Figures and Grounds: Art and the Body Politic in Ali Smith’s Winter
By:
References
- Agamben, Giorgio.
Homo Sacer . Trans. Daniel Heller-Roazen. Stanford: Stanford UP, 1998. Print. - Bataille, Georges. “The Sacred Conspiracy” [1936]. Trans. Allan Stoekl.
Visions of Excess . Minneapolis: U of Minnesota P, 1986. 178–81. Print. - Bernard, Catherine. “‘It Was the Worst of Times, It Was the Worst of Times. Again’: Representing the Body Politic after Brexit.”
Études Britanniques Contemporaines 57 (2019). Web. 3 July 2023. - Burstow, Robert. “Geometries of Hope and Fear: The Iconography of Atomic Science and Nuclear Anxiety in the Modern Sculpture of World War and Cold War Britain.” Jolivette, ed. 51–79. Print.
- Critchley, Simon. “Re-tracing the Political.”
The Political Subject of Violence . Eds. David Campbell and Michael Dillon. Manchester: Manchester UP, 1973. 73–93. Print. - Daniels, Stephen.
Fields of Vision: Landscape Imagery and National Identity in England and the United States . Cambridge: Polity P, 1993. Print. - Deleuze, Gilles, and Félix Guattari.
A Thousand Plateaus: Capitalism and Schizophrenia . Trans. Brian Massumi. Minneapolis: U of Minnesota P, 1987. Print. - De Vries, Gerard.
Bruno Latour . Cambridge: Polity P, 2016. Print. - Dobski, Bernard J., and Dustin Gish. “Shakespeare and the Body Politic.”
Shakespeare and the Body Politic . Eds. Dobski and Gish. Lanham: Lexington Books, 2013. 1–27. Print. - Fuller, Peter. “The Geography of Mother Nature.”
The Iconography of Landscape . Eds. Denis Cosgrove and Stephen Daniels. Cambridge: Cambridge UP, 1989. 11–32. Print. - Gaskin, Fiona. “The
Genius Loci of Cold War Britain: The Metamorphic Landscapes of Graham Sutherland, Peter Lanyon and Alan Reynolds.”British Art in the Nuclear Age [1972]. Jolivette, ed. 127–50. Print. - Head, Dominic.
Ali Smith (Contemporary Critical Perspectives). Ed. Monica Germanà and Emily Horton. London: Bloomsbury, 2013. 101–14. Print. - Hunt, Maurice. “Dismemberment, Corporal Reconstitution, and the Body Politic in
Cymbeline. ”Studies in Philology 99.4 (2002): 404–31. - Ishiguro, Kazuo.
The Remains of the Day [1989]. London: Faber, 1990. Print. - James, Henry. “Preface to
The Portrait of a Lady ” [1908]. Harmondsworth: Penguin, 1986. 41–55. Print. - Jolivette, Catherine.
Landscape, Art and Identity in 1950s Britain . London: Routledge, 2016. Print. - Jolivette, Catherine, ed.
British Art in the Nuclear Age . London: Routledge, 2017. Print. - Kantorowicz, Ernst.
The King’s Two Bodies: A Study in Medieval Political Theology . Princeton: Princeton UP, 1981. Print. - Lingis, Alphonso. “The Society of Dismembered Body Parts.”
Gilles Deleuze and the Theater of Philosophy . Eds. Constantine V. Boundas and D. Olkowski. London: Routledge, 1994. 289–303. Print. - Maley, Willy.
Nation, State, and Empire in English Renaissance Literature: Shakespeare to Milton . Basingstoke: Palgrave, 2003. Print. - Matless, David.
Landscape and Englishness . London: Reaktion Books, 1998. Print. - Merleau-Ponty, Maurice.
The Phenomenology of Perception . Trans. Colin Smith. London: Routledge, 2002. Print. - Mikalachki, Jodi. “The Masculine Romance of Roman Britain:
Cymbeline and Early Modern English Nationalism.” Thorne, ed. 117–44. Print. - Miola, Robert S.
Shakespeare’s Rome . Cambridge: Cambridge UP, 1983. Print. - Mitchell, W. J. T. “Introduction.”
Landscape and Power . Ed. W. J. T. Mitchell. Chicago: U of Chicago P, 1994, 1–4. Print. - Moffet, Robin. “
Cymbeline and the Nativity.”Shakespeare Quarterly 13.2 (1962): 207–18. - Neocleous, Mark.
Imagining the State . Maidenhead: Open UP, 2003. Print. - Neve, Christopher.
Unquiet Landscapes: Places and Ideas in 20th-century British Painting [1990]. London: Thames & Hudson, 2020. Print. - Nevo, Ruth. “
Cymbeline : The Rescue of the King.”Shakespeare’s Romances (New Casebooks). Thorne, ed. 91–116. Print. - Nixon, Rob.
Slow Violence and the Environmentalism of the Poor . Cambridge, MA: Harvard UP, 2011. Print. - Orosz-Réti, Zsófia. “Covidian Metamorphoses: Art and the Poetics of Transformation in Ali Smith’s Seasonal Quartet.”
Acta Universitatis Sapientiae Philologica 13.1 (2021): 60–71. Print. - Potts, Alex.
The Sculptural Imagination: Figurative, Modernist, Minimalist . New Haven: Yale UP, 2000. Print. - Protevi, John.
Political Physics: Deleuze, Derrida and the Body Politic . London: Athlone, 2001. Print. - Pugh, Simon. “Introduction.”
Reading Landscape: Country—City—Capital . Ed. Simon Pugh. Manchester: Manchester UP, 1990. 1–6. Print. - Ranger, Holly. “Ali Smith and Ovid.”
International Journal of the Classical Tradition 26.4 (2019): 397–416. Print. - Shakespeare, William.
Cymbeline [ca. 1610]. Ed. Stanley Wells. Oxford: Clarendon Press, 1998. Print. - Shakespeare, William.
Titus Andronicus [ca. 1593]. Ed. John Dover Wilson. Cambridge: Cambridge UP, 1968. Print. - Smith, Ali.
Autumn [2016]. Harmondsworth: Penguin, 2017. Print. - Smith, Ali.
Winter [2017]. Harmondsworth: Penguin, 2018. Print. - Smith, Rachel. “Figure and Landscape: Barbara Hepworth’s Phenomenology of Perception.”
Tate Papers 20 (Autumn 2013). Web. 3 July 2023. - Thorne, Alison, ed.
Shakespeare’s Romances (New Casebooks). Basingstoke: Palgrave, 2003. - Warren, Roger. “Introduction.”
Staging Shakespeare’s Late Plays . Ed. Roger Warren. Oxford: Clarendon P, 1990. 1–77. Print.
Language: English
Page range: 25 - 49
Published on: May 25, 2024
Published by: University of Debrecen
In partnership with: Paradigm Publishing Services
Publication frequency: 2 times per year
Keywords:
Related subjects:
© 2024 Tamás Bényei, published by University of Debrecen
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.