Have a personal or library account? Click to login
Musical Affordances and the Gestalt Legacy: enriching music perception Cover

Musical Affordances and the Gestalt Legacy: enriching music perception

Open Access
|Aug 2023

References

  1. Ash, M. G. (1998) <em>Gestalt Psychology in German Culture, 1890–1967: Holism and the Quest for Objectivity.</em> Cambridge: Cambridge University Press (Cambridge Studies in the History of Psychology).
  2. Bruder, J. (2019). <em>Cognitive Code. Post-Anthropocentric Intelligence and the Infrastructural Brain</em>. Montreal &amp; Kingston, London, Chicago: McGill-Queen`s University Press.
  3. Clarke, E. F. (2005). <em>Ways of Listening. An ecological approach to the perception of musical meaning</em>, Oxford: Oxford University Press 2005.
  4. Clarke, E. F. (2012). What`s going on. Music, Psychology, and Ecological Theory. Clayton, M., Herbert, T. &amp; Middleton, R. (Ed.). <em>The Cultural Study of Music. A Critical Introduction</em>. Second Ed. London: Routledge, 333–342.
  5. Gibson, E. J. (2013). <em>Perceiving the Affordances. A Portrait of Two psychologists</em>. Hove and New York: Psychology Press. First Paperback edition after original edition from 2002, Mahwah/NJ: Lawrence Erlbaum Associates.
  6. Gibson, J. J. (1950). <em>The Perception of the Visual World</em>. Cambridge/MA: The Riverside Press Taylor &amp; Francis Group.
  7. Gibson, J. J. (1966). <em>The Senses Considered as Perceptual Systems</em>. London: George Allen &amp; Unwin.
  8. Gibson, J.J. (1971). The Legacies of Koffka’s <em>Principles. Journal of the History of the Behavioral Sciences</em>, 7, 1, 3-9. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.1002/1520-6696(197101)7:1&lt" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1002/1520-6696(197101)7:1&lt</a>;3::AID-JHBS2300070102&gt;3.0.CO;2-1">https://doi.org/10.1002/1520-6696(197101)7:1&lt;3::AID-JHBS2300070102&gt;3.0.CO;2-1</ext-link>
  9. Gibson, J.J. (1986). <em>The Ecological Approach to Visual Perception</em>. New York and Hove: Psychology Press. ( Original work published in 1979).
  10. Hatfield, G. (2021). Gibson and Gestalt: (re)presentation, processing, and construction. <em>Synthese</em> 198. Special Issue on <em>Gestalt Phenomenology and Embodied Cognitive Science.</em> (Suppl 9):2213-2241. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.1007/s11229-019-02380-w" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1007/s11229-019-02380-w</a>">https://doi.org/10.1007/s11229-019-02380-w</ext-link>
  11. Heider, F. (1923). Ding und Medium. <em>Symposion: Philosophische Zeitschrift für Forschung und Aussprache</em> 1:2 (1926/27), Erlangen: Philosophische Akademie, pp. 109-157.
  12. Isaac, A.M.C. &amp; Ward, D. (2021). Introduction. <em>Synthese</em> 198. Special Issue on <em>Gestalt Phenomenology and Embodied Cognitive Science</em>. (Suppl 9), S2135-2151. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.1007/s11229-019-02391-7" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1007/s11229-019-02391-7</a>">https://doi.org/10.1007/s11229-019-02391-7</ext-link>
  13. Kaiser-El-Safti, M. (2011). Einleitung. Carl Stumpf. <em>Erkenntnislehre</em>. Carl Stumpf Gesellschaft (Ed.). Lengerich: 2011, Pabst Science Publishers, 5-45.
  14. Kiverstein, J., van Dijk, L., &amp; Rietveld, E. (2021). The field and landscape of affordances: Koffka´s two environmentsrevisited.<em>Synthese</em> 198. Special Issue on <em>Gestalt Phenomenology and Embodied Cognitive Science</em>. (Suppl 9), S2279–S2296. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.1007/s11229-019-02123-x" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1007/s11229-019-02123-x</a>">https://doi.org/10.1007/s11229-019-02123-x</ext-link>
  15. Klotz, S. (2019). Complex Impression and Klangfarbe: Timbre as a Catalyst of Carl Stumpf’s Psychological Research. Rehding, A. &amp; Dolan, E. (Eds.). <em>The Oxford Handbook of Timbre</em> (Oxford Handbooks Online). DOI: <a href="https://doi.org/10.1093/oxfordhb/9780190637224.013.2" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.1093/oxfordhb/9780190637224.013.2</a>
  16. Köhler, W. (1917). <em>Intelligenzprüfungen an Anthropoiden.</em> Berlin: Kgl. Akad. d. Wiss. Abhandlungen der Königlich Preussischen Akademie der Wissenschaften: Physikalisch-mathematische Klasse; Jg. 1917, Nr 1. Einzel-Ausg.
  17. Köhler, W. (1925). <em>The Mentality of Apes</em>. Transl. from the second rev. edition. London: Kegan, Paul, Trench, Trubner; New York: Harcourt, Brace and Comp.
