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Sustaining Innovation: Digital Live Music Models in a Post-COVID-19 Trinidad and Tobago

Open Access
|Apr 2023

Figures & Tables

Figure 1.

Potential model for digital live music showcase and monetisation.
Potential model for digital live music showcase and monetisation.

Figure 2.

Bar chart: employment sector.
Bar chart: employment sector.

Figure 3.

Pie chart: participant with digital subscriptions.
Pie chart: participant with digital subscriptions.

Figure 4.

Pie chart: devices used to view livestreams.
Pie chart: devices used to view livestreams.

Classification of research questions and analysis techniques

Research questionTests
RQ1: What are the customer profiles for online concerts emerging out of the COVID-19 pandemic in T&T?
  • Descriptive stats

  • Cross-tabulations

RQ2: Are there differences in spending on online concerts in relation to payment methods?
  • Bartlett’s test

  • One-way ANOVA

RQ3: How does incorporating AR, video game features and on-demand business models influence monetisation of online concerts in T&T?
  • Binomial logistic regression analysis

  • LinkTest

  • Hosmer-Lemeshow test

  • Spearman’s ρ

  • VIF

Cross-tabulation: fans who financially supported livestreams, classified by age

Age (years)18–2425–3435–4445–5555–6465Total
Supported financially17 (8%)76 (38%)39 (19%)9 (4%)6 (3%)1 (1%)148 (73%)
Did not support financially7 (3%)21 (10%)22 (11%)4 (2%)2 (1%)0 (0%)56 (27%)
Total24 (11%)97 (48%)61 (30%)13 (6%)8 (4%)1 (1%)204 (100%)

Cross-tabulation: payment method by fans making financial contributions_

Payment methodMade financial contributions
Bank transfer63 (43%)
Cash16 (11%)
Credit card47 (32%)
SMS22 (15%)
Total148 (100%)
Language: English
Page range: 25 - 41
Published on: Apr 28, 2023
Published by: International Music Business Research Association (IMBRA)
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Farley Joel Joseph, published by International Music Business Research Association (IMBRA)
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.