.jpg&w=3840&q=75)
Anna Weyant and Her Pictorial Production: The Influence of Digital Design Procedures on Painted Imagery
References
- Adorno, T.W. (2015). Teoría estética: Obra completa 7. Ediciones Akal.
- Bakhtin, M. (1984). Rabelais and his world. Bloomington. Indiana University Press.
- Baudrillard, J. (1981). Simulacres et simulation. Galilée.
- Bauerlein, M. (2011). The digital divide: Arguments for and against Facebook, Google, texting, and the age of social networking. Penguin.
- Bauman, Z. (2013). Liquid modernity. John Wiley & Sons.
- Benjamin, W. (2010). Obras completas, I, I: El origen del trauerspiel alemán. Abada Editores.
- Berry, D.M., & Dieter, M. (2015). Thinking postdigital aesthetics: Art, computation and design. In: D.M. Berry & M. Dieter (Eds), Postdigital Aesthetics. Palgrave Macmillan. https://doi.org/10.1057/9781137437204_1
- Bishop, C. (2025). Disordered attention: How we look at art and performance today. Verso books.
- Bolter, J.D. (2019). The digital plenitude: The decline of elite culture and the rise of new media. The MIT Press.
- Bolter, J.D., Engberg, M., & MacIntyre, B. (2021). Reality media: Augmented and virtual reality. MIT Press.
- Chester, A. (2018). The outmoded instant: From Instagram to Polaroid. Afterimage. The Journal of Media Arts and Cultural Criticism, 45(5), 10–15. https://doi.org/10.1525/aft.2018.45.5.10
- Colson, R. (2007). The fundamentals of digital art. Ava Publishing.
- Crow, K. (2022, June 18). Three years ago, her art sold for $400 at the beach. Now it fetches up to $1.6 million at auction. Wall Street Journal. https://www.wsj.com/arts-culture/fine-art/anna-weyant-paintings-larry-gagosian-11655482365
- DeLanda, M. (2016). Assemblage theory. Edinburgh University Press.
- De las Heras Romano, D., & García-Ergüín Maza, M. (2024). Fashion photography ontology through a methodological approach to pictures of Gucci and Balenciaga’s e-commerce. International Journal of Designed Objects, 18(1), 145–159. https://doi.org/10.18848/2325-1379/CGP/v18i01/145-159
- Deleuze, G., & Guattari, F. (1980). Mille plateaux (Vol. 4). Éd. de Minuit.
- Deleuze, G., & Lapoujade, D. (2023). Sur la peinture: cours mars-juin 1981. Éd. de Minuit.
- Dooley, T. (2025, September 19). How Instagram Upended the Art World. The Walrus. https://thewalrus.ca/how-instagram-upended-the-art-world/
- Dozier, A. (2022, December 29). Anna Weyant’s Uncanny Paintings Breathe New Life into Female Portraiture. Artsy. https://www.artsy.net/article/artsy-editorial-anna-weyants-uncanny-paintings-breathe-new-life-female-portraiture
- Flusser, V. (1999). Shape of things: A philosophy of design. Reaktion Books.
- Flusser, V. (2011). Into the universe of technical images (Vol. 32). University of Minnesota Press.
- Flusser, V. (2014). Gestures. University of Minnesota Press.
- García-Ergüín Maza, M., & Fragua Valdivieso, J. (2025). Methodology approach to digital imagery conception: The designer against the homogeneity of digital media. Design Issues, 41(2), 60–7. https://doi.org/10.1162/desi_a_00806
- Gram, M. (2025). The invention of design. Basic Books.
- Grau, O. (2004). Virtual art: From illusion to immersion. MIT Press.
- Han, B.-C. (2017). Saving beauty. John Wiley & Sons.
- Han, B.-C. (2021). Undinge: Umbrüche der lebenswel. Ullstein Buchverlage.
- Han, B.-C. (2022). Hyperculture: Culture and globalization. Polity Press.
- Hand, M. (2020). Photography meets social media: Image making and sharing in a continually networked present. In G. Pasternak (Ed.), The Handbook of Photography Studies (pp. 310–326). Routledge. https://doi.org/10.4324/9781003103974
- Hope, C., & Ryan, J.C. (2014). Digital arts: An introduction to new media. Bloomsbury Publishing.
- Irvin, S. (2005). The artist’s sanction in contemporary art. The Journal of Aesthetics and Art Criticism, 63(4), 315–326. http://www.jstor.org/stable/3700508
- Jenkins, H. (2006). Convergence culture: Where old and new media collide. Social Science Computer Review, 26(2), 252–254. https://doi.org/10.1177/0894439307306088
- John, N.A. (2017). The age of sharing. Polity Books.
- Jurgenson, N. (2019). The social photo: On photography and social media. Verso Books.
- Latour, B. (2008, September). A cautious Prometheus? A few steps toward a philosophy of design. In “Networks of Design”, Annual International Conference of the Design History Society (pp. 2–10). Universal Publishers.
- Lipovetsky, G. (2006). Le bonheur paradoxal. Essai sur la société d’hyperconsommation. Gallimard.
- Lipovetsky, G., & Serroy, J. (2016). L’esthétisation du monde. Vivre à l’âge du capitalisme artiste. Gallimard.
- Rzepińska, M., & Malcharek, K. (1986). Tenebrism in baroque painting and its ideological background. Artibus et Historiae, 7(13), 91–112. https://www.jstor.org/stable/1483250
- Manovich, L. (2001). Post-media aesthetics. Transmedia frictions, the digital, the arts, and the humanities.
- McLuhan, M. (1962). The Gutenberg galaxy: The making of typographic man. University of Toronto Press.
- Milgram, P., Takemura, H., Utsumi, A., & Kishino, F. (1995, December). Augmented reality: A class of displays on the reality-virtuality continuum. In Telemanipulator and telepresence technologies (Vol. 2351, pp. 282–292). Spie. https://doi.org/10.1117/12.197321
- Norman, D.A. (2007). Emotional design: Why we love (or hate) everyday things. Basic Books.
- Norman, D.A. (2013). The design of everyday things: Revised and expanded edition. Basic Books.
- Norman, D.A. (2016). Living with complexity. MIT press.
- Paul, C. (2023). Digital art. Thames & Hudson.
- Ritchin, F. (2009). After photography. WW Norton & Company.
- Sennett, R. (2008). The craftsman. Yale University Press.
- Shirky, C. (2010). Cognitive surplus: How technology makes consumers into collaborators. Penguin Random House.
- Schneck, F. (2025, September 9). The case of Anna Weyant: When the system rewards strategy more than artwork. Finestre sull’Arte. https://www.finestresullarte.info/en/opinions/the-case-of-anna-weyant-when-the-system-rewards-strategy-more-than-artwork
- Silverstone, R., & Williams, R. (2004). Television: Technology and cultural form. Routledge.
- Strauss, D.l. (2020). Photography and belief. David Zwirner Books.
- Stutterheim, S. (2025). Anna Weyant [Temporary Exhibition]. Museo Nacional Thyssen-Bornemisza, Madrid, Espańa. https://www.museothyssen.org/en/exhibitions/anna-weyant
- Timberg, S. (2015). Culture crash: The killing of the creative class. Yale University Press.
- Turkle, S. (2001). Alone together: Why we expect more from technology and less from each other. Basic Books.
- Van Dijck, J. (2014). Datafication, dataism and dataveillance: Big data between scientific paradigm and ideology. Surveillance & Society, 12(2), 197–208. https://doi.org/10.24908/ss.v12i2.4776
DOI: https://doi.org/10.2478/ctra-2026-0010 | Journal eISSN: 2354-0036
Language: English
Page range: 60 - 75
Submitted on: Mar 12, 2026
Accepted on: Jul 17, 2026
Published online: Sep 25, 2026
Published in print: Dec 1, 2026
Published by: University of Białystok
In partnership with: Paradigm Publishing Services
Keywords:
Related subjects:
© 2026 Marcos García-Ergüín Maza, published by University of Białystok
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.