References
- Arnheim, R. (1969). Visual Thinking, Berkeley and Los Angeles: University of California Press.
- Arnheim, R. (1974). Art and Visual Perception: A Psychology of the Creative Eye, New Version. Berkeley and Los Angeles: University of California Press.
- Arnheim, R. (1977). The Dynamics of Architectural Form, Berkeley and Los Angeles: University of California Press
- Arnheim, R. (1984). Perceptual Dynamics in Musical Expression, The Musical Quarterly, Volume LXX, Issue 3, Winter 1984, 295–309, also collected in Arnheim, R. (1986). New Essays on the Psychology of Art. Berkeley and Los Angeles: University of California Press, 214–227.
- Arnheim, R. (1988). The Power of the Center: A Study of Composition in the Visual Arts, new version, Berkeley and Los Angeles: University of California Press.
- Ehrenfels, Ch.v. (1890). Über Gestaltqualitäten, in Vierteljahrsschrift für wissenschaftliche Philosophie, 14, 249–292.
- Heider, F. (1983). The Life of a Psychologist, Lawrence: University of Kansas Press.
- Köhler, W. (1915). Akustische Untersuchungen, Zeitschrift für Psychologie, 72, 1–192
- Langer, S. K. (1960). Philosophy in a New Key, Cambridge, Mass.: Harvard University Press.
- Stumpf, C. (1883–1890). Tonpsychologie, 2 Bände. Hirzel: Leipzig. Verstegen, I. (2005) Arnheim, Gestalt and Art: A Psychological Theory, Vienna: Springer Verlag.
- Zuckerkandl, V. (1956). Sound and Symbol: Music and the External World (translated by Willard Trask), New York: Pantheon Books.