  18. Koelsch, S. (2011). Toward a neural basis of music perception – a review and updated model. Frontiers of Psychology, 09 June 2011. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.3389/fpsyg.2011.00110" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.3389/fpsyg.2011.00110</a>">https://doi.org/10.3389/fpsyg.2011.00110</ext-link>
  19. Koelsch, S. (2013). <em>Brain and Music</em>. First Edition. Chichester: Wiley-Blackwell.
  20. Koelsch, S., &amp; Schröger, E. (2008). Neurowissenschaftliche Grundlagen der Musikwahrnehmung. Bruhn, H., Kopiez, R., &amp; Lehmann, A.C. (Ed.). <em>Musikpsychologie. Das neue Handbuch</em>. Reinbek bei Hamburg: Rowohlt, 393-412. Rowohlts Enzyklopädie.
  21. Koffka, K. (1935). <em>Principles of Gestalt Psychology</em>. New York: Harcourt, Brace and Company. International Library of Psychology, Philosophy and Scientific Method.
  22. Krueger, J. (2014). Affordances and the musically extended mind. <em>Frontiers of Psychology</em> Jan 2014, vol. 4, Article 1003.
  23. Lee, K.M. (2017). Music Cognition. Investigations Through the Centuries. Ashley, R. &amp; Timmers, R. (Ed.). <em>The Routledge Companion to Music Cognition</em>. London: Routledge, Taylor &amp; Francis Group, 467-477.
  24. Leman M. Ed. (1997). <em>Music, Gestalt, and Computing</em>. Berlin and New York: Springer. Studies in Cognitive and Systematic Musicology. Lecture Notes in Computer Science (LNCS, volume 1317).
  25. Leman, M., Styns, F. &amp; Bernardini, N. (2008). Sound, sense and music mediation: a historical-philosophical perspective. Polotti, P. &amp; Rocchesso, D. (Ed.). <em>Sound to sense, sense to sound: a state of the art in sound and music computing</em>. Berlin: Logos, 15-46. Sound, Music, Computing.
  26. Lewin, K. (1982). Kriegslandschaft. Graumann. C.-F. (Ed), <em>Kurt-Lewin Werkausgabe.</em> Band 4. Bern et al.: Hans Huber, pp. 315-325 (original publication in 1917).
  27. Lobo, L., Heras-Escribano, M. &amp; Travieso, D. (2018). The History and Philosophy of Ecological Psychology. <em>Frontiers in Psychology</em> 9:2228. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.3389/fpsyg.2018.02228" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.3389/fpsyg.2018.02228</a>">https://doi.org/10.3389/fpsyg.2018.02228</ext-link>
  28. López-Cano, R. (2006). What kind of affordances are musical affordances? A semiotic approach. Paper presentedat<em>L’ascolto musicale: condotte, pratiche, grammatiche</em>. Terzo Simposio Internazionale <em>sulle Scienze del Linguaggio Musicale</em>. Bologna 23-25 February 2006.
  29. Slaby, J., &amp; Choudhury, S. (2018). Proposal for a Critical Neuroscience. Meloni, M. Cromby, J., Fitzgerald, D., Lloyd, S. (Ed.). <em>The Palgrave Handbook of Biology and Society</em>. London: Palgrave Macmillan, 341-361. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.1057/978-1-137-52879-7_15" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1057/978-1-137-52879-7_15</a>">https://doi.org/10.1057/978-1-137-52879-7_15</ext-link>
  30. Stumpf, C. (1907). Erscheinungen und psychische Funktionen. Aus den Abhandlungen der Königl. Preuss. Akademie der Wissenschaften vom Jahre 1906. Berlin: Verlag der Königlichen Akademie der Wissenschaften. 40 pp.
  31. Stumpf, C. (2011). <em>Erkenntnislehre</em>. Carl Stumpf Gesellschaft (Ed.). Lengerich: Pabst Scence Publishers ( original work published 1939, vol I., and 1940, vol. II)
  32. Van de Grind, W.A. (1988). The possible structure and role of neural smart mechanisms in vision. <em>Cognitive Systems</em>, 2 (2), 163-180.
  33. Windsor, W. L., &amp; de Bézenac, C. (2012). Music and affordances. <em>Musicae Scientiae</em>, 16(1), 102–120. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="<a href="https://doi.org/10.1177/1029864911435734" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1177/1029864911435734</a>">https://doi.org/10.1177/1029864911435734</ext-link>
DOI: https://doi.org/10.2478/gth-2023-0014 | Journal eISSN: 2519-5808 | Journal ISSN: 0170-057X
Language: English, German
Page range: 65 - 84
Published on: Aug 30, 2023
Published by: Society for Gestalt Theory and its Applications (GTA)
In partnership with: Paradigm Publishing Services
Publication frequency: 3 times per year

© 2023 Sebastian Klotz, published by Society for Gestalt Theory and its Applications (GTA)
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.