Arntzen, Knut Ove. “Hybrid and Cultural Identity – After the Mainstream. Arctic Theatre from Scandinavia in a Post-Mainstream Perspective”. Nordic Theatre Studies, Vol. 7, ed. Kacke Götrick, Gideå: Föreningen Nordiska Teaterforskare, 70 (1995): 72–74.
Arntzen, Knut Ove. Arctic conditions for the Arts: Landscape of Non-Orientable Surfaces – Ecology and Gender, TRANS Internet journal for cultural studies. Vienna, INST, Nr. 20. Last downloaded March 7 th 2021. https://www.inst.at/trans/20/arctic-conditions-for-the-arts-landscape-of-non-orientable-surface-ecology-and-gender/.
Arntzen, Knut Ove. “Alongside Struve’s meridian arc: Symbolic reflection of memories”. Meno istorija ir kritika/Art History & Criticism 6. Kaunas: Vytautas Magnus University, 2010. Last downloaded 7 March 2021. Web. ref.: https://www.vdu.lt/cris/handle/20.500.12259/32085.
This article has later been published in a revised version: “A Metaphorical View on Cultural Dialogues: Struve´s Meridian Arc and Reflections on Memories in Eastern and Northern Borderlands”. In eds. Helge Vidar Holm, Sissel Lægreid and Torgeir Skorgen, The Borders of Europe. Hegemony, Aesthetics and Border Poetics, 127–136. Aarhus: Aarhus University Press, 2012.
_______. “Scenic Landscapes and Dialogic Spaces on the Outskirt of Europe: Arctic Drama and Polar Surrealism in the Arts – A Cross-disciplinary Approach”. Europe and Its Interior Other(s), eds. Helge Vidar Holm, Sissel Lægreid and Torgeir Skorgen, Aarhus: Aarhus University Press, 2014, 185–199.
_______. “Perspectives nomades et ‘spiraldramaturgi’”. Ed. Francoise Quillet. CIRRAS: La Scène mondiale aujourd´hui. Des forms en movement. Paris: L´Harmattan, 2015, 513–529, 514.
Brask, Per. “Performance in the Fourth World: An Interview with Ulla Ryum”. In Aboriginal Voices. Amerindian, Inuit and Sami Theater, eds. Per Brask and William Morgan, Baltimore and London: The Johns Hopkins University Press, 1992.
Buttry, Dolores. “SEIN and WOLLEN: ‘Drama’ as Hamsun’s inspiration”. International Association of Scandinavia Studies, IASS_abstract_book 1 pdf for 27. IASS-conference, Nordic Drama: Renewal and transgression, 4–9.08. 2008, Gdansk: University of Gdansk, 2008, 40–41.
Brynhildsvold, Knut. “Sultens scenografi. Om teatraliteten i Knut Hamsuns ‘Sult’”. International Association of Scandinavian Studies, IASS_abstract_book 1 pdf for 27. IASS-conference, Nordic Drama: Renewal and transgression, 4–9.08. 2008, Gdansk: University of Gdansk, 2008, 37.
Oskal, Sara Margrethe. Skealbma ut i verden- samisk gjøglertradisjon i fortellinger og joik, og moderne sceneuttrykk. PhD, KHIO-Oslo National Academy of the Arts, 2009.
Lindkjølen, Hans. “Arktisk teater og drama. Fra Theodor Mügge til Henrik Ibsen. Nordlandsromantikk – et litterært tema”. International Association of Scandinavia Studies, IASS_abstract_book 1 pdf for 27. IASS-conference: Nordic Drama, Renewal and transgression, 4–9.08. 2008, Gdansk: University of Gdansk, 2008, 79–81.
Ryum, Ulla. Om den ikke-aristoteliske fortaelleteknik. Rapport från seminariet “Dramatikern i dialog med sin samtid”. II delen, 4–11.6. 1982 Reykjavik: Nordiska Teaterkommiteen, 2. printing, Oslo: Nordiska Teaterkommiteen, Oslo, 1986.
Schuler, David. “East meets west: Joik-driven dramaturgy and Noh theatre in the Beaivvás Sámi Teáhter’s production of ‘The Frost-Haired and the Dream-Seer’”. International Association of Scandinavia Studies, IASS_abstract book 1 pdf for 27. IASS-conferene, Nordic Drama: Renewal and transgression, 4–9.08. 2008, Gdansk: University of Gdansk, Gdansk 2008, 104–105.
Weinstein, Arnold. Northern Arts. The Breakthough of Scandinavian Literature and Art, from Ibsen to Bergman. Princeton and Oxford: Princeton University Press, 2008.10.1515/9780691240251