Fig. 1
Fig. 2
Fig. 3
Fig. 4
Fig. 5
Fig. 6
Fig. 7
Fig. 8
Fig. 9
Fig. 10
Fig. 11
Fig. 12
Repeated combination form
| Parallel structure | Overlay structure | |||
|---|---|---|---|---|
| Combination mode | Backing sewing | |||
Pleating retention of different fabrics
| Fabric change | Polyester | Cotton | PU coated fabric |
|---|---|---|---|
| Initial effect of ironing | |||
| Effect after washing |
Effect of cell size on the moulding effect in stitching texture moulding
| Size influence | Basic lattice 2 cm*2 cm | Conclusion | Basic lattice 3 cm*3 cm | Conclusion |
|---|---|---|---|---|
| Style | Delicate style | Rough style | ||
| Size of fabric | Initial fabric 20 cm * 20 cm | Initial fabric 20 cm*20 cm |
Style characteristics of Organza and polyester FDY fabric after ironing
| Types of fabric | Un-ironed lining | Description | Ironed lining | Description |
|---|---|---|---|---|
| 40g/m2 organza | Irregular shape; light and soft effect | Regular shape; can show the colour of adhesive lining | ||
| 300g/m2 twill polyester | Relatively regular shape; hierarchical effect | Regular shape; sharper creases |
Relationship between fabric thickness and folding spacing (example: snake belly origami)
| Fabric paper mould size | Initial fabric 255g/m2 | Description | Initial fabric lined with plain paper | Description | Initial fabric lined with hard resin lining | Description |
|---|---|---|---|---|---|---|
| Paper mould spacing 6.5cm | Proper paper mould spacing; creases and stripes match very well; dislocation-free | Distance between paper moulds is appropriate; creases and stripes match well; slight dislocation | Paper mould spacing is too small; creases and stripes do not match; there is dislocation | |||
| Paper mould spacing 6.8cm | Paper mould spacing is too large creases and stripes do not match There is dislocation | Distance between paper moulds is appropriate creases and stripes match well Slight dislocation | Proper paper mould spacing creases and stripes match very well, dislocation-free |
Effect comparison of direct folding technique in different fabrics
| Fabric | Folding time | Crease sharpness | Effect | Conclusion | |
|---|---|---|---|---|---|
| White cotton cloth | 34s | Not ironed: creases are clear and moulding is stable. | Low folding difficulty; moderate thickness of fabric after folding and ironing; shape is easy to fix; very suitable for direct folding when making small units. | ||
| Polyester fabric | 43s | Not ironed: creases are clear and moulding is stable. | Low folding difficulty; moderate thickness of fabric after folding and ironing; shape is easy to fix; very suitable for direct folding when making small units. | ||
| PU coated fabric | 29s | Not ironed: creases are relatively clear and moulding is stable. | Low folding difficulty; the fabric is still thick after folding and ironing, and it is not easy to fix; more suitable for direct folding when making small units. | ||
| Organza | 79s | Not ironed: creases are not clear and moulding is unstable. | High folding difficulty; after folding and ironing, the fabric is too thin and the shape is not easy to fix; not suitable for direct folding when making small units. | ||