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Cognitive Contagion: Thinking with and through Theatre

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Open Access
|Jul 2019

References

  1. Blair, R., & Cook, A. (Ed.) (2016). Theatre, Performance and Cognition: Languages, Bodies and Ecologies. London, UK: Methuen.
  2. Boroditsky, L., & Ramscar, M. (2002). The roles of body and mind in abstract thought. Psychological Science, 13 (2), 185–9.
  3. Cook, A. (2007). Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre. Theatre Journal, 59 (4).
  4. Cook, A. (2015). Bodied Forth: A cognitive scientific approach to performance analysis. In N. George-Graves (Ed.). The Oxford Handbook of Dance and Theater. Oxford: Oxford University Press.
  5. Cook, A. (2016). King of Shadows: Early Modern Characters and Actors. In P. Budra, & C. Werier (Ed.). Shakespeare and Consciousness. London: Palgrave Macmillan.
  6. Edinborough, C. (2016). Theatrical Reality: Space, Embodiment and Empathy in Performance. Bristol, UK: Intellect.
  7. Gibbs, R. W. Jr. (2015). Embodiment and Cognitive Science. New York: Cambridge University Press.
  8. Lakoff, G. (1987). Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago: University of Chicago Press.
  9. Lakoff, G., & Johnson, M. (1999). Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York: Basic Books.
  10. Matlock, T. (2010). Abstract motion is no longer abstract. Language and Cognition, 2 (2), 243–260.
DOI: https://doi.org/10.2478/gth-2019-0014 | Journal eISSN: 2519-5808 | Journal ISSN: 0170-057X
Language: English, German
Page range: 129 - 140
Published on: Jul 25, 2019
Published by: Society for Gestalt Theory and its Applications (GTA)
In partnership with: Paradigm Publishing Services
Publication frequency: 3 times per year

© 2019 Amy Cook, published by Society for Gestalt Theory and its Applications (GTA)
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.