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Quality attributes in the non-market stated-preference based valuation of cultural goods Cover

Quality attributes in the non-market stated-preference based valuation of cultural goods

Open Access
|Mar 2020

Figures & Tables

Tab. 1

Type of play and similar taxonomies. Literature review

StudyCategoryTaxonomy
Throsby (1990)Repertoire classificationWritten before 1900 (“classic”)
Written after 1900 by a well-known author
Written after 1900 by a little-known or unknown author
Entertainment, revue, musical
Abbé-Decarroux (1994)Repertoire classification“Classic” play (written before 1900)
“Modern” play (written after 1900 – deceased author)
“Contemporary” play (written after 1900 – living author)
“Atypical” play (circus, revue, collective creation, etc.)
Urrutiaguer (2002)Repertoire classification“Classics”: author died before 1900
Plays written before 1980 by an author who died in the 20th century
Plays written in French by an author who is still alive, and those written in French by an author who is now dead, but published after 1980
Plays written in a foreign language by an author belonging to the contemporary category
Corning and Levy (2002)GenreComedy
Drama
Musical
Shakespeare
Tommy
Willis and Snowball (2009)GenreClassic
Modern known playwright
Modern unknown playwright
Production typeComedy
Drama
Musical
Grisolía and Willis (2011, 2012)Repertoire classification/type of a playComedy
Drama
Modern experimental/adaptation of a classic play
Grisolía and Willis (2016)Type of playDrama
Comedy
Musical
Opera
ContextWritten before 1900
Written after 1900
Royal Shakespeare Company
Type of productionModern
Traditional
Wiśniewska and Czajkowski (2017)Entertainment
Drama
Children’s
Experimental
Tab. 2

Quality dimensions from two projects

Quality dimensionDescription
Relevance (A/E)It had something to say about today’s world/the world in which we live
Captivation (A/E)It was absorbing and held my attention
Originality (A/E)It was ground-breaking
Distinctiveness (A/E)It was different from things I have experienced before
Excellence – global (A/E)*It was amongst the best of its type [in the world]*.
Excellence – local (A/E)*It was amongst the best of its type [in Australia]*
Risk (A/E)The artists/curators really challenged themselves with this
Rigor (A/E)It seemed well thought through and put together
Presentation (E)It was well produced and presented
Challenge (E)It was thought-provoking
Enthusiasm (E)I would come to something like this again
Local impact (E)It is important that it is happening here
Concept (E)It was an interesting idea

* A – Australian project, E – English project. Division into global and local excellence appears only in the Australian list of quality dimensions; the English quality dimension is simply ‘excellence’.

DOI: https://doi.org/10.2478/ceej-2019-0012 | Journal eISSN: 2543-6821 | Journal ISSN: 2544-9001
Language: English
Page range: 132 - 150
Published on: Mar 26, 2020
Published by: Faculty of Economic Sciences, University of Warsaw
In partnership with: Paradigm Publishing Services
JEL:

© 2020 Aleksandra Wiśniewska, published by Faculty of Economic Sciences, University of Warsaw
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.