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Sound Matters: An Experimental Study of Vocal Performance and Economic Behaviour Cover

Sound Matters: An Experimental Study of Vocal Performance and Economic Behaviour

Open Access
|Mar 2026

Figures & Tables

Figure 1.

Comparison of shoot to thrill vs. long way to the top based on spotify stats and emotional arcs.

Figure 2.

The distributions of offers in the ‘High Voltage’ treatments (upper part) and the replica of Oxoby’s (2009) (lower part).

Figure 3.

The distributions of MAOs in the Bon Scott and Brian Johnson treatments for ‘High Voltage’ (upper part) and the replica of Oxoby (2009) lower part. MAOs, minimum acceptable offer.

Summary statistics and Wilcoxon rank-sum tests for final payouts_

Final payout
Treatment#MeanStd. dev.MinMaxRank-sum
T1 Bon Scott ‘High Voltage’494.18372.690055010p = 0.0014
T2 Brian Johnson ‘High Voltage’502.40003.238795010
T3 Bon Scott ‘It’s a Long Way’452.44443.166268010p = 0.1860
T4 Brian Johnson ‘Shoot to Thrill’403.32503.276861010

Overview of treatments and song characteristics_

Treatment 1Treatment 2Treatment 3Treatment 4
Song: High voltageSong: High voltageSong: It’s a long way […]Song: Shoot to thrill
Singer: Bon ScottSinger: Brian JohnsonSinger: Bon ScottSinger: Brian Johnson
Year: 1976Year: 1991Year: 1976Year: 1980
Album: If you want blood you’ve got itAlbum: LiveAlbum: High voltageAlbum: Back in black
Popularity: 0.35Popularity: 0.38Popularity: 0.74Popularity: 0.75
Acoustics: 0.00Acoustics: 0.00Acoustics: 0.133Acoustics: 0
Danceability: 0.55Danceability: 0.58Danceability: 0.456Danceability: 0.475
Energy: 0.919Energy: 0.944Energy: 0.863Energy: 0.904
Instrumentalness: 0.602Instrumentalness: 0.777Instrumentalness: 0.054Instrumentalness: 0.088
Liveness: 0.935Liveness: 0.952Liveness: 0.055Liveness: 0.396
Speechiness: 0.06Speechiness: 0.046Speechiness: 0.089Speechiness: 0.075
Valence: 0.564Valence: 0.546Valence: 0.532Valence: 0.48

Summary statistics and Wilcoxon rank-sum tests for all Bon Scott vs_ Brian Johnson treatments_

ObservationsBon ScottBrian JohnsonRank-sum
9490
OffersMean5.95745.5778p = 0.4209
Std. Dev2.31372.0824
Min.10
Max.1010
MAOMean4.85115.4222p = 0.0503
Std. Dev2.24312.1462
Min.01
Max.1010
PayoutMean3.35112.8111p = 0.1660
Std. Dev3.03993.2702
Min.00
Max.1010

Results of randomly chosen 18 participants in each treatment with 100 repetitions—differences were tested with the Wilcoxon rank-sum test2_

ComparisonMeasure# of Significant Results (p < 0.05)Direction of DifferenceSinger associated with greater Economic efficiency(following Oxoby 2009)
T1 vs. T2 ‘High Voltage’Offers1Bon Scott < Brian JohnsonBrian Johnson
MAO26Bon Scott < Brian JohnsonBon Scott
T3 vs. T4 Original songsOffers8Bon Scott > Brian JohnsonBon Scott
MAO1Bon Scott > Brian JohnsonBrian Johnson

Summary statistics and Wilcoxon rank-sum tests for MAO

MAO
Treatment#MeanStd. dev.MinMaxRank-sum
T1 Bon Scott ‘High Voltage’494.04081.593717p = 0.0091
T2 Brian Johnson ‘High Voltage’505.32002.4532110
T3 Bon Scott ‘It’s a Long Way’455.73332.5172010p = 0.9655
T4 Brian Johnson ‘Shoot to Thrill’405.55001.7090210

Acoustic feature comparison of vocal performances by Brian Johnson and Bon Scott on High Voltage, extracted using Demucs for source separation and Librosa for signal analysis_

High voltage performed byLoudnessEnergyTempoKeyHarmonyFlatnessSpectral bandwidthSpeech rate proxy
Brian Johnson0.0266080.204217143.5530.277180.072672,359.384,502.99
Bon Scott0.049490.20418913650.2743130.0794352,276.344,502.38

Summary statistics and Wilcoxon rank-sum tests for offers_

Offers
Treatment #MeanStd. dev.MinMaxRank-sum
High voltageT1 Bon Scott ‘High Voltage’495.6942.2565110p = 0.9776
T2 Brian Johnson ‘High Voltage’505.7002.1689210
Replica of Oxoby (2009)T3 Bon Scott ‘It’s a Long Way […]’456.2442.3660310p = 0.2760
T4 Brian Johnson ‘Shoot to Thrill’405.4251.9857010
Language: English
Submitted on: May 25, 2025
Accepted on: Aug 20, 2025
Published on: Mar 25, 2026
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2026 Björn A. Kuchinke, Jürgen Rösch, published by International Music Business Research Association (IMBRA)
This work is licensed under the Creative Commons Attribution 4.0 License.

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