Abstract
This study is based on a research on literary criticism, with a focus on several aspects of Lucian Blaga’s biography from an ideological perspective, aiming and examining its falsifications before 1989 and its true version after the socialist period. Due to most of the papers published by his daughter, Dorli Blaga (more specific, correspondence, diaries and official documents), we could claim that Blaga represents not only a literary case, but also a political one. To be more precise, the purpose of this article is to reveal some demystifications directly related to his biography, outlining three main periods in what concerns Blaga’s reception: the ’50s, the ’60s and the after ’90s.