“Are You a Bad Boy?”: Variations of the American Adam in David Lynch’s Blue Velvet
References
- Bacon, H. (2014). Representation. In E. Branigan & W. Buckland (Eds.), The Routledge encyclopedia of film theory (pp. 402-407). Routledge.
- Ball, T. (2002). Reappraising political theory. Revisionist studies in the history of political thought. Oxford University Press.
- Baym, N. (1981). Melodramas of beset manhood: How theories of American fiction exclude women authors. American Quarterly, 33(2), 123-139.
- Beckman, F. (2012). From irony to narrative crisis: Reconsidering the femme fatale in the films of David Lynch. Cinema Journal, 52(1), 25-44.
- Beuka, R. (2004). SuburbiaNation: Reading suburban landscape in twentieth-century American fiction and film. Palgrave Macmillan.
- Berry, B. (1988). Forever, in my dreams: Generic conventions and the subversive imagination in Blue Velvet. Literature/Film Quarterly, 16(2), 82-90.
- Boose, L. (1993). Techno-muscularity and the “boy eternal:” from the Quagmire to the Gulf. In A. Kaplan & D. E. Pease (Eds.), Cultures of United States imperialism (pp. 581-616). Duke University Press.
- Braziel, J. E. (2004). ‘In dreams…’: Gender, sexuality and violence in the cinema of David Lynch. In E. Sheen & A. Davison (Eds.), The Cinema of David Lynch: American Dreams, Nightmare Visions (pp. 107-118). Wallflower Press.
- Carroll, M. (1993). Agent Cooper’s errand in the wilderness: Twin Peaks and American mythology. Literature/Film Quarterly, 21(4), 287-295.
- Cawelti, J. G. (1977). Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture. U of Chicago P.
- Chion, M. (1995). David Lynch. R. Julian (Trans.). BFI Publishing.
- Chute, D. (1986). Out to Lynch. Film Comment, 22(5), 32-35.
- Coughlin, P. (2003). Postmodern parody and the subversion of conservative frameworks. Literature/Film Quarterly, 31(4), 304-311.
- Denzin, N. K. (1988). Blue Velvet: Postmodern contradictions. Theory, Culture & Society, 5, 461-473.
- Dines, M. (2012). Suburban gothic and the ethnic uncanny in Jeffrey Eugenides’s The Virgin Suicides. Journal of American Studies, 46(04), 959-975.
- Fletcher, L. (2016). Introduction: Space, place, and popular fiction. In L. Fletcher (Ed.), Popular fiction and spatiality: Reading genre settings (p. 1-8). Palgrave Macmillan US.
- Herzogenrath, B. (2001). The American Adam revisited: American literature, (national) identity, and the logic of belatedness. In V. Patea & M. E. Díaz Sánchez (Eds.), Critical essays on the myth of the American Adam (pp. 65-80). Ediciones Universidad de Salamanca.
- Hoover, H. (1931). Address to the White House conference on home building and home ownership. The American Presidency Project. (n.d.). Retrieved from https://www.presidency.ucsb.edu/documents/address-the-white-house-conference-home-building-and-home-ownership
- Jackson, K. T. (1987). Crabgrass frontier: The suburbanization of the United States. Oxford University Press.
- Jameson, F. (1992). Postmodernism, or, the cultural logic of late capitalism. Verso.
- Johnson, J. (2003). Pervert in the pulpit: The puritanical impulse in the films of David Lynch. Journal of Film and Video, 55(4), 3-14.
- Lewis, R. W. B. (2001). The American Adam: Innocence, tragedy and tradition in the 19th century. U of Chicago P.
- Lynch, D. (Director). (1986). Blue velvet [Film]. De Laurentiis Entertainment Group.
- Lynch, D., & McKenna, K. (2019). Room to dream. Canongate Books.
- Martin, R. (2013). Neighbourhoods or nothing? Social relations in David Lynch’s Blue Velvet. European Journal of American Culture, 32(3), 235-247.
- Mitchell, J. (2011). Revisions of the American Adam: Innocence, identity and masculinity in twentieth century America. Continuum.
- Méndez García, C. M. (2014). Gótico y espacios suburbanos en la literatura posmoderna. Herejía y Belleza, 2, 115-130.
- Mumford, L. (1961). The city in history. Harcourt Brace Jovanovich.
- Murphy, B. (2009). The Suburban Gothic in American Popular Culture. Palgrave Macmillan.
- Muzzio, D., & Halper, T. (2002). Pleasantville?: The suburb and its representation in American movies. Urban Affairs Review, 37(4), 543-574.
- Nieland, J. (2012). David Lynch. University of Illinois Press.
- Patea, V. (2001). The Myth of the American Adam: A Reassessment. In V. Patea & M. E. Díaz Sánchez (Eds.), Critical essays on the myth of the American Adam (pp. 15-45). Ediciones Universidad de Salamanca.
- Sharpe, W., & Wallock, L. (1994). Bold new city or built-up ’burb? Redefining contemporary suburbia. 46(1), 1-30.
- Slotkin, R. (1996). Regeneration through violence: the mythology of the American frontier, 1600-1860. HarperPerennial.
- Stam, R. (2000). Film theory: an introduction. Blackwell Publishers.
Language: English
Page range: 92 - 109
Published on: Dec 27, 2021
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Keywords:
Related subjects:
© 2021 Sofía Martinicorena, published by West University of Timisoara
This work is licensed under the Creative Commons Attribution 4.0 License.