References
- Andersson, T. D., & Getz, D. (2009). Festival ownership. differences between public, nonprofit and private festivals in Sweden. Scandinavian Journal of Hospitality and Tourism, 9(2–3), 249–265.
https://doi.org/10.1080/15022250903217035 - Brida, J. G., Disegna, M., & Scuderi, R. (2014). Segmenting visitors of cultural events: The case of Christmas Market. Expert Systems with Applications, 41(10), 4542–4553.
https://doi.org/10.1016/j.eswa.2014.01.019 - Carreira, V. A., González-Rodríguez, M. R., Díaz-Fernández, M. C., & Moutela, J. A. (2021). An approach to cultural tourists’ segmentation in post-Unesco Coimbra. Enlightening Tourism. A Pathmaking Journal, 11(2), 332–359.
https://doi.org/10.33776/et.v11i2.5270 - Coudounaris, D. N., & Sthapit, E. (2017). Antecedents of memorable tourism experience related to behavioral intentions. Psychology & Marketing, 34(12), 1084–1093.
https://doi.org/10.1002/mar.21048 - Crespi-Vallbona, M., & Richards, G. (2007). The meaning of cultural festivals. International Journal of Cultural Policy, 13(1), 103–122.
https://doi.org/10.1080/10286630701201830 - Cudny, W., & Ogórek, P. (2014). Segmentation and motivations of the attendees’ of the Mediaschool Festival in Łódź, Poland. Bulletin of Geography. Socio-Economic Series, 24(24), 41–56.
https://doi.org/10.1515/bog-2014-0013 - Dwyer, L., Jago, L., & Forsyth, P. (2016). Economic evaluation of special events: Reconciling economic impact and cost–benefit analysis. Scandinavian Journal of Hospitality and Tourism, 16(2), 115–129.
https://doi.org/10.1080/15022250.2015.1116404 - Fernández, M. D., Herrero Prieto, L. C., & Sanz Lara, J. Á. (2009). Análisis económico de la demanda de un festival cultural [Economic analysis of the demand for a cultural festival]. Estudios de Economía Aplicada, 27(1), 137–158.
https://www.redalyc.org/articulo.oa?id=30117097006 - Gibson, C., & Davidson, D. (2004). Tamworth, Australia’s ‘country music capital’: place marketing, rurality, and resident reactions. Journal of Rural Studies, 20(4), 387–404.
https://doi.org/10.1016/j.jrurstud.2004.03.001 - Grunwell, S. S., Ha, I. S., & Martin, B. S. (2008). A comparative analysis of attendee profiles at two urban festivals. Journal of Convention & Event Tourism, 9(1), 1–14.
https://doi.org/10.1080/15470140802104516 - Guanajuato International Film Festival. (2019). About GIFF.
http://giff.mx/about/ - Guanajuato International Film Festival. (2020). Sobre la Fundación [About the Foundation].
https://giff.mx/fundacion-expresion-en-corto-ac/ - Hair, J. F., Hult, G. T. M., Ringle, C. M., & Sarstedt, M. (2014). A Primer on Partial Least Squares Structural Equation Modeling (PLS-SEM). SAGE Publications.
- Jani, D. (2017). Local attendees’ perceptions of festival impacts: A factor-cluster analysis approach to the Zanzibar International Film Festival. Journal of Convention & Event Tourism, 18(4), 301–317.
https://doi.org/10.1080/15470148.2017.1364185 - Kruger, M., Saayman, M., & Ellis, S. (2011). Segmentation by genres: the case of the Aardklop national arts festival. International Journal of Tourism Research, 13(6), 511–526.
https://doi.org/10.1002/jtr.818 - Kruger, M., Viljoen, A., & Saayman, M. (2018). A behavioral intentions typology of attendees to an EDM festival in South Africa. Journal of Convention & Event Tourism, 19(4–5), 374–398.
https://doi.org/10.1080/15470148.2018.1504365 - Laing, J., & Mair, J. (2015). Music festivals and social inclusion – the festival organizers’ perspective. Leisure Sciences, 37(3), 252–268.
