Abstract
This article proposes a comparative analysis of Cormac McCarthy’s Blood Meridian, or the Evening Redness in the West (1985) and The Road (2006), two novels that trace the trajectory of American ecological violence from its nineteenth-century origins to its post-apocalyptic culmination. Drawing on ecocritical theory, environmental philosophy, and Anthropocene discourse, the article argues that McCarthy moves from an anthropocentric vision of human dominion over nature in Blood Meridian, to a biocentric perspective in The Road, where nature is depicted as a neutral, totally indifferent, post-human force after total ecospheric collapse. Through close readings of landscape, character, and imagery, the article shows how nineteenth-century “mindless” frontier violence against nature and humanity in Blood Meridian functions as a historical precondition for the ash-covered, post-apocalyptic wasteland of The Road. McCarthy’s desert and post-apocalyptic settings in the two novels are active agents that expose the limits of human “suzerainty” in the world and the ethical consequences of ecological destruction. Ultimately, the article situates McCarthy’s fiction within contemporary debates on the Anthropocene, presenting his work as a prophetic meditation on coexistence/interconnectedness, extinction, survival, and death in a damaged world.