Gender differences regarding participation form in the arts receiving process. Consequences for aesthetic situation management

Szostak, Michał

doi:10.2478/ijcm-2022-0010

Figure 1

Gender differences in participation in each type of art.Source: Author's own elaboration.

Figure 2

Participation in particular arts regarding art types (classical only, both classical and popular, popular only) considering the gender factor.Source: Author's own elaboration.

Figure 3

Gender differences in participation in different arts regarding art types (classical only, both classical and popular, popular only).Source: Author's own elaboration.

Figure 4

Assessment of the quality of the whole aesthetic situation regarding the form of participation in the receiving process of a particular type of art and considering the gender factor.Source: Author's own elaboration.

Figure 5

Gender differences in assessing the quality of the whole aesthetic situation in regard to the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 6

Gender differences in the receiving process in regard to the quality of the whole aesthetic situation of a particular type of art considering the form of participation (in person or digital).Source: Author's own elaboration.

Figure 7

Assessment of men's and women's satisfaction flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 8

Differences between men and women in assessing their satisfaction regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 9

Differences between the forms of participation in the receiving process by men and women regarding their satisfaction flowing from a particular type of art.Source: Author's own elaboration.

Figure 10

Assessment of men's and women's pleasure flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 11

Differences between men and women in assessing their pleasure regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 12

Differences between the forms of participation in the receiving process by men and women regarding their pleasure flowing from a particular type of art.Source: Author's own elaboration.

Figure 13

Assessment of men's and women's engagement flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 14

Differences between men and women in assessing their engagement regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 15

Differences between the forms of participation in the receiving process by men and women regarding their engagement flowing from a particular type of art.Source: Author's own elaboration.

Figure 16

Assessment of men's and women's possibility of experiencing catharsis in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 17

Differences between men and women in assessing the possibility of experiencing catharsis regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 18

Differences between the forms of participation in the receiving process by men and women regarding the possibility of experiencing catharsis through a particular type of art.Source: Author's own elaboration.

Figure 19

Assessment of men's and women's contact with the artwork itself in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 20

Differences between men and women in assessing contact with the artwork itself regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 21

Differences between the forms of participation in the receiving process by men and women regarding contact with the artwork itself flowing from a particular type of art.Source: Author's own elaboration.

Figure 22

Assessment of men's and women's contact with the performer in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 23

Differences between men and women in assessing contact with the performer regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 24

Differences between the forms of participation in the receiving process by men and women regarding contact with the performer in a particular type of art.Source: Author's own elaboration.

Figure 25

Assessment of men's and women's comfort of participation flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 26

Differences between men and women in assessing their comfort of participation regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 27

Differences between the forms of participation in the receiving process by men and women regarding the comfort of participation flowing from a particular type of art.Source: Author's own elaboration.

Figure 28

Assessment of men's and women's possibilities for shaping the aesthetic experience in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.

Figure 29

Gender differences in assessing the possibilities for shaping the aesthetic experience regarding the participation form in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 30

Differences between the forms of participation in the receiving process by men and women regarding the possibilities of shaping the aesthetic experience for a particular type of art.Source: Author's own elaboration.

Figure 31

Assessment of men's and women's reported motivation to participate in a particular type of art in regard to the form of participation in the receiving process.Source: Author's own elaboration.

Figure 32

Differences between men and women in assessing their motivation to participate regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 33

Differences between the forms of participation in the receiving process by men and women regarding their motivation to participate in a particular type of art.Source: Author's own elaboration.

Figure 34

Assessment of men's and women's ease of participation in a particular type of art in regard to the form of participation in the receiving process.Source: Author's own elaboration.

Figure 35

Differences between men and women in assessing the ease of participation in regard to the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.

Figure 36

Differences between the forms of participation in the receiving process by men and women regarding the ease of participation in a particular type of art.Source: Author's own elaboration.