References
- Anderson, G., ‘Analysis: Musical Metamorphoses in Hindemith's “March” from Symphonic Metamorphosis of Themes by Carl Maria von Weber’, Journal of Band Research, vol. 30, no. 1, 1994, pp. 1–10.
- Anderson, G., ‘The Triumph of Timelessness over Time in Hindemith's “Turandot Scherzo” from Symphonic Metamorphosis of Themes by Carl Maria von Weber’, College Music Society, vol. 36, 1996, pp. 1–15.
- Brennecke, W., ‘Die Metamorphosen-Werke von Richard Strauss und Paul Hindemith’, Schweizerische Musikzeitung, Nos. 103/104, 1963, pp. 268–284.
- Desbruslais, S., The Music and Music Theory of Paul Hindemith, Woodbridge, The Boydell Press, 2018.
- Downes, O., ‘Rodzinski Offers Hindemith Music’, New York Times, 21 January 1944.
- Kemp, I., ‘Preface’ to the score of Symphonic Metamorphosis of Themes by Carl Maria von Weber by Paul Hindemith, London, Ernst Eulenburg Ltd, 1984.
- Neumeyer, D., ‘Tonal, Formal, and Proportional Design in Hindemith's Music’, Music Theory Spectrum, No. 9, Spring 1978, pp. 93–116.
- Noss, L., Paul Hindemith in the United States, Urbana, University of Illinois Press, 1989.
- Schubert, G., ‘Hindemiths Orchesterwerk’, in N. Bolín (ed.), Paul Hindemith-Komponist zwischen Tradition und Avantgarde, Mainz, Schott Musik International, 1999.