Abstract
John Guare distinguishes himself as a playwright who has represented New York City’s various neighborhoods and has fought realist conventions throughout his work. By relying on considerations advanced by Robert Bennett in his study of the literature, art, jazz and architecture of New York City after World War II, the current analysis shows that Guare approaches the discourse of the global capital of the world deconstructively, just like the post-war avant-garde he is probably familiar with. Moreover, Guare’s own search for experimental strategies reflects that of his predecessors and of the shape-shifting city itself. Included in a volume which is part of the Contemporary Dramatists series published by Methuen Drama, the four plays under discussion are: “The House of Blue Leaves” (1971), “Landscape of the Body” (1977), “Bosoms and Neglect” (1979, 1986) and “Six Degrees of Separation” (1990). Exploring the main characters’ experiences in New York City and their encounters with recognizable (or easily legible) sites of this quintessentially American metropolis, such as Greenwich Village and Central Park, the essay examines how Guare deconstructs urban space, advancing a most original and coherent reading of the city.