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Counterfactuality as a Polyphonic Assemblage. Entangled Human and Nonhuman Stories of Early Modern Sciences in Neal Stephenson’s The Baroque Cycle Cover

Counterfactuality as a Polyphonic Assemblage. Entangled Human and Nonhuman Stories of Early Modern Sciences in Neal Stephenson’s The Baroque Cycle

Art History & Criticism
Volume 14 (2018): Issue 1 (December 2018)
By: Mateusz Chaberski  
Open Access
|Dec 2018

Authors

Mateusz Chaberski

mateusz.chaberski@uj.edu.pl

Performativity Studies at Jagiellonian University, Kraków, Poland
DOI: https://doi.org/10.2478/mik-2018-0010 | Journal eISSN: 1822-4547 | Journal ISSN: 1822-4555
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Language: English
Page range: 110 - 121
Submitted on: May 9, 2018
Accepted on: Oct 31, 2018
Published on: Dec 14, 2018
Published by: Vytautas Magnus University, Faculty of Arts
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Keywords:
counterfactuality,
assemblage,
science-fiction,
Anthropocene,
science studies
Related subjects:
Architecture and design,
Architecture,
History,
Arts,
Arts, general,
Museums and collections,
Cultural studies,
Genres and media in cultural studies,
General genre and media studies

© 2018 Mateusz Chaberski, published by Vytautas Magnus University, Faculty of Arts
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

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