Have a personal or library account? Click to login
Ekphrasis in Disneyland: The Alice in Wonderland Ride (1958) Cover

Ekphrasis in Disneyland: The Alice in Wonderland Ride (1958)

By: Agata Handley and  David Allen  
Open Access
|Jun 2023

References

  1. Allen, D. (2020). Dalí, Disney and Destino: Alchemy in animation. Text Matters: A Journal of Literature, Theory and Culture, 10, pp. 49—66. DOI: 10.18778/2083-2931.10.03.
  2. Brosch, R. (2018). Ekphrasis in the digital age: Responses to image. Poetics Today, 39(2), 225—243. DOI:10.1215/03335372-4324420.
  3. Bruhn, J., & Schirrmacher, B. (2022). Media combination, transmediation, media representation. In J. Bruhn, & B. Schirrmacher (Eds.), Intermedial studies: An introduction to meaning across media (pp. 103—105). London: Routledge.
  4. Bruhn, S. (2000). Musical ekphrasis: Composers responding to poetry and painting. Hillsdale: Pendragon Press.
  5. Canemaker, J. (1996). Before the animation begins: The art and lives of Disney inspirational sketch artists. Hyperion.
  6. Canemaker, J. (2003). The art and flair of Mary Blair: An appreciation. Disney Editions.
  7. Canemaker, J. et al. (2009). The colors of Mary Blair. Tōkyō: Studio Ghibli/Nihonterebihōsōmō.
  8. Cariboni Killander, C., Lutas, L., & Strukelj, A. (2014). A new look on ekphrasis: An eye-tracking experiment on a cinematic example. Ekphrasis: Images, Cinema, Theory, Media, 12(2), 10—31.
  9. Elleström, L. (2014). Media transformation: The transfer of media characteristics among media. Basingstoke: Palgrave MacMillan.
  10. Elleström, L. (2020). Transmediation: Some theoretical considerations In N. Salmose, & L. Elleström (Eds.), Transmediations: Communication Across Media Borders (pp. 2—14). Routledge.
  11. Eppen, D. (“Major Pepperidge”). Alice in Wonderland, June 1958. Gorillas don’t blog. Retrieved from http://gorillasdontblog.blogspot.com/2007/03/alice-in-wonderland-june-1958.html.
  12. Finnie, S. (2006). The Disneylands that never were. Lulu Press.
  13. Führer, H. (2017). “Take the Beuys off!”: Reconsidering the current concept of ekphrasis in the performative poetry of Thomas Kling. Aletria: Revista de Estudos de Literatura, 27(2), 157—188.
  14. Führer, H. (2017). Thinking ekphrasis through the digital. In J. Olsson, J. Lien, C. Lindhé, & J. Ingvarsson (Eds.), Thinking through the digital in literature — Representations + Poetics + Sites + Publications. Retrieved from http://conference.reprecdigit.se/#/contributions/heidrun-fuhrer.
  15. Führer, H., Kraus, A. (2020). Leaving the white cube of ekphrasis: Gordon Matta-Clark’s conical intersection. In N. Salmose, & L. Elleström (Eds.), Transmediations: Communication Across Media Borders (pp. 97—117). New York: Routledge.
  16. Girveau, B. (2007). Walt Disney at the museum? In B. Girveau (Ed.), Once upon a time: Walt Disney — The sources of inspiration for the Disney Studios (pp. 15—36). New York & London: Prestel.
  17. Goehr, L. (2010). How to do more with words: Two views of musical ekphrasis. The British Journal of Aesthetics, 50(4), 389—410.
  18. Janzen, L. J. (1990). Rolly Crump and the Museum of the Weird. The “E” Ticket, 9, 24-27.
  19. Janzen, J. E. (1992). The original Snow White dark ride. The “E” Ticket, 13, 16—25.
  20. Janzen, J. E., & Janzen, L. (1999). Alice in Wonderland. The ‘E’ Ticket, 31, 24—37.
  21. Lamont, R. C. (1993). Ionesco’s imperatives: The politics of culture. Ann Arbor: University of Michigan Press.
  22. Lindhé, C. (2016). Visual touch: Ekphrasis and interactive art installations. In C. Akker, & S. Legêne (Eds.), Museums in a digital culture: How art and heritage become meaningful (pp. 31—40). Amsterdam: Amsterdam University Press.
  23. Pethö, A. (2010). Media in the cinematic imagination: Ekphrasis and the poetics of the in-between in Jean-Luc Godard’s cinema. In L. Elleström (Ed.), Media borders, multimodality and intermediality (pp. 211—22). Palgrave Macmillan.
  24. Sager Eidt, L. (2008). Writing and filming the painting: Ekphrasis in literature and film. Amsterdam & New York: Rodopi.
  25. Seegar, A. (1993). Down the ol’ rabbit hole: Remembering the original “Alice in Wonderland” attraction 1958—1982. Persistence of Vision, 1(3), 44—46.
  26. Sundberg, K. (2013). Snow White’s scary adventures. The KenNetti tribute. Retrieved from http://www.kennetti.fi/swscary2.html.
  27. Webb, R. (2009). Ekphrasis, imagination and persuasion in ancient rhetorical theory and practice. Farnham, England/Burlington, VT: Ashgate.
Language: English
Page range: 131 - 154
Published on: Jun 28, 2023
Published by: SAN University
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Agata Handley, David Allen, published by SAN University
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.