References
- Abraham, Nicolas. “Notes on the Phantom: A Complement to Freud’s Metapsychology.” The Shell and the Kernel: Renewals of Psychoanalysis. Nicolas Abraham and Maria Torok. Ed. and trans. Nicholas T. Rand. Chicago: U of Chicago P, 1994. 171–76. Print.
- Ascari, Maurizio. A Counter-History of Crime Fiction: Supernatural, Gothic, Sensational. Basingstoke: Palgrave Macmillan, 2007. Print.
- Baker, Timothy C. Contemporary Scottish Gothic: Mourning, Authenticity, and Tradition. Basingstoke: Palgrave Macmillan, 2014. Print.
- Baker, Timothy C ---. “New Frankensteins; Or, the Body Politic.” Scottish Gothic: An Edinburgh Companion. Eds. Carol Margaret Davison and Monica Germanà. Edinburgh: Edinburgh UP, 2017. 195–207. Print.
- Bal, Mieke. Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2017. Print.
- Baldacchino, Godfrey. Preface. The Routledge International Handbook of Island Studies. Ed. Godfrey Baldacchino. London: Routledge, 2018. xix–xxxv. Print.
- Bissett, Alan. “‘The Dead Can Sing’: An Introduction”. Damage Land: New Scottish Gothic Fiction. Ed. Alan Bissett. Edinburgh: Polygon, 2001. 1–8. Print.
- Cresswell, Tim. Place: A Short Introduction. Malden, MA: Blackwell, 2004. Print.
- Davison, Carol Margaret, and Monica Germanà. “Borderlands of Identity and the Aesthetics of Disjuncture: An Introduction to Scottish Gothic.” Scottish Gothic: An Edinburgh Companion. Eds. Carol Margaret Davison and Monica Germanà. Edinburgh: Edinburgh UP, 2017. 1–13. Print.
- Douglas-Home, Mark. The Malice of the Waves. London: Penguin, 2012. Print.
- Dvořáková, Šárka. “‘You’ll Go Out There as Boys and Come Back as Men’: Masculinities and Rites of Passage in Peter May’s The Blackhouse.” Crime Fiction, Femininities and Masculinities: Proceedings of the Eighth Captivating Criminality Conference. Ed. Kerstin-Anja Münderlein. Bamberg: U of Bamberg P, 2024. 89–100. Print.
- Graziadei, Daniel et al. “On Sensing Island Spaces and the Spatial Practice of Island-Making: Introducing Island Poetics, Part I.” Island Studies Journal 12.2 (2017): 239–52. Print.
- Duncan, Ian. “Walter Scott, James Hogg, and Scottish Gothic.” A New Companion to the Gothic. Ed. David Punter. Malden, MA: Blackwell, 2012. 123–34. Print.
- Germanà, Monica. “Authorship, ‘Ghost-filled’ Islands and the Haunting Feminine: Contemporary Scottish Female Gothic.” Scottish Gothic: An Edinburgh Companion. Eds. Carol Margaret Davison and Monica Germanà. Edinburgh: Edinburgh UP, 2017. 222–35. Print.
- Hill, Susan. The Comforts of Home. London: Vintage, 2018. Print.
- May, Peter. The Lewis Man. London: Quercus, 2012. Print.
- May, Peter ---. Hebrides. London: Quercus, 2013. Print.
- Petrie, Duncan. “Scottish Gothic and the Moving Image: A Tale of Two Traditions.” Scottish Gothic: An Edinburgh Companion. Eds. Carol Margaret Davison and Monica Germanà. Edinburgh: Edinburgh UP, 2017. 181–94. Print.
- Punter, David. “Scottish and Irish Gothic.” The Cambridge Companion to Gothic Fiction. Ed. Jerrold E. Hogle. Cambridge: Cambridge UP, 2002. 105–23. Print.
- Rand, Nicholas, T. Editor’s Notes to “Secrets and Posterity: The Theory of the Transgenerational Phantom.” The Shell and the Kernel: Renewals of Psychoanalysis. Nicolas Abraham and Maria Torok. Ed. and transl. Nicholas T. Rand. Chicago: U of Chicago P, 1994. 165–69. Print.
- Smith, G. Gregory. Scottish Literature: Character and Influence. London: Macmillan, 1919. Print.
- Spooner, Catherine. “Crime and the Gothic.” A Companion to Crime Fiction. Eds. Charles J. Rzepka and Lee Horsley. Malden, MA: Wiley-Blackwell, 2010. 245–57. Print.
- Taylor, C. L. Sleep. London: Avon, 2019. Print.
- Wait, Rebecca. Our Fathers. London: Riverrun, 2021. Print.
- Wright, Angela. “Scottish Gothic.” The Routledge Companion to Gothic. Eds. Catherine Spooner and Emma McEvoy. London: Routledge, 2007. 73–82. Print.