Have a personal or library account? Click to login
Singing out Strange Days Cover

References

  1. Andrejka, Rudolf. 1916. Slovenische Kriegs- und Soldatenlieder. Laibach: Katoliška bukvarna.
  2. Anttonen, Pertti J. 2005. Tradition through Modernity: Postmodernism and the Nation-State in Folklore Scholarship. Studia Fennica Folkloristica 15. Helsinki: Finnish Literature Society.
  3. Bandelj, David. 2021. Petje, umetnost in pedagoško delo v času medsebojne distance – pripoved o izkušnji. – Glasba v šoli in vrtcu 24 (1): 20–23.
  4. Bendix, Regina. 1997. In Search of Authenticity: The Formation of Folklore Studies. Madison, WI; London: The University of Wisconsin Press.
  5. Chiu, Remi. 2020. Functions of Music Making Under Lockdown: A Trans-Historical Perspective Across Two Pandemics. – Frontiers in Psychology, Cultural Psychology 11: Article 616499. DOI: https://doi.org/10.3389/fpsyg.2020.616499.
  6. Cigoj Krstulović, Nataša. 2000. Glasba druge polovice 19. st. na Slovenskem: K funkciji in pomenu zborovskega petja v slovenski kulturni zgodovini. – Kronika 48 (3): 94–105.
  7. Clayton, Martin. 2012. What Is Entrainment? Definition and Applications in Musical Research. – Empirical Musicology Review 7 (1–2): 49–56. DOI: https://doi.org/10.18061/1811/52979.
  8. Daffern, Helena; Kelly Balmer and Jude Brereton. 2021. Singing Together, Yet Apart: The Experience of UK Chorus Members and Facilitators During the Covid-19 Pandemic. – Frontiers in Psychology, Performance Science 12: Article 624474. DOI: https://doi.org/10.3389/fpsyg.2021.624474.
  9. Datta, Anita. 2020. ‘Virtual Choirs’ and the Simulation of Live Performance under Lockdown. – Social Anthropology 28 (2): 249–250. DOI: https://doi.org/10.1111/1469-8676.12862.
  10. Delanty, Gerard. 2018. The European Heritage: A Critical Reinterpretation. London: Routledge. DOI: https://doi.org/10.4324/9781315177229.
  11. Domobranci pojemo. 1944. Ljubljana.
  12. Feld, Steven. 1994. Communication, Music, and Speech about Music. – Yearbook for Traditional Music 16: 1–18. DOI: https://doi.org/10.2307/768199.
  13. Fikfak, Jurij.1999. Ljudstvo mora spoznati sebe: Podobe narodopisja v drugi polovici 19. stoletja. Ljubljana: Forma 7. DOI: https://doi.org/10.3986/9616182714.
  14. Garcia, Luis-Manuel. 2011. ‘Can You Feel It, Too?’ Intimacy and Affect at Electronic Dance Music Events in Paris, Chicago, and Berlin. Doctoral dissertation. University of Chicago.
  15. Gick, Mary L. 2011. Singing, Health and Well-being: A Health Psychologist’s Review. – Psycho-musicology: Music, Mind and Brain 21 (1–2): 176–207. DOI: https://doi.org/10.1037/h0094011.
  16. Giddens, Anthony. 1991. Modernity and Self-Identity: Self and Society in the Late Modern Age. Stanford, CA: Standford University Press.
  17. Golež Kaučič, Marjetka; Marija Klobčar, Drago Kunej, Marjeta Pisk, Mirko Ramovš and Urša Šivic, eds. 2007. Regiment po cesti gre/The Regiment Is On March. CD and booklet. Ljubljana: ZRC SAZU, Glasbenonarodopisni inštitut, Založba ZRC.
