Have a personal or library account? Click to login
“SYCORAX ON STAGE”: THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY Cover

“SYCORAX ON STAGE”: THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY

By: Gabriella Tóth  
Open Access
|Feb 2014

References

  1. Abrams, Meyer Howard. 1934. The Milk of Paradise: The Effect of Opium Visions on the Works of De Quincey, Crabbe, Francis Thompson, and Coleridge. Cambridge: Harvard University Press.
  2. Ajayi-Soyinka, Omofolabo. 1993 . “Black Feminist Criticism and Drama: Thoughts on Double Patriarchy.” Journal of Dramatic Theory and Criticism 1(7): 161-175.
  3. Bhabha, Homi K. 1994. The Location of Culture. London: Routledge.
  4. Busia, Abena P. A. 1989. “Silencing Sycorax: On African Colonial Discourse and the Unvoiced Female.” Cultural Critique 90(14.): 81-104.
  5. Cartelli, Thomas. 1995 . “The Tempest:” Shakespeare, Postcoloniality, and Michelle Cliff’s New, New World.” Contemporary Literature 1(36): 82-202.
  6. Cesaire, Aimé. 1986. A Tempest. Trans. Richard Miller. New York: Ubu Repertory.
  7. Croyden, Margaret. 1969. “Peter Brook’s Tempest.” The Drama Review 13(3): 125-128.
  8. Fuchs, Barbara. 1997 . “Conquering Islands: Contextualizing The Tempest.” Shakespeare Quarterly 408(1): 45-62.
  9. Gowda, H. H. Anniah. 1994 . “Creation in the Poetic Development of Kamau Brathwaite.” World Literature Today 4(68): 691-96.
  10. Harder, Dan. 2005. “The Tempest in the Trivium.” Connotations 1-3 (15): 127-131. hooks, bell. 2000. Feminist Theory: From Margin to Center. Cambridge MA: South End Press.
  11. Hayter, Alethea. 1988. Opium and the Romantic Imagination: Addiction and Creativity in De Quincey, Coleridge, Baudelaire, and Others. Northamptonshire: Sterling Publisher.
  12. Lamming, George. 1991. The Pleasures of Exile. Ann Arbor: University of Michigan Press.
  13. Mahadevan-Dasgupta, Uma. 2006. “Time for Fables and Lessons: an Assertion of Identity and Rights” in Literary Review [Online]. Available: http://www.hindu.com/lr/2006/12/03/stories/2006120300300600.htm [Accessed 2013, August 15].
  14. Mann, Harveen S. 1997. “Diasporic Lesbian Feminism and the Textual Politics of Transnationality.” The Journal of the Midwest Modern Language Association 1-2(30): 97-113.
  15. Namjoshi, Suniti. 1989. Because of India; Selected Poems and Fables. London: Only Women P.
  16. ----. 2006. Sycorax: New Fables and Poems. India: Penguin Books.
  17. Orgel, Stephen. 1984. “Prospero’s Wife.” Representations (8):1-13.
  18. Plath, Sylvia. 1962. “Daddy” in Poets [Online]. Available: http://www.poets.org/viewmedia.php/prmMID/15291 [Accessed 2013, August 14].
  19. Purkiss, Diane. 1996. The Witch in History: Early Modern and Twentieth-century Representations. London: Routledge.
  20. Shakespeare, William. 1984. The Tempest; The Contemporary Shakespeare. Boston: University Press of America.
  21. Thomas, Dylan. 1937. “Do Not Go Gentle into that Good Night!” in Poets [Online].
  22. Available: http://www.poets.org/viewmedia.php/prmMID/15377 [Accessed 2013, July 13].
  23. Williams, Dana A.1989. Contemporary African American Female Playwrights: An Annotated Bibliography. Westport CT: Greenwood Press.
  24. The Tempest, film. 1979. Jarman, Derek, director.
DOI: https://doi.org/10.2478/genst-2013-0008 | Journal eISSN: 2286-0134 | Journal ISSN: 1583-980X
Language: English
Page range: 126 - 143
Published on: Feb 14, 2014
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2014 Gabriella Tóth, published by West University of Timisoara
This work is licensed under the Creative Commons License.