References
- Berry, Wallace. 1989. Musical Structure and Performance. New Haven: Yale University Press.
- Cook, Nicholas. 2003. Writing on Music or Axes to Grind: road rage and musical community. Music Education Research, Vol. 5, No. 3, Novembro 2003, 249-261.10.1080/1461380032000126346
- Kivy, Peter. 1995. Authenticities. Philosophical relections on musical performance. Ithaca NY: Cornell University Press.
- Levinson, Jerrold. 1987. Evaluating Musical Performance. In Jerrold Levinson, Music, Art and Metaphysics: Essays in Philosophical Aesthetics. Ithaca NY: Cornell University Press, 376-392.
- Lopes, António. 2005. Musical Works and Performance Evaluation. Postgraduate Online Journal of Aesthetics (British Society of Aesthetics), 2: 2 (Agosto 2005) (https://leopard.ncl.ac.uk/BSA/PJAArchive.aspx)
- Lopes, António. 2006. Relativismo na Avaliação de Execuções Musicais. Philosophica (Revista do Departamento de Filosofia da Universidade de Lisboa), nº 27.
- Lopes, António. 2010. O Valor de um Bach Autêntico; um Estudo sobre o Conceito de Autenticidade na Execução de Obras Musicais. Lisboa: Fundação Calouste Gulbenkian.
- Narmour, Eugene. 1988. On the Relationship of Analytical Theory to Performance and Interpretation, in Explorations in Music, the Arts, and Ideas, ed. by E. Narmour and R. Solie. New York: Pendragon Press, 1988, 317-340.
- Sibley, Frank. 1989. Aesthetic Concepts. In Aesthetics. A Critical Anthology, ed. by George Dickie et al. New York: St. Martin’s Press, 356-374.