Agrawal, A., Gujar, A.M., Chovatiya, A., Sheth, H.G. and Singh, T., 2023, March. Web-3 music player on blockchain. In 2023 International Conference on Communication System, Computing and IT Applications (CSCITA) (pp. 56–60). IEEE.
Akkuş, Y. (2024). Examination of the Effects of the Personality Traits and Risk Taking Factors of Entrepreneurs in TDZs on Innovation. In Financial and Social Impediments in Entrepreneurship: A Study on Technology Development Zones in Turkey (pp. 57–111). Singapore: Springer Nature Singapore.
Al-Mamary, Y. H., & Alshallaqi, M. (2022). Impact of autonomy, innovativeness, risk-taking, proactiveness, and competitive aggressiveness on students' intention to start a new venture. Journal of Innovation & Knowledge, 7(4), 100239.
Andreasari, A. D., & Wicaksono, L. S. (2024). Principal's Liability Against Agents for Unlawful Acts Outside the Agency Agreement (Case Study: Decision Number 1666 K/Pdt/2022). Actus Legis: Journal of Private and Commercial Law, 1(1), 1–23.
Athamena, B., Houhamdi, Z., & El Refae, G. A. (2020, November). Managing moral hazard impact in decision making process. In 2020 21st International Arab Conference on Information Technology (ACIT) (pp. 1–5). IEEE.
Ashtagi, R., Deshmukh, T., Jadhav, S., Bidwe, R., Akkalkot, A., Buchade, A., Uke, N. and Banerjee, S., 2024, October. Blockchain-Based Music Streaming Services: A Novel Approach to Transparent Artist Control. In 2024 IEEE International Conference on Blockchain and Distributed Systems Security (ICBDS) (pp. 1–8). IEEE.
Babelytė-Labanauskė, K. (2022). Re-exploring Seminal Works on Resource-Based View and Resource Dependence Theory: The Case of Entrepreneurial Research Organization. Organizacijų vadyba: sisteminiai tyrimai, (87), 21–42.
Bauer, C., & Schedl, M. (2019). Global and country-specific mainstreaminess measures: Definitions, analysis, and usage for improving personalized music recommendation systems. PloS one, 14(6), e0217389.
Barbadekar, A., Mahalle, A., Awalgaonkar, A. and Auti, S., 2024, December. Creative Blockchain: Empowering Composers with Copyright Security and Royalty Payment. In 2024 International Conference on IoT Based Control Networks and Intelligent Systems (ICICNIS) (pp. 138–145). IEEE.
Bellavitis, C., Deloof, M., Filatotchev, I., Hermes, N., & Paeleman, I. (2023). Do old theories fit new contexts? New perspectives on corporate governance in entrepreneurial firms. Venture Capital, 25(2), 117–133.
Ben-Porat, O., Mansour, Y., Moshkovitz, M., & Taitler, B. (2024, March). Principal-agent reward shaping in mdps. In Proceedings of the AAAI Conference on Artificial Intelligence (Vol. 38, No. 9, pp. 9502–9510).
Best, C., Braile, K., Falvey, E., Ross, S., Rotunno, J., & Schreiber, D. (2017). “A Chance” of Success: The Influence of Subcultural Capital on the Commercial Success of Chance The Rapper. MEIEA Journal, 17(1), 31–58.
Cheţan, A., & Iancu, I. (2023). The Role of Visual Identity in Music Perception: A Talk with Specialists on Song Likability, Perceived Quality and Emotional Reactions. Kome: An International Journal Of Pure Communication Inquiry, 11(1), 110–128.
Chevrier, S. (2009). Is national culture still relevant to management in a global context? The case of Switzerland. International journal of cross cultural management, 9(2), 169–183.
Chibici-Revneanu, C. (2018). Ideologies of artistic vocation–implicitly gendered cultural policies? International Journal of Cultural Policy, 24(1), 103–120.
Dalton, A., 2017. Alanis Morissette's former manager sentenced to 6 years for stealing millions. Associated Press, [online] Available at: https://apnews.com/109e3bbe32b94d9f81083f31b81100d1 [Accessed 16 May 2025].
Fairchild, Charles. “Crowds, clouds, and idols: New dynamics and old agendas in the music industry, 1982–2012.” American Music 33, no. 4 (2015): 441–476.
Ferreira, J. J., Fernandes, C. I., & Peris-Ortiz, M. (2018). How agents, resources and capabilities mediate the effect of corporate entrepreneurship on multinational firms' performance. European Journal of International Management, 12(3), 255–277.
