References
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- Boroditsky, L., & Ramscar, M. (2002). The roles of body and mind in abstract thought. Psychological Science, 13 (2), 185–9.
- Cook, A. (2007). Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre. Theatre Journal, 59 (4).
- Cook, A. (2015). Bodied Forth: A cognitive scientific approach to performance analysis. In N. George-Graves (Ed.). The Oxford Handbook of Dance and Theater. Oxford: Oxford University Press.
- Cook, A. (2016). King of Shadows: Early Modern Characters and Actors. In P. Budra, & C. Werier (Ed.). Shakespeare and Consciousness. London: Palgrave Macmillan.
- Edinborough, C. (2016). Theatrical Reality: Space, Embodiment and Empathy in Performance. Bristol, UK: Intellect.
- Gibbs, R. W. Jr. (2015). Embodiment and Cognitive Science. New York: Cambridge University Press.
- Lakoff, G. (1987). Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago: University of Chicago Press.
- Lakoff, G., & Johnson, M. (1999). Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York: Basic Books.
- Matlock, T. (2010). Abstract motion is no longer abstract. Language and Cognition, 2 (2), 243–260.