References
- Abell, Catherine. 2015. “Genre, interpretation and evaluation”. Proceedings of the Aristotelian Society 115: 25–40.
- Bas, Giulio. 1922. Trattato di Forma Musicale. Milano: Ricordi.
- Benedict XVI. 2007. Litterae Apostolicae Motu Proprio Datae. Summorum Pontificum. https://www.vatican.va/content/benedict-xvi/en/motu_proprio/documents/hf_ben-xvi_motu-proprio_20070707_summorum-pontificum.html.
- Bonds, Mark E. 1996. After Beethoven. Imperatives of Originality in the Symphony. Cambridge MA: Harvard University Press.10.4159/harvard.9780674733398
- Bribitzer-Stull, Matthew. 2015. Understanding the Leitmotif. From Wagner to Hollywood Film Music. Cambridge: Cambridge University Press.10.1017/CBO9781316161678
- Cowgill, Rachel. 2002. “An unknown Handel arrangement by Mozart?: the Halifax Judas”. The Musical Times 143: 19–36.10.2307/1004420
- Dodd, Julian. 2007. Works of Music. An Essay in Ontology. Oxford University Press.10.1093/acprof:oso/9780199284375.001.0001
- Dodd, Julian. 2016. “The ontology of conceptual art: against the idea idea”. Art, Mind and Narrative. Themes from the Work of Peter Goldie. In Dodd, Julian (ed.). Oxford: Oxford University Press: 241–60.
- Dodd, Julian. 2020. Being True to Works of Music. Oxford University Press.10.1093/oso/9780198859482.001.0001
- Dodd, Julian and Letts, Philip. 2017. “Types, tokens, and talk about musical works”. Journal of Aesthetics and Art Criticism 75: 249–63.
- Gallez, Douglas W. 1970. “Theories of film music”. Cinema Journal 9: 40–7.10.2307/1225202
- Gann, Keith, Potter, Kyle, and Siôn, Pwyll. 2013. The Ashgate Research Companion to Minimalist and Postminimalist Music. Surrey: Ashgate.
- Irvin, Sherri. 2005. “Appropriation and authorship in contemporary art”. British Journal of Aesthetics 45: 123–37.10.1093/aesthj/ayi015
- Jones, Lisa. 2016. “Appropriation and derogation: when is it wrong to appropriate?”. In The Aesthetics and Ethics of Copying. Hick, Darren H. (ed.). London: Bloomsbury, 187–210.
- Lopes, Dominic M. 2007. “Conceptual art is not what it seems”. In Philosophy and Conceptual Art. Goldie, Peter and Schellekens, Elisabeth (eds.). Oxford: Oxford University Press: 238–56.
- Mertens, Wim. 1983. American Minimal Music: La Monte Young, Terry Riley, Steve Reich and Philip Glass. London: Kahn & Averill.
- Nielsen, Riccardo. 1959. Le Forme Musicali. Bologna: Bongiovanni.
- Ortland, Eberhard. 2016. “Blurred lines: a case study on the ethics and aesthetics of copying”. In The Aesthetics and Ethics of Copying. Hick, Darren H. (ed.). London: Bloomsbury: 225–50.
- Pio X. 1903. Motu Proprio De Musica Sacra. Rome. https://www.vatican.va/content/pius-x/la/motu_proprio/documents/hf_p-x_motu-proprio_19031122_sollecitudini.html
- Puy, Nemesio G.C. 2018. “Musical minimalism and the metaphysics of time. Revista Portuguesa de Filosofia 74: 1267–306.10.17990/RPF/2018_74_4_1267
- Puy, Nemesio G.C. 2019. “The ontology of musical versions: introducing the hypothesis of nested types. The Journal of Aesthetics and Art Criticism 77: 241–54.10.1111/jaac.12651
- Puy, Nemesio G.C. 2021. “Nested types and musical versions: Replying to Davies’ challenges”. The Journal of Aesthetics and Art Criticism 79: 256–60.10.1093/jaac/kpab012
- Puy, Nemesio G.C. 2022. “Interpretive authenticity: performances, versions and ontology”. Estetika: The European Journal of Aesthetics 59(2): 135–52.10.33134/eeja.327
- Sampedro y Folgar, Castro. 1982. Cancionero Musical de Galicia. La Coru˜na: Fundación Pedro Barrié de la Maza.
- Sacrosanctum Concilium, Constitution on the Sacred Liturgy. 1963. Rome. https://www.vatican.va/archive/hist_councils/ii_vatican_council/documents/vat-ii_const_19631204_sacrosanctum-conciliumen.html.
- Sisman, Elaine. 2001. Variations. Grove Music Online. Oxford: Oxford University Press.10.1093/gmo/9781561592630.article.29050
- Suzuki, Dean. 2013. Minimalism in the time-based arts: dance, film and video. In The Ashgate Research Companion to Minimalist and Postminimalist Music. Potter, Keith, Gann Kyle and Siôn, Pwyll (eds.). Surrey: Ashgate, 109–28.
- Torner, Eduardo M. and Bal y Gay, Jesús. 1973. Cancionero Gallego. La Coru˜na: Fundación Pedro Barrié de la Maza.
- Wagner, Richard. 1966. “The rendering of Beethoven’s Ninth Symphony”. In Richard Wagner’s Prose Works, Volume V. New York: Broude Brothers.
- Young, James O. 2021. Radically Rethinking Copyright in the Arts. New York: Routledge.10.4324/9781003058298