Have a personal or library account? Click to login

Perfecting the Imperfect: Parallels Between the Contemporary Circus Artist’s Embodiment and the Westernized Wabi Sabi Concept

Open Access
|Nov 2023

References

  1. Abrahamsson, Sebastian and Paul Simpson. “The Limits of the Body: Boundaries, Capacities, Thresholds,” Social & Cultural Geography, 2011, 331–338. DOI: https://doi.org/10.1080/14649365.2011.579696.
  2. Bessone, Ilaria. Italian “Contemporary” Circus in a Neo-liberal Scenario: Artistic Labour, Embodied Knowledge, And Responsible Selfhood. PhD diss., University of Turin, University of Milan, 2017.
  3. Bouissac, Paul. Circus as Multimodal Discourse. Performance, Meaning, and Ritual. London and New York: Bloomsbury, 2014.
  4. DeMello, Margo. Body Studies. An Introduction. Rout-ledge, 2014.
  5. Dugan, Dana. Art of (dis)obedience: A Study of Critical Embodiment Through a Circus Body. Master thesis. Concordia University, 2019.
  6. Funk, Alisan M. Circus Education in Québec: Balancing Academic and Kinaesthetic Learning Objectives Through an Artistic Lens. Master thesis, Concordia University Montreal, Quebec, Canada, 2017, 25.
  7. Garcia, M. C. Artistes de cirque contemporain [Contemporary circus artists]. Paris: La Dispute, 2011, 99. Johnson, Mark. The Meaning of the Body. Aesthetics of Human Understanding. University of Chicago Press, 2008.
  8. Kempton, Beth. Wabi Sabi. Japanese wisdom for a perfectly imperfect life. HarperCollins, 2019.
  9. Kralj, Ivan. Žene & Cirkus = Women & Circus. Zagreb: Mala performeska scena, 2011.
  10. Lavers, Katie, Louis P. Leroux and Jon Burtt. Contemporary circus. New York/United Kingdom: Routledge, 2020.
  11. Łaziuk, Katarzyna. “A Remedy for Perfectionism of Modern Western Culture or The Latest Design Trend? The Western Understanding of Japanese Wabi and Sabi Aesthetics.” Globalization and Cultural Heritage: East–West Perspective 4, No. 2(8) (2020).
  12. Lievens, Bauke. Dramaturgy: from Aristotle to Contemporary Circus. 2009. Accessed October 6, 2022. http://www.disturbis.esteticauab.org/Disturbis567/Bauke.
  13. Longhurst, Robyn. Bodies. Exploring Fluid Boundaries. Routledge, 2001.
  14. Merleau-Ponty, Maurice. Phenomenology of Perception. Routledge, 1945 [2013].
  15. Nettleton, Sarah. “The Sociology of the Body.” In The Blackwell Companion to Medical Sociology. Ed. William C. Cockerham. Malden, Mass: Blackwell, 2001, 43–64.
  16. Pitts-Taylor, Victoria. In the Flesh: The Cultural Politics of Body Modification. New York: Palgrave Macmillan, 2003.
  17. Seymour, Kristy D. Bodies, Temporality and Spatiality in Australian Contemporary Circus. PhD diss., School of Hum, Lang & Soc Sc, 2018.
  18. Skidmore, Jamie. “Dark and Ancient Roots – The Circus of the Sun.” Open Semiotics Resource Center, May, 2007. www.semioticon.com.
  19. Suzuki, Nobuo. Wabi Sabi: The Wisdom in Imperfection. Tuttle Publishing, 2021.
  20. Tait, Peta. Circus Bodies: Cultural Identity in Aerial Performance. New York/United Kingdom: Routledge, 2005.
  21. Vannini, Phillip “Introduction: The Body in Symbolic Interaction.” In Body/Embodiment: Symbolic Interaction and the Sociology of the Body. Ed. D. Waskul. London: Routledge, 2006, 1–19. https://doi.org/10.4324/9781315569635.
  22. Van Rens, Fleur E. C. A. and Brody Heritage. “Mental health of circus artists: Psychological resilience, circus factors, and demographics predict depression, anxiety, stress, and flourishing.” Psychology of Sport and Exercise 53(4) (2021). https://doi.org/10.1016/j.psychsport.2020.101850.
  23. Waskul, Dennis and Phillip Wall, Duncan. The Ordinary Acrobat. New York: Vintage Books, 2013.
  24. Žukauskaitė, Audronė. Gilles‘io Deleuze‘o ir Félixo Guattari filosofija: Daugialypumo logika. Vilnius: Baltos lankos, 2011.
DOI: https://doi.org/10.2478/mik-2023-0004 | Journal eISSN: 1822-4547 | Journal ISSN: 1822-4555
Language: English
Page range: 39 - 51
Published on: Nov 30, 2023
Published by: Vytautas Magnus University, Institute of Foreign Language
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year

© 2023 Renida Baltrušaitytė, published by Vytautas Magnus University, Institute of Foreign Language
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.