Frenneaux, R. (2023). The rise of independent artists and the paradox of democratisation in the digital age: Challenges faced by music artists in the new music industry. DIY, Alternative Cultures & Society, 1(2), 125–137.
Gaudesi, F. (2016). The contribution of artist management processes to success/failure in the music industry-a case study (Doctoral dissertation, London Metropolitan University).
Gross, E. C. (2022). The Artists in the Branded World. A Theoretical Approach to Artist Personal Branding. Journal of Media Research-Revista de Studii Media, 15(43), 56–68.
Hochman, S., 1989. Billy Joel Sues Ex-Manager, Alleges Fraud, Theft: Lawsuit Accuses Frank Weber of Mismanagement and Federal Racketeering Statute Violations. Los Angeles Times, [online] 26 September. Available at: https://www.latimes.com/archives/la-xpm-1989-09-26-ca-257-story.html [Accessed 16 May 2025].
Irwin, K., Gilstrap, C., Drnevich, P., & Sunny, M. (2022). The acquisition of capabilities: How firms use dynamic and ordinary capabilities to manage uncertainty. Journal of Management & Organization, 28(3), 564–586.
Jenner, P. (2002). What is an Artist Manager? In The Music Manager's Manual, eds M. McMartin, C. Eliezer & S. Quintrell. The Music Manager's Forum, Sydney (Australia).
Jensen, M. C., & Meckling, W. H. (2019). Theory of the firm: Managerial behavior, agency costs and ownership structure. In Corporate governance (pp. 77–132). Gower.
Kuratko, D. F. (2011). Entrepreneurship theory, process, and practice in the 21st century. International Journal of Entrepreneurship and Small Business, 13(1), 8–17.
Monteiro, I. (2022). Art Branding/Art Infusion: Comunicação da imagem e identidade da marca.: A obra do artista como imagem de marca. Convergences-Journal of Research and Arts Education, 15(29), 115–130.
Morris, R. G. (2022). Selling out for a Song. “Artist Abuse” and Saving Creatives from Servitude and Economic Disadvantage in the Entertainment Industry. SMU Sci. & Tech. L. Rev., 25, 145.
Morrow, G. (2024). ‘The music industry: A trendsetter among the media industries?’ In De Gruyter Handbook of Media Economics, Rohn, U, von Rimscha, M.B and Raats, T. (eds.), De Gruyter: Berlin.
Ng, J., & Gamble, S. (2024). Hip-hop music producers' labour in the digital music economy: Self-promotion, social media and platform gatekeeping. new media & society, 14614448241295304.
Pizzolitto, E. (2024). Music in business and management studies: a systematic literature review and research agenda. Management Review Quarterly, 74(3), 1439–1472.
Ramanadhan, S., Revette, A. C., Lee, R. M., & Aveling, E. L. (2021). Pragmatic approaches to analyzing qualitative data for implementation science: an introduction. Implementation Science Communications, 2, 1–10.
Rennie, E., Potts, J., & Sussex, M. (2024). 23 New economics of the music industry: Blockchains, metadata and agency problems. De Gruyter handbook of media economics, 333.
Ribeiro, A. M. S., & Becker, M. (2024). Operationalizing dynamic capabilities and market orientation: empirical insights for startups in dynamic environments. International Journal of Business and Management, 19(1), 1–75.
Sarwat, S., Khaskheli, M., Bhanbhro, S., & Faiz, U. (2024). Pragmatic Analysis of the Poem “The Good Morrow” by John Donne. Spry Contemporary Educational Practices, 3(1).
Schieb-Bienfait, N., & Emin, S. (2023). Between Professionalisation and Marginalisation in the Creative (and Cultural) Industries: A New Look of the Work of Musicians in a French Large Creative City. In Creative (and Cultural) Industry Entrepreneurship in the 21st Century (pp. 135–149). Emerald Publishing Limited.
Schoen, R. (2021). Getting to Yes in the cross-cultural-context:‘one size doesn't fit all’–a critical review of principled negotiations across borders. International Journal of Conflict Management, 33(1), 22–46.
Sheldon, P., & Jun, I. (2007). Using Resource Dependence Theory as an Explanatory Framework: A Proposal to Advance Research on Employer Associations in Korea: A Proposal to Advance Research on Employer Associations in Korea. 산업관계연구, 17(2), 1–38.
Sutton, A. C. (2021). Toward new aesthetic horizons: the case for a pragmatist-hermeneutic approach to art music. The American Sociologist, 52(4), 821–847.
Wang, X., Li, R., Li, W., & Liu, Z. (2024). Benefit distribution of guaranteed water saving management contract based on principal-agent theory. International Journal of General Systems, 53(4), 426–452.