https://doi.org/10.1080/01490400.2014.991009 - Li, X., and Wan, Y. K. P. (2017). Residents’ support for festivals: integration of emotional solidarity. Journal of Sustainable Tourism, 25(4), 517–535.
https://doi.org/10.1080/09669582.2016.1224889 - Liu, Y., Huang, D., Wang, M., & Wang, Y. (2020). How do service quality, value, pleasure, and satisfaction create loyalty to smart dockless bike-sharing systems?. Review of Business Management, 22(3), 705–728.
https://doi.org/10.7819/rbgn.v22i3.4070 - McDowall, S. (2010). A comparison between Thai Residents and non-residents in their motivations, performance evaluations, and overall satisfaction with a domestic festival. Journal of Vacation Marketing, 16(3), 217–233.
https://doi.org/10.1177/1356766709356139 - Milenio. (2020). El éxito del GIFF que estuvo a punto de cancelarse [The success of the GIFF that was on the verge of being cancelled].
https://www.milenio.com/cultura/el-exito-del-giff-que-estuvoa-punto-de-cancelarse - Mossberg, L., & Getz, D. (2006). Stakeholder influences on the ownership and management of festival brands. Scandinavian Journal of Hospitality and Tourism, 6(4), 308–326.
https://doi.org/10.1080/15022250601003273 - Observatorio Turístico del Estado de Guanajuato. (2018). Perfil del visitante GIFF 2018.
https://observatorioturistico.org/publicaciones-pdf-viewer/559/ - Pérez-Gálvez, J. C., Muñoz-Fernandez, G. A., & López-Guzmán, T. (2015). Motivation and tourist satisfaction in wine festivals: XXXI ed. wine tasting Montilla-Moriles, Spain. Tourism & Management Studies, 11(2), 7–13.
https://doi.org/10.18089/tms.2015.11201 - Rüling, C. C., & Strandgaard Pedersen, J. (2010). Film Festival Research from an Organizational Studies Perspective. Scandinavian Journal of Management, 26(3), 318–323.
https://doi.org/10.1016/j.scaman.2010.06.006 - Secretaría de Cultura. (2019). Estadística de Festivales [Festival Statistics].
https://sic.cultura.gob.mx/index.php?table=festival - Song, Z., Xing, L., & Chathoth, P. K. (2015). The effects of festival impacts on support intentions based on residents’ ratings of festival performance and satisfaction: a new integrative approach. Journal of Sustainable Tourism, 23(2), 316–337.
https://doi.org/10.1080/09669582.2014.957209 - Tkaczynski, A., & Rundle-Thiele, S. (2013). Understanding what really motivates attendance: a music festival segmentation study. Journal of Travel & Tourism Marketing, 30(6), 610–623.
https://doi.org/10.1080/10548408.2013.810998 - UNESCO. (2013). Creative Economy Report 2013 - Special Edition: Widening Local Development Pathways. United Nations Development Programme.
https://unesdoc.unesco.org/ark:/48223/pf0000224698 - Unwin, E., Kerrigan, F., Waite, K., & Grant, D. (2007). Getting the picture: programme awareness amongst film festival customers. International Journal of Nonprofit and Voluntary Sector Marketing, 12(3), 231–245.
https://doi.org/10.1002/nvsm.303 - Vareiro, L., & Mendes, R. (2015). Residents’ perspectives on tourism impacts of Portuguese World Heritage historic centers: Angra Do Heroísmo and Évora. Tourism & Management Studies, 11(1), 44–51.
https://www.tmstudies.net/index.php/ectms/article/view/756 - Yeoman, I., Robertson, M., Ali-Knight, J., Drummond, S., & McMahon-Beattie, U. (2004). Festival and Events Management: An International Arts and Culture Perspective. Routledge.
- Yolal, M., Rus, R. V., Cosma, S., & Gursoy, D. (2015). A Pilot Study on Spectators’ Motivations and Their Socio-Economic Perceptions of a Film Festival. Journal of Convention & Event Tourism, 16(3), 253–271.
https://doi.org/10.1080/15470148.2015.1043610