References
- Antliff, Mark and Patricia Leighten. “Primitive.” In Critical Terms for Art History, edited by Robert S. Nelson and Richard Schiff. Chicago and London: The University of Chicago Press, 1996: 170–184.
- Balas, Edith. “The Sculpture of Brancusi in the Light of His Rumanian Heritage.” Art Journal 35, 2 (1975): 94–104. https://doi.org/10.2307/776017
- Bowlt, John E. (ed.). Russian Art of the Avant-Garde. Theory and Criticism 1902–1934. New York: The Viking Press, 1976.
- Brezianu, Barbu. Brancusi in Romania. Bucharest: Allfa, 1999.
- Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, MA and London: Harvard University Press, 1988.
- Connelly, Frances S. The Sleep of Reason. Primitivism in Modern European Art and Aesthetics, 1725–1907. University Park, Pennsylvania: The Pennsylvania State University Press, 1995.
- Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Blackwell, 1990.
- Eliade, Mircea. “Brancusi and Mythology.” In Ordeal by Labyrinth: Conversations with Claude-Henri Rocquet, translated by Derek Coltman. Chicago: University of Chicago Press, 1982, 193–201.
- Eyo, Ekpo. “Primitivism and Other Misconceptions of African Art.” Munger Africana Library Notes 63 (1982): 3–27.
- Geist, Sidney. “Brancusi.” In Primitivism in 20th Century Art: Affinity of the Tribal and the Modern, edited by William Rubin, vol. 2. New York: Museum of Modern Art, 1984, 345–367.
- Gheorghiu, Dragos. “Brancusi and Popular Orthodoxy.” Revue de l’histoire des religions 213, 1 (1996): 75–91. https://doi.org/10.3406/rhr.1996.1236
- Goldwater, Robert. Primitivism in Modern Art. New York and London: Harper and Brothers, 1938.
- Gombrich, Ernst H. The Preference for the Primitive: Episodes in the History of Western Taste and Art. London and New York: Phaidon Press, 2002.
- Hans, Ella. Defying the Modernist Canon: Mikhail Larionov’s Artistic Experience Beyond the Canvas. Master thesis, University of Kentucky, 2011.
- Hardiman, Louise and Nicola Kozicharow (eds.). Modernism and the Spiritual in Russian Art: New Perspectives. Open Book Publishers, 2017.
- Harrison, Charles, Francis Frascina and Gillian Perry. Primitivism, Cubism, Abstraction: The Early Twentieth Century. New Haven, CT: Yale University Press, 1993.
- Hay, Jonathan. “Primitivism Reconsidered. A Question of Attitude (part I).” RES: Anthropology and Aesthetics 67–68 (2017): 61–77. https://doi.org/10.1086/693994
- Hiller, Susan (ed.). The Myth of Primitivism. London and New York: Routledge, 1991.
- Howard, Jeremy C., Irēna Bužinska and Zoë S. Strother. Vladimir Markov and Russian Primitivism. A Charter for the Avant-Garde. Farnham, UK: Ashgate Publishing, 2015.
- Ioffe, Dennis G. and Frederick H. White. The Russian Avant-Garde and Radical Modernism. An Introductory Reader. Brighton, MA: Academic Studies Press, 2012.
- Karp, Ivan. “Other Cultures in Museum Perspective.” In Exhibiting Cultures. The Poetics and Politics of Museum Display, edited by Ivan Karp and Steven D. Lavine. Washington: Smithsonian Institution Press, 1991, 373–385.
- Laude, Jean. The Arts of Black Africa. Berkley, Los Angeles and London: University of California Press, 1971. Lemny, Doina. Brancusi: Sublimation of Form. Ghent: Snoeck Publishers, 2019.
- Lukovska, Olha and Tetiana Kara-Vasylieva. “Mini Textile Art in Eastern Europe: Historical Survey.” Journal of Visual Art Practice 21, 1 (2022): 25–45. https://doi.org/10.1080/14702029.2021.2020591
- Martone, Eric. Encyclopaedia of Blacks in European History and Culture. Westport, CT and London: Green-wood Press, 2009.
- Mbembe, Achille. Out of the Dark Night. Essays on Decolonisation. New York: Columbia University Press, 2021.
- McEvilley, Thomas. Art & Otherness. Crisis in Cultural Identity. Kingston, NY: Documentext/McPherson, 1992.
- Mason, Rhiannon. “Museums, Galleries and Heritage. Sites of Meaning-Making and Communication.” In Heritage, Museums, Galleries, edited by G. Corsane. London and New York: Routledge, 2005, 221–237.
- Meecham, Pam (ed.). A Companion to Modern Art. Oxford, UK and Hoboken, NJ: Wiley Blackwell, 2018.
- Michaelsen, Katherine Jánsky. “Brancusi and African Art.” Artforum 10, 3 (1971): 72–77. https://www.artforum.com/print/197109/brancusi-and-african-art-37516
- Mignolo, Walter and Rolando Vazquez. “Decolonial Aesthesis: Colonial Wounds/Decolonial Healings.” Social Text (15 July 2013). https://socialtextjournal.org/periscope_article/decolonial-aesthesis-colonial-woundsdecolonial-healings
- Miholca, Amelia. Constantin Brancusi’s Primitivism. Master thesis, Arizona State University, 2014.
