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A Kiss for Cinderella (1925) The Importance of Historical Accuracy in Reconstructing Scores to Silent Films Based on the Mirskey Collection Cover

A Kiss for Cinderella (1925) The Importance of Historical Accuracy in Reconstructing Scores to Silent Films Based on the Mirskey Collection

Open Access
|Dec 2022

References

  1. ‘“A Kiss for Cinderella” – Newman’, Kansas City Star, 27 December 1925, p. 14D.
  2. ‘A Kiss For Cinderella’, American Silent Feature Film Database, http://memory.loc.gov/diglib/ihas/loc.mbrs.sfdb.806/default.html (accessed 1 October 2022).
  3. ‘A Kiss for Cinderella’, https://archive.org/details/silent-a-kiss-for-cinderella (accessed 1 October 2022).
  4. ‘Development of Music in America within Last Decade Miraculous, Palace Theater Director Asserts’, Dallas Daily Times Herald, 31 May 1925, p. 6.
  5. ‘Finney Library Awarded Substantial NEH Grant’, https://www.music.pitt.edu/news/finney-library-awarded-substantial-neh-grant (accessed 1 October 2022).
  6. ‘Making Music for the Movies’, Boston Globe, 25 November 1923, p. 51.
  7. ‘Meeting Musician Mirskey of DuBois, Pennsylvania’, Motion Picture News, 12 July 1919, p. 585.
  8. ‘Newman, K.C.’, Variety, 8 January 1926, p. 34.
  9. Alvin G. Layton Collection, http://www.colorado.edu/amrc/collections/layton-alvin-g (accessed 1 October 2022).
  10. American Silent Feature Film Database. From the Report ‘The Survival of American Silent Feature Films: 1912–1929’, http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html (accessed 1 October 2022).
  11. Ben Rader-Russ David Music Collection, https://www.siue.edu/lovejoy-library/musiclistening/special_collections/title/radar/rader.shtml (accessed 1 October 2022).
  12. Cieślak, A., ‘Bronisław Mirski – Polish Music Director of the Silent Film Era’, Musicology Today, vol. 17, 2020, pp. 72–83, https://doi.org/10.2478/muso-2020-0006 (accessed 1 October 2022).
  13. Cieślak, A., ‘Działalność muzyczna Bronisława Mirskiego w amerykańskich kinoteatrach (1914–1927)’, doctoral dissertation, University of Warsaw, 2020.
  14. Fred D. Valva Collection, https://pulsearch.princeton.edu/catalog/2434779 (accessed 1 October 2022).
  15. George Eastman Museum, https://www.eastman.org (accessed 1 October 2022).
  16. Leonard, K.P., Music for silent film: A Guide to North American Resources, Middleton, Wisconsin, co-published by MLA Music Library Association and A-R Editions, 2016.
  17. Mirskey, N., ‘How Music Helps Presentation of Pictures’, Exhibitor's Trade Review, 28 February 1925, pp. 14–15.
  18. Peña, C.E., ‘Photoplay Music from the Mirskey Collection at the University of Pittsburgh’, Notes, vol. 70, No. 3, 2014, pp. 398–412, https://www.jstor.org/stable/43672944 (accesssed 1 October 2022).
  19. Pierce, D., The Survival of American Silent Feature Films: 1912–1929, Washington, DC, Council on Library and Information Resources and Library of Congress, 2013.
  20. Rapée, E., Encyclopedia of Music for Pictures, New York, Belwin, 1925; reprinted in New York, Arno Press and The New York Times, 1970.
  21. Silent Film Sound and Music Archive, https://www.sfsma.org (accessed 1 October 2022).
DOI: https://doi.org/10.2478/muso-2022-0005 | Journal eISSN: 2353-5733 | Journal ISSN: 1734-1663
Language: English
Page range: 73 - 85
Published on: Dec 31, 2022
Published by: Polish Composers\' Union
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
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© 2022 Agnieszka Cieślak-Krupa, published by Polish Composers\' Union
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.