  18. Grabrovec, Petra; Marjeta Pisk and Darko Friš. 2024. Slovenske pesmi kot nosilke narodne identitete v obdobju druge svetovne vojne. – Annales 34 (2): 173–188. https://zdjp.si/wp-content/uploads/2024/08/Annales-SHS-34-2024-2-Petra-Grabrovec-et-al_LOWRESS.pdf (accessed April 3, 2025).
  19. Grape, Christina; Maria Sandgren, Lars Olof Hansson, Mats Ericson and Töres Theorell. 2003. Does Singing Promote Well-being? An Empirical Study of Professional and Amateur Singers During a Singing Lesson. – Integrative Psychological and Behavioral Science 38 (1): 65–74. DOI: https://doi.org/10.1007/BF02734261.
  20. Guilbault, Jocelyne. 2010. Music, Politics, and Pleasure: Live Soca in Trinidad. – Small Axe 14 (1/31): 16–29. DOI: https://doi.org/10.1215/07990537-2009-041.
  21. Harrison, Rodney. 2013. Heritage: Critical Approaches. London: Routledge.
  22. Hoffmann, Shulamit. 2016. Choral Performance Expression: Meanings, Modalities, Processes, Synergies. Doctoral Dissertation. Columbia University, Teachers College.
  23. Hofman, Ana. 2015. Glasba, politika, afekt: Novo življenje partizanskih pesmi v Sloveniji. Ljubljana: Založba ZRC, ZRC SAZU.
  24. Judson, Pieter M. 2006. Guardians of the Nation: Activists on the Language Frontiers of Imperial Austria. Cambridge, MA: Harvard University Press. DOI: https://doi.org/10.2307/j.ctv22jnrgp.
  25. Judson, Pieter M. 2016. The Habsburg Empire: A New History. Cambridge, MA: The Belknap Press of Harvard University Press. DOI: https://doi.org/10.4159/9780674969346.
  26. Juntunen, Marja-Leena. 2017. Embodiment in Music Teaching and Learning. – Finnish Journal of Music Education 20 (1): 117–126.
  27. Juntunen, Marja-Leena; Elina P. Arlin and Katri Liira. 2023. Expression in Popular Music Singing as Embodied and Interpersonal. – Frontiers in Education 8: Article 092736. DOI: https://doi.org/10.3389/feduc.2023.1092736.
  28. Juslin, Patrik N. and John A. Sloboda. 2001. Music and Emotion: Theory and Research. Oxford: Oxford University Press. DOI: https://doi.org/10.1093/oso/9780192631886.001.0001.
  29. Keeler, Jason R.; Edward A. Roth, Brittany L. Neuser, John M. Spitsbergen, Daniel J. M. Waters and John-Mary Vianney. 2015. The Neurochemistry and Social Flow of Singing: Bonding and Oxytocin. – Frontiers in Human Neuroscience 9: Article 518. DOI: 10.3389/fnhum.2015.00518.
  30. Keller, Peter E.; Giacomo Novembre and Michael J. Hove. 2014. Rhythm in Joint Action: Psychological and Neurophysiological Mechanisms for Real-time Interpersonal Coordination. – Philosophical Transactions of the Royal Society B. Biological Sciences 369 (1658): Article 20130394. DOI: https://doi.org/10.1098/rstb.2013.0394.
  31. Klobčar, Marija. 2007. Sporočilnost slovenskih ljudskih vojaških pesmi/The Expressivness of Traditional Slovenian Military Songs. – Regiment po cesti gre/The Regiment Is on March. CD and booklet, edited by Marjetka Golež Kaučič, Marija Klobčar, Drago Kunej, Marjeta Pisk, Mirko Ramovš and Urša Šivic. Ljubljana: ZRC SAZU, Glasbenonarodopisni inštitut, Založba ZRC, 3–13, 14–43.
  32. Kovačič, Mojca. 2015. Glasbena podoba ljudske pesmi v rokopisnih, tiskanih in zvočnih virih v prvih desetletjih 20. stoletja. Ljubljana: Znanstvena založba Filozofske fakultete. DOI: https://doi.org/10.4312/9789612377373.
