Abstract
This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the Republic of China. By analysing a collection consisting of 259 traditional cheongsam material samples in various museums such as the China Silk Archives in Suzhou, we explored the transformation of cheongsam textile design during the Republic of China from the perspective of Eastern and Western art cultural exchanges and explored the spread of Western artistic thought in China. Our research shows that, firstly, with the development of industrialization, the traditional cheongsam textile business absorbed new design concepts; secondly, in terms of material selection and pattern style, it widened the range of fabrics used and broke the monotony of traditional Chinese patterns. Moreover, it reduced connotations of social class implied by traditional textile design. Finally, these textile designs reflect the progress that has been made in the development of this artistic trend and the cultural fusion of Eastern and Western arts during the Republic of China.