A characteristic of the medieval fabliaux is the dogma of antifeminist traditions. The present article will investigate whether The Canterbury Tales, as a type of fabliaux, are antifeminist literature or if, on the contrary, they stand as a reply to this genre and indirectly militate for feminist literature. Are The Canterbury Tales antifeminist writings or something one might call ‘anti-antifeminist’ literature?
© 2014 Elisabeta Zelinka, published by West University of Timisoara
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