- Miholca, Amelia. _____. “The Construction of Brancusi’s Primitivism.” Visual Past 1 (2014): 13–45. http://www.visualpast.de/archive/pdf/vp2014_0013.pdf
- Miholca, Amelia. _____. “Brancusi’s Involvement with African Art in New York.” Critical Interventions. Journal of African Art History and Visual Culture 9, 3 (2015): 179–190. https://doi.org/10.1080/19301944.2016.1156978
- Mitter, Partha. “Decentering Modernism: Art History and Avant-Garde Art from the Periphery.” The Art Bulletin 90, 4 (2008): 531–548. https://doi.org/10.1080/00043079.2008.10786408
- Mitter, Partha._____. “Modern Global Art and Its Discontents.” In Decentring the Avant-Garde, edited by Per Bäckström and Benedikt Hjartarson. Amsterdam: Rodopi, 2014, 35–54.
- Munteanu, Stefan. “The Art and Philosophy of Balance at Constantin Brâncusi.” The Paideia Archive: Twentieth World Congress of Philosophy 1 (1998): 127–132. https://doi.org/10.5840/wcp20-paideia1998119
- Myers, Fred. “‘Primitivism’, Anthropology, and the Category of ‘Primitive Art’.” In Handbook of Material Culture, edited by Chris Tilley et al. London: SAGE Publications, 2006, 267–284.
- Nasui, Cosmin. “Maeștrii și poporul în lada de gunoi a istoriei” [“Maestros and the People to the Rubbish Bin of History”]. In Cristina Anisescu et al. Cultura de masă în „Epoca de Aur”. Cîntarea României și Cenaclul Flacăra [Mass Culture in the ‘Golden Age’ (1964–1989). Singing for Romania and Flacăra Festivals]. Voluntari: Editura PostModernism Museum, 2019, 66–219.
- Nederveen Pieterse, Jan. “Multiculturalism and Museums: Discourse about Others in the Age of globalization.” In Heritage, Museums, Galleries, edited by Gerard Corsane. London and New York: Routledge, 2005, 179–201.
- Parton, Anthony. Mikhail Larionov and the Russian Avant-Garde. Princeton: Princeton University Press, 1993.
- Pearson, James. Constantin Brancusi: Sculpting the Essence of Things. Kent, UK: Crescent Moon Publishing, 1994.
- Price, Jason M. C. “Primitivism.” In Encyclopedia of Case Study Research, edited by Albert J. Mills, Gabrielle Durepos and Elden Wiebe, vol. 2. Thousand Oaks, CA: SAGE Publications, 2010, 727–729.
- Rampley, Matthew. “Decolonizing Central Europe: Czech Art and the Question of ‘Colonial Innocence’.” Visual Resources 37, 1 (2021): 1–30. https://doi.org/10.1080/01973762.2022.2087168
- Rhodes, Colin. Primitivism and Modern Art. London: Thames and Hudson, 1994.
- Rubin, William, ed. ‘Primitivism’ in 20th Century Art: Affinity of the Tribal and the Modern. Exhibition catalogue, 2 vols. New York: Museum of Modern Art, 1984.
- Saar, Johannes. “Cultural Imaginaries of the Postcolony: A Critical Discourse Analysis of Cross-Cultural References in Estonian Art History Through a Post-colonial Lens.” Journal of Baltic Studies 49, 4 (2018): 463–486. https://doi.org/10.1080/01629778.2018.1473264
- Sharp, Jane A. Russian Modernism between East and West. Natal’ia Goncharova and the Moscow Avant-Garde. Cambridge and New York: Cambridge University Press, 2006.
- Shevchenko, Aleksandr. “Neo-primitivism: Its Theory, Its Potentials, Its Achievements”. In Russian Art of the Avant-Garde: Theory and Criticism 1902–1934, edited by John E. Bowlt. New York: The Viking Press, 1976, 41–54.
- Spira, Andrew. The Avant-Garde Icon: Russian Avant-Garde Art and the Icon Painting Tradition. Alder-shot, Hampshire; Burlington, VT: Lund Humphries, 2008.
- Svishchenko, Ksenia. The Influence of Russian Folk Art on Avant-Garde Artists. An Internship Report in Art History, Faculdade de Ciencia Sociais e Humanas, Universidade Nova Lisboa, 2016.
- Trencsényi, Balázs. “‘Imposed Authenticity’: Approaching Eastern European National Characterologies in the Inter-war Period.” Central Europe 8, 1 (2010): 20–47. https://doi.org/10.1179/174582110X12676382921464
- Tunbridge, John E. and Gregory J. Ashworth. Dissonant Heritage: The Management of the Past as a Resource in Conflict. Chichester, UK: Wiley-Blackwell, 1996. Țichindeleanu, Ovidiu. “Decolonial Aesthesis in Eastern
- Europe: Potential Paths of Liberation.” Social Text (15 July 2013). https://socialtextjournal.org/periscope_article/decolonial-aesthesis-in-eastern-europe-potential-paths-of-liberation/
- Vázquez, Rolando. Vistas of Modernity. Decolonial Aes-thesis and the End of the Contemporary. Amsterdam: Mondriaan Fund, 2020.
- Warren, Sarah. “Spent Gypsies and Fallen Venuses: Mikhail Larionov’s Modernist Primitivism.” Oxford Art Journal 26, 1 (2003): 25–44. https://doi.org/10.1093/oaj/26.1.25
- Wood, Paul. “Modernism and Its Margins.” In Art after Empire: From Colonialism to Globalisation, edited by Warren Carter. Manchester: Manchester University Press, 2018, 24–56.
- Yablonskaya, Miuda N. Women Artists of Russia’s New Age. 1900–1935. New York: Rizzoli, 1990.