikki Fazer.
DOI: https://doi.org/10.2478/njd-2012-0010 | Journal eISSN: 2703-6901 | Journal ISSN: 1891-6708
Language: English
Page range: 38 - 55
Published on: Mar 22, 2021
Published by: SANS – Senter for dansepraksis
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2021 Riikka Korppi-Tommola, published by SANS – Senter for dansepraksis
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.