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Music-Making Women-Aristocrats Cover
Open Access
|Dec 2019

Figures & Tables

Musical Example 1

Opening ritornellos.

Musical Example 2

Coloraturas

  • Perfido, mm. 55–59

  • Non parlarmi, mm. 76–84

  • Barbaro, mm. 28–31

  • Quanto e felice, mm. 66–73

Barbaro dispietatoRuthless barbarian
D’ogni mio ben mi priviYou deprive me of all that is good.
Perfido ancor viviPerfidious, yet still alive,
Non ti punisce il ciel.The heavens don’t punish you.
Ma se del Cielo irratoBut though the thunderbolts
Il fulmini son lentiAre slow to come down from the
Trema pur e ramentiirate skies
Ch’io vivo e son fedel.Still tremble and remember
That I am alive and faithful [to you].
Prendi l’ultimo addioAccept this last farewell
Bell’idolo adoratoBeautiful deity, whom I adore
Più non chiamarmi ingratoDo not call me ungrateful any more
Ch’io moro à te fedel.Since I’m dying faithful to you.
Rammentati ben mioRemember my love
Che la ria morte istessaThat evil death
Tien l’alma meno oppressaOppresses the soul less
Che un dubbio si crudel.Than doubt so cruel.
DOI: https://doi.org/10.2478/muso-2019-0001 | Journal eISSN: 2353-5733 | Journal ISSN: 1734-1663
Language: English
Page range: 3 - 30
Published on: Dec 31, 2019
Published by: Polish Composers’ Union
In partnership with: Paradigm Publishing Services
Related subjects:

© 2019 Aneta Markuszewska, published by Polish Composers’ Union
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.