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Nan King’s Orientation in Sarah Waters’s Tipping the Velvet: A Journey of Gender and Sexual Self-Discovery Following “The Slantwise Direction of Queer Desire”
Antosa, S. (2015). “What is it with Queers and History?” Performing History and Gender in Sarah Waters’s Tipping the Velvet. Rivista di Studi Vittoriani, 40, 31-49.
Butler, J. (1992). Gendering the Body: Beauvoir’s Philosophical Contribution. In A. Garry & M. Pearsall (Eds.), Women, Knowledge, and Reality: Explorations in Feminist Philosophy (pp. 253-262). Routledge.
O’Callaghan, C. (2016). ‘Grisley ‘L’ Business’: Re-evaluating Female Masculinity and Butch subjectivity in Tipping the Velvet and The Night Watch. In A. Jones & C O’Callaghan (Eds.), Sarah Waters and Contemporary Feminisms. (pp. 193-214). Palgrave Macmillan.10.1057/978-1-137-50608-5_11
Weiss, M. (2012). Tipping the History: Gender Performances and Costumes that Matter in Sarah Waters’s Tipping the Velvet. Moravian Journal of Literature and Film, 3(2), 51-61.
Wilson, C. A. (2006). From the Drawing Room to the Stage: Performing Sexuality in Sarah Waters’s Tipping the Velvet. Women’s Studies, 35(3), 285-305.10.1080/00497870600571919