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Baert, Barbara. “He or She Who Glimpses, Desires, is Wounded: A Dialogue in the Interspace (Zwischenraum) between Aby Warburg and Georges Didi-Huberman.” Angelaki: Journal of the Theoretical Humanities 23, No. 4 (2018): 47–79. https://doi.org/10.1080/0969725X.2018.1497280.
Blassnigg, Martha. “Ekphrasis and a Dynamic Mysticism in Art: Reflections on Henri Bergson’s Philosophy and Aby Warburg’s Mnemosyne Atlas.” In New Realities: Being Syncretic, United Kingdom: Transtechnology Research, 2009, 42–45. https://doi.org/10.1007/978-3-211-78891-2_9.
Chirolla, Gustavo, and Juan Fernando Mejía Mosquera. “Deleuze and Didi-Huberman on Art History.” In Art History after Deleuze and Guattari. Edited by Stephen Zepke. Leuven, Belgium: Leuven University Press, 2017, 91–104.
Didi-Huberman, Georges. Confronting Images: Questioning the Ends of a Certain History of Art. Translated by John Goodman. University Park, PA: Penn State Press, 2005.
Didi-Huberman, Georges. The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg’s History of Art. Translated by Harvey Mendelsohn. University Park, PA: Penn State University Press, 2017.
Johnson, Christopher Dyer. Memory, Metaphor, and Aby Warburg’s Atlas of Images. Ithaca, NY: Cornell University Press and Cornell University Library, 2012.
Warburg, Aby. “Dürer and Italian Antiquity.” In The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance. Los Angeles: Getty Research Institute, 1999, 553–558.
Warburg, Aby. “Sandro Botticelli’s Birth of Venus and Spring: An Examination of Concepts of Antiquity in the Italian Early Renaissance (1893).” In The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance. Los Angeles: Getty Research Institute, 1999, 89–156.
Wedepohl, Claudia. “Mnemonics, Mneme and Mnemosyne. Aby Warburg’s Theory of Memory.” Bruniana & Campanelliana 20, No. 2 (2014): 385–402. https://www.jstor.org/stable/24339072.