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Space and Scale in Medieval Painting Reflects Imagination and Perception Cover

Space and Scale in Medieval Painting Reflects Imagination and Perception

Gestalt Theory
Volume 44 (2022): Issue 1-2 (August 2022)
By: Nicole Ruta,  Alistair Burleigh and  Robert Pepperell  
Open Access
|Nov 2022
Authors

Authors

Nicole Ruta

nicole.ruta@kuleuven.be

Nicole Ruta works as postdoctoral research fellow in the Laboratory of Experimental Psychology, KU Leuven University

Alistair Burleigh

PhD is Professor of Fine Art at Cardiff School of Art and leader of the Fovolab at Cardiff Metropolitan University

Robert Pepperell

Born in Bristol in 1980, Alistair studied Fine Art and Contemporary Multimedia at The University of Wales, Newport
DOI: https://doi.org/10.2478/gth-2022-0006 | Journal eISSN: 2519-5808 | Journal ISSN: 0170-057X
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Language: English, German
Page range: 61 - 78
Published on: Nov 10, 2022
Published by: Society for Gestalt Theory and its Applications (GTA)
In partnership with: Paradigm Publishing Services
Publication frequency: 3 issues per year
Keywords:
visual space,
linear perspective,
Medieval paintings
Related subjects:
Literary studies,
Topics in literary studies,
Psychology, psychoanalysis,
Medicine,
Clinical medicine,
Psychiatry, psychotherapy,
Mathematics,
History and philosophy,
Social sciences,
Sociology,
Social structures, social interaction, population, social anthropology

© 2022 Nicole Ruta, Alistair Burleigh, Robert Pepperell, published by Society for Gestalt Theory and its Applications (GTA)
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Volume 44 (2022): Issue 1-2 (August 2022)
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