  33. Kumer, Zmaga. 1988. Lepa si, roža Marija: zbirka slovenskih ljudskih pesmi o Mariji. Celje: Mohorjeva družba.
  34. Kumer, Zmaga. 1992a. Ljudske nabožne pesmi na Slovenskem. – Traditiones 21: 85–104.
  35. Kumer, Zmaga. 1992b. Oj, ta vojaški boben: Slovenske ljudske pesmi o vojaščini in vojskovanju. Klagenfurt: Drava.
  36. Lamont, Alexandra and Nellinne Antoinette Ranaweera. 2020. Knit One, Play One: Comparing the Fffects of Amateur Knitting and Amateur Music Participation on Happiness and Wellbeing. – Applied Research in Quality of Life 15 (5): 1353–1374. DOI: https://doi.org/10.1007/s11482-019-09734-z.
  37. Marolt, Fran. 1915. Slovenske vojaške narodne pesmi. Ljubljana: samozaložba.
  38. Paparo, Stephan A. 2016. Embodying Singing in the Choral Classroom: A Somatic Approach to Teaching and Learning. – International Journal of Music Education 34 (4): 488–498. DOI: https://doi.org/10.1177/0255761415569366.
  39. Pisk, Marjeta. 2012. Nacionalizacija ljudske pesemske tradicije Goriških brd/Nationalizing the folksong tradition of Goriška brda. – Prostor v literaturi in literatura v prostoru/Space in Literature and Literature in Space, edited by Urška Perenič. Ljubljana: Slavistično društvo Slovenije 60 (3): 483–498, 499–515. http://www.srl.si/sql_pdf/SRL_2012_3_17.pdf (accessed March 20, 2025); http://www.srl.si/sql_pdf/SRL_2012_3_18.pdf (accessed March 20, 2025).
  40. Pisk, Marjeta. 2018. Vi čuvarji ste obmejni: Pesemska ustvarjalnost Goriških brd v procesih nacionalizacije kulture. Folkloristika 8. Ljubljana: ZRC SAZU, Založba ZRC. DOI: https://doi.org/10.3986/9789610500551.
  41. Pisk, Marjeta. 2020. Language Switching in (Folk) Songs along the Slovenian-Italian Border. – Tautosakos darbai 60: 79–93. https://www.journals.vu.lt/td/article/view/27944 (accessed March 20, 2025).
  42. Podbersič, Renato. 2015. Posledice vojne v delovanju cerkvenih skupnosti na področju Soške fronte. – Prva svetovna vojna in Cerkev na Slovenskem. Acta Ecclesiastica Sloveniae 37, edited by Bogdan Kolar. Ljubljana: Teološka fakulteta, 267–296.
  43. Schäfer, Thomas. 2023. The Positive Effects of Online Group Singing on Psycho-physiological Variables During the COVID-19 Pandemic: A Pilot Randomized Controlled Trial. – Applied Psychology Health and Well-Being 15 (4): 1254–1270. DOI: https://doi.org/10.1111/aphw.12435.
  44. Schäfer, Thomas; Peter Sedlmeier, Christine Städtler and David Huron. 2013. The Psychological Functions of Music Listening. – Frontiers in Psychology 4: Article 511. DOI: https://doi.org/10.3389/fpsyg.2013.00511.
  45. Seeger, Charles. 1977. Studies in Musicology 1935–1975. Berkeley, CA: University of California Press. DOI: https://doi.org/10.1525/9780520417120.
  46. Slavec Gradišnik, Ingrid. 2000. Etnologija na Slovenskem: med čermi narodopisja in antropologije. Ljubljana: Založba ZRC, ZRC SAZU. DOI: https://doi.org/10.3986/9616358200.
  47. Slavec Gradišnik, Ingrid. 2011. Kroženja med snovnimi drobci in identitetami. – Upodobljene sledi narodne identitete. Zbirka risanih zapisov učencev Otona Grebenca v Slovenskem etnografskem muzeju, edited by Bojana Rogelj Škafar. Ljubljana: Založba ZRC, 163–173.
  48. Slavimo Gospoda. 1988. Slavimo Gospoda: bogoslužna pesmarica in molitvenik. Celje: Mohorjeva družba.
  49. Specker, Sharonne K. 2014. Communities of Song: Collective Musical Participation and Group Singing Experiences in Victoria, BC. – The Arbutus Review 5 (1): 62–90. DOI: https://doi.org/10.18357/ar.speckersk.512014.
  50. Stewart, Nick Alan Joseph and Adam Jonathan Lonsdale. 2016. It’s Better Together: The Psychological Benefits of Singing in a Choir. – Psychology of Music 44 (6): 1240–1254. DOI: https://doi.org/10.1177/0305735615624976.
  51. Štrekelj, Karel, ed. 1903. Slovenske narodne pesmi II. Ljubljana: Slovenska matica.
  52. Svoljšak, Petra. 2002. Soška fronta. Ljubljana: Cankarjeva založba.
  53. Tarr, Bronwyn; Jacques Launay and Robin Dunbar. 2014. Music and Social Bonding: “Self-other” Merging and Neurohormonal Mechanisms. – Frontiers in Psychology 30 (5): Article 1096. DOI: https://doi.org/10.3389/fpsyg.2014.01096.
  54. Ternström, Sten. 2003. Choir Acoustics: An Overview of Scientific Research Published to Date. – International Journal of Research in Choral Singing 1: 3–12.
  55. Theorell, Töres; Jan Kowalski, Ann Mari L. Theorell and Eva Bojner Horwitz. 2023. Choir Singers Without Rehearsals and Concerts? A Questionnaire Study on Perceived Losses from Restricting Choral Singing During the Covid-19 Pandemic. – Journal of Voice 37 (1): 19–27. DOI: https://doi.org/10.1016/j.jvoice.2020.11.006.
  56. Thurman, Leon. 2000. Bodymind, Human Selves and Communicative Human Interaction. –Body-mind & Voice: Foundations of Voice Education, edited by Leon Thurman and G. Welch. London: The Voice Care Network, 134–187.
  57. Turino, Thomas. 2008. Music as Social Life: The Politics of Participation. Chicago, IL: University of Chicago Press.
  58. Whitehead, Christopher; Susannah Eckersley, Mads Daugbjerg and Gönül Bozoğlu. 2020. Dimensions of Heritage and Memory: Multiple Europes and the Politics of Crisis. London; New York: Routledge; Taylor & Francis Group. DOI: https://doi.org/10.4324/9781138589476.
  59. Yang, Dan and Won Sook Lee. 2009. Music Emotion Identification from Lyrics. – 11th IEEE International Symposium on Multimedia. Los Alamitos, CA: IEEE, 624–629. DOI: https://doi.org/10.1109/ISM.2009.123.
  60. Zavod sv. Stanislava. 2020a. Čuden čas – Strange Days, The Struts, cover (zbori Škofijske klasične gimnazije). – Youtube. https://www.youtube.com/watch?v=RGAw2SZqrcE (accessed March 20, 2025).
  61. Zavod sv. Stanislava. 2020b. JERUSALEMA – Profesorji Škofijske klasične gimnazije plešejo za dijake. – Youtube. https://www.youtube.com/watch?v=Kj0haL5JkQ4 (accessed March 20, 2025).
DOI: https://doi.org/10.2478/jef-2025-0003 | Journal eISSN: 2228-0987 | Journal ISSN: 1736-6518
Language: English
Page range: 29 - 44
Published on: Jun 30, 2025
Published by: University of Tartu, Estonian National Museum, Estonian Literary Museum
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2025 Marjeta Pisk, published by University of Tartu, Estonian National Museum, Estonian Literary Museum
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.