Abstract
The purpose of this paper is to analyze the Dionysian topos in Lucian Blaga’s poetry. The zero point of our work is the concept of geocriticism. This study tries to outline the fact that the space in Blaga’s poetry features both Dionysian and Apollonian characteristics. In the center of this dichotomic space stands the symbol of the mountain – a sacred area where a whole cosmogony comes to life, based on the dialectic relationship between ascent and descent.