www.corago.unibo.it (an online catalogue of Italian libretti with links to many complete texts; bibliographical references to all the Venceslao productions can be found there – see titles Venceslao, Vincislao, Il fratricida innocente, and La Lucinda fedele)
Bellina, A.L., ‘The Pasticci Tree: Manual and Computing Solutions’, in B. Over and G. zur Nieden (eds), Operatic Pasticcios in 18th-Century Europe: Contexts, Materials and Aesthetics, Bielefeld, transcript Verlag, 2021, pp. 719–732.
Cross, E., ‘Vivaldi and the Pasticcio: Text and Music in Tamerlano’, in I. Fenlon and T. Carter (eds), Con che soavità. Studies in Italian Opera, Song and Dance, 1580–1740, Oxford, Clarendon Press, 1995, pp. 275–311.
Dean, W. ‘Handel’s “Sosarme”, a Puzzle Opera’, in F.W. Sternfeld, N. Fortune and E. Olleson (eds), Essays on Opera and English Music. In Honour of Sir Jack Westrup, Oxford, Basil Blackwell, 1975, pp. 115–147.
Polin, G., ‘Le “Opere / che al dosso degli attor non sono tagliate / riescon per ordinario impasticciate”. Riflessioni sullo status del testo spettacolare melodrammatico nel Settecento’, in G. Pitarresi (ed.), Responsabilità d’autore e collaborazione nell’opera dell’Età barocca. Il Pasticcio, Reggio Calabria, Laruffa Editore, 2011, pp. 325–363.
Ryszka-Komarnicka, A., ‘Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717): A Case Study with Stops in Florence, Milan and Naples’, in B. Over and G. zur Nieden (eds), Operatic Pasticcios in 18th-Century Europe: Contexts, Materials and Aesthetics, Bielefeld, transcript Verlag, 2021, pp. 621–657.
Ryszka-Komarnicka, A., ‘Between Venice, Lubowla in Spiš and Kraków: Prince Teodor Lubomirski – An Enthusiast of Italian Opera (A Preliminary Study)’, Musicologica Brunensia, vol. 53, supplementum, 2018, pp. 189–203, https://doi.org/10.5817/MB2018-S-13 (accessed 12 September 2021).
Ryszka-Komarnicka, A., Pasticcio Vincislao in Livorno (1720): Between Stars’ Repertoires and Vivaldian Operas, https://www.pasticcio-project.eu/stories/vincislao (forthcoming).
Ryszka-Komarnicka, A., Rok 1725: ‘Venceslao – opera regia Apostola Zena na zaalpejskich dworach w Pradze, Krakowie, Monachium i Wiedniu’ [Venceslao – Apostolo Zeno’s opera regia at the Transalpine Courts in Prague, Cracow, Munich, and Vienna], Barok. Historia – Literatura – Sztuka, no. 1 (53), 2019, pp. 73–92.
Spáčilová, J., ‘Současný stav libret italské opery na Moravě v 1. polovině 18. stoleti’ [The Current State of Italian Opera Librettos from the First Half of the 18th Century Kept in Moravia], Acta Musicologica, vol. 2, 2006, http://acta.musicologica.cz/06-02/0602s06.html (accessed 12 September 2021).
Urbani, S., Il Venceslao di Zeno e Caldara (1725): invenzione del dramma, tradizione del testo, libretto e partitura, PhD thesis, Università di Bologna, 2017.
Żórawska-Witkowska, A., ‘O muzykologicznych pożytkach z badania librett. Kilka refleksji polskiego historyka muzyki’ [On the Advantages of Libretto Studies to a Musicologist: Several Reflections of a Polish Music Historian], in E. Nowicka and A. Borkowska-Rychlewska (eds), Libretto i przekład [Libretto and Translation], Poznań, Poznańskie Towarzystwo Przyjaciół Nauk, 2015, pp